Emigré New York


Book Description

From the largely forgotten prewar visit to the city of Petain and Laval to the seizing, burning, and capsizing of the Normandie, France's floating museum, in the Hudson River, Jeffrey Mehlman evokes the writerly world of French Manhattan, its achievements and feuds, during one of the most vexed periods in French history."--BOOK JACKET.




Émigré New York: French Intellectuals in Wartime Manhattan, 1940-1944


Book Description

Wartime New York was the city where French Symbolism — Maurice Maeterlinck — came to live out its last productive years; where French surrealism — André Breton — came to survive; and where French structuralism — Claude Lévi-Strauss — came to be born. From the largely forgotten prewar visit to the city of Pétain and Laval to the seizing, burning, and capsizing of the Normandie, France’s floating museum, in the Hudson River, Jeffrey Mehlman evokes the writerly world of French Manhattan, its achievements and feuds, presenting a series of surprising and expertly etched portraits against the backdrop of an overriding irony: the United States, the world’s principal hope in the battle against Hitler’s barbarism, was for the most part more eager to deal with Pétain’s collaborationist regime than with what Secretary of State Cordell Hull called de Gaulle’s "so-called Free French" movement. “One of modern European history’s great stories. Jeffrey Mehlman tells the tale appealingly and persuasively... The individual stories — not least the symbolism of the ocean liner Normandie’s tragic burning and capsizing... — would be plenty to go on with, but Mr. Mehlman’s theme is a larger one. He finds the French intellectuals in World War II New York not very different from the French aristocrats who found refuge in Koblenz in the last decade of the 18th century, hoping for a reversal of the Revolution and restoration of the ancien regime.” — Colin Walters, Washington Times “Subtle, erudite, and often humorous. Previous attempts by literature professors to tackle culture have not always resulted in works as mind-stretching and entertaining as this account.” — Stanley Hoffman, Foreign Affairs “A series of elegant essays of cultural criticism.” — Kim Munholland, American Historical Review “Jeffrey Mehlman has written an intriguing, highly original work... [He] has succeeded in achieving a personal, yet erudite, series of insights about intellectual production of French writers and philosophers exiled in New York during the Second World War... Mehlman deftly and sometime humorously brings to life this motley cast of characters.” — Jonathan Gosnell, French Review “Mehlman’s insightful book on French exiles in wartime New York City enriches the understanding of how very diverse political exiles reacted to the traumatic suffering of their homelands and other countries occupied by the Nazis.” — Edmund J. Campion,Magill’s Literary Annual “Mehlman’s greatest achievement... is neither the history he’s opened up nor the reputations he’s reclaimed. It is the quality of the close reading that is most admirable, tracing words and themes as they echo and resonate from one text to another.” — David Herman, Jewish Quarterly “Mehlman has written a brilliant, original, and challenging work. There is quite simply no other work like it, because Mehlman works on two levels at once, historical and metaphysical. It should find an eager audience among scholars working in the fields of twentieth-century French literature, the history of French thought, and the history of France in World War II.” — Arthur Goldhammer, Center for European Studies,Harvard University




Merz to Emigré and Beyond


Book Description

A survey of avant-garde cultural and political magazines and journals.




Dynamics of Emigration


Book Description

As a pioneering volume to consider the impact of exile on historical scholarship in the twentieth century in a systematic and global way, looking at Europe, North America, South America and Asia, Dynamics of Emigration asks about epistemic repercussions on the experience of exile and exiles. Analyzing both the impact that exile scholars had on their host societies and on the societies they had to leave, the volume investigates exiles’ pathways to integration into new host societies and the many difficulties they face establishing themselves in new surroundings. Focusing on the age of extremes and the realms of exile from fascist and right-wing dictatorships as well as communist regimes, the contributions look at the reasons scholars have for going into exile while providing side-by-side examination of the support organizations and paths for success involved with living in exile.




Exiled in Paradise


Book Description

A brilliant look at the writers, artists, scientists, movie directors, and scholars—ranging from Bertolt Brecht to Albert Einstein, Hannah Arendt, Thomas Mann, and Fritz Lang—who fled Hitler's Germany and how they changed the very fabric of American culture. In a new postscript, Heilbut draws attention to the recent changes in reputation and image that have shaped the reception of the German exiles. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983 with a paperback in 1997.




Performing Tsarist Russia in New York


Book Description

Offering a rare look at the musical life of Russia Abroad as it unfolded in New York City, Natalie K. Zelensky examines the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan's Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World's Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today's Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music's sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Performing Tsarist Russia in New York presents a close historical and ethnographic examination of music's potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.




Experimental Jetset


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Strangers in Paradise


Book Description




The Émigré Analysts and American Psychoanalysis


Book Description

This book explores the impact of migration, including its causes, upon the key ideas and directions of psychoanalytic theory and practice from the twentieth century until today. Having originated with a conference called "Émigré Analysts," developed through the Sandor Ferenczi Center at the New School for Social Research, this collection encompasses a wide array of often personal insights into the historical effects of exile and migration upon psychoanalysis. Divided into three sections, the book first attends to the political crises that affected the exile of psychoanalysts after the Second World War, tracing their journeys from Eastern Europe to the United States; secondly, the rise of antisemitism and the impact of the Holocaust upon these analysts is closely examined; and finally, this book attends to the protection and safety of analysts forced into exile in our contemporary moment with reference to the work being done by existing national and international psychoanalytic institutions. As an engaging and thoroughly detailed account of the influence of exile upon American psychoanalysis, this book will be of as much interest to scholars of history and twentieth-century culture as to psychoanalysts and psychoanalytic psychotherapists in training and in practice.




The Socialist Émigré


Book Description

Paul Tillich never abandoned the Marxist ideas he developed during the political upheaval of his native Germany in the 1920s and 1930s. Indeed, he subsumed and incorporated Marxism into the construction of his post-German religious thinking and theology which he pioneered after fleeing to the USA in 1933. In the "Socialist Emigre, Brian Donnelly deals with the philosophical foundations of Tillich's theology, specifically the important thread of Marxism, and argues that Tillich's later and highly acclaimed theology cannot be divorced from his earlier Marxist views. This makes for a seminal work which examines Tillich in a new and critical light and furthers the debate as to the structure of his philosophical theology and the nature of his eclectic thought. This unique study features Tillich's boundary thought regarding Marxism and religion, faith and culture, history and supernaturalism, and emphasizes Tillich the philosopher rather then Tillich the theologian.