Elstree Studios


Book Description

Published in association with Elstree Studios, Elstree: A Celebration is a tribute to over a century of world-class film and TV, and provides an intriguing insight into the past glories and hurdles of Elstree Studios and looks forward to an exciting future.




The Film Studio


Book Description

The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, alleging that global competition is best understood as an unequal and unstable partnership between the 'design interest' of footloose producers and the 'location interest' of local actors. Ben Goldsmith and Tom O'Regan identify various types of film studios and investigate the consequences for Hollywood, international film production, and the studio locations.




The Encyclopedia of Hammer Films


Book Description

Dracula and Frankenstein. Christopher Lee and Peter Cushing. These are just a few of the icons of Hammer Films. To horror fans, the name “Hammer” conjures visions of hissing vampires and buxom beauties in low-cut negligees. But Britain’s Hammer Film Productions, Ltd., was much more than just a fright factory. For more than thirty years, the company turned out neatly crafted entries in a variety of genres, ranging from comedies to pirate yarns, murder mysteries to war pictures. At the heart of Hammer’s remarkable success was its access to American financing and American theaters. But more than that, the individuals behind the scenes knew how to make good films on tight budgets. These pictures have withstood the test of time and continue to be enjoyed all over the world. The Encyclopedia of Hammer Films details the surprising story of Britain’s most successfulindependent film company and includes Entries on all of Hammer’s feature films, featurettes, and television episodes, including staff, production details, US and UK release data, cast, synopses, reviews, behind-the-scenes quotes, and US financial participation Capsule biographies of directors, producers, technicians, and actors––including the lovely ladies of Hammer glamour Special entries on Hammer-related topics, including “tax shelter” companies, Hammerscope, the British Board of Film Censors, and the recent Hammer reboot An annotated appendix of more than 150 unrealized Hammer projects A chronological, annotated listing of every production and coproduction from the company’s inception in 1934 An invaluable resource, this volume includes snapshots of the men and women who made the studio a success—including Peter Cushing, Terence Fisher, Christopher Lee, Ingrid Pitt, and Jimmy Sangster—as well as such iconic films as The Curse of Frankenstein, The Devil Rides Out, Dracula Has Risen from the Grave, and Vampire Circus. With more than six hundred entries, The Encyclopedia of Hammer Films is a must-have for every fan of this unique studio.




Elstree & Borehamwood Through Time


Book Description

This fascinating selection of photographs traces some of the many ways in which Elstree & Borehamwood have changed and developed over the last century




Harrison Ford


Book Description

Harrison Ford has been labeled one of the top 100 stars of all time, the sexiest man alive, and the highest-grossing actor in the history of film, yet he still has the appeal of an average guy to whom the common man can relate. He has worked in more than 40 films, as well as in narration roles, documentaries, award shows, and television appearances. He has won more than two dozen awards, including the Lifetime Achievement Award in 2000. This biographical and filmographic work covers Ford's personal life and career, concentrating on his efforts in the film industry. It examines in great detail more than 30 films, including American Graffiti, the several Star Wars outings, Blade Runner, The Fugitive, and Air Force One. It discusses the films' inceptions, writing, casting, sets, schedules, stunts, filming obstacles, openings, earnings, controversies, and reviews. Quotes and intimate anecdotes from the casts and crews are an added bonus. Numerous photographs, a complete film and television listing, a bibliography and index complete the work.




Industrial History from the Air


Book Description

This is the first book to explore the exceptional opportunities offered by aerial photography for unravelling the physical complexities and historical development of the industrial landscape of Britain. A wide range of industrial sites is illustrated - from quarries, mines and car factories to airports, railways and New Towns. The general nature and significance of their history and development is discussed while the detailed commentaries accompanying each photograph indicate the kind of historical and technical information which cannot be easily obtained in any other way. There is good geographic coverage of sites, with examples from England, Wales and Scotland, drawn from the eighteenth to the twentieth centuries. Through a combination of fascinating narrative detail and imaginative presentation of photographic evidence, this book provides a unique insight into our industrial past and present.




Transnational Television History


Book Description

Although television has developed into a major agent of the transnational and global flow of information and entertainment, television historiography and scholarship largely remains a national endeavour, partly due to the fact that television has been understood as a tool for the creation of national identity. But the breaking of the quasi-monopoly of public service broadcasters all over Europe in the 1980s has changed the television landscape, and cross-border television channels - with the help of satellite and the Internet - have catapulted the relatively closed television nations into the universe of globalized media channels. At least, this is the picture painted by the popular meta-narratives of European television history. Transnational Television History asks us to re-evaluate the function of television as a medium of nation-building in its formative years and to reassess the historical narrative that insists that European television only became transnational with the emergence of more commercial services and new technologies from the 1980s. It also questions some common assumptions in television historiography by offering some alternative perspectives on the complex processes of transnational circulation of television technology, professionals, programmes and aesthetics. This book was originally published as a special issue of Media History.




British Film Studios


Book Description

Ninety studios, 200 film stills, and countless fascinating facts are all in this A-to-Z compendium of movies made at British studios, from the silent days to the present. Featuring an in-depth cross-reference, the guide also covers the role of the directors, producers and stars.




The Transparency of Spectacle


Book Description

Considers the ephemeral nature of the cinematic experience as we now apprehend it, and examines the ways in which technological advances in film and moving image production have changed this experience over the course of the last thirty-odd years.




Beyond the Epic


Book Description

Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director’s life and career. Phillips also explores Lean’s lesser-studied films, such as The Passionate Friends (1949), Hobson’s Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean’s approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean’s successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature’s greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean’s ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean’s epics to reveal this unifying characteristic in the director’s body of work. Beyond the Epic is a vital assessment of a great director’s artistic process and his place in the film industry.