Empresses of Seventh Avenue


Book Description

In the tradition of The Barbizon and The Girls of Atomic City, fashion historian and journalist Nancy MacDonell chronicles the untold story of how the Nazi invasion of France gave rise to the American fashion industry. Calvin Klein. Ralph Lauren. Donna Karan. Halston. Marc Jacobs. Tom Ford. Michael Kors. Tory Burch. Today, American designers are some of the biggest names in fashion, yet before World War II, they almost always worked anonymously. The industry, then centered on Seventh Avenue in Manhattan, had always looked overseas for "inspiration"—a polite phrase for what was often blatant copying—because style, as all the world knew, came from Paris. But when the Nazis invaded France in 1940, the capital of fashion was cut off from the rest of the world. The story of the chaos and tragedy that followed has been told many times—but how it directly affected American fashion is largely unknown. Defying the naysayers, New York-based designers, retailers, editors, and photographers met the moment, turning out clothes that were perfectly suited to the American way of life: sophisticated, modern, comfortable, and affordable. By the end of the war, "the American Look" had been firmly established as a fresh, easy elegance that combined function with style. But none of it would have happened without the influence and ingenuity of a small group of women who have largely been lost to history. Empresses of Seventh Avenue will tell the story of how these extraordinary women put American fashion on the world stage and created the template for modern style—and how the nearly $500 billion American fashion industry, the largest in the world, could not have accrued its power and wealth without their farsightedness and determination.




Seventh Avenue


Book Description

Seventh Avenue tells the story of tenement-born Jay Blackman's rise to become king of Manhattan's garment district at the height of the Great Depression.But Blackman's restlessness and competitiveness tears the seams of his personal life.Among his victims are his wife Rhoda, who manages the dress shop that gives his career its start; Eva, a sophisticated, cynical designer, whose family he eventually destroys; and Terry, a beautiful, bored heiress, who represents all the status Jay dreams of acquiring.Seventh Avenue is a sharply drawn novel that depicts a ruthless young man exploiting every opportunity and person he encounters.




Empresses of Seventh Avenue


Book Description

In the tradition of The Barbizon and The Girls of Atomic City, fashion historian and journalist Nancy MacDonell chronicles the untold story of how the Nazi invasion of France gave rise to the American fashion industry. Calvin Klein. Ralph Lauren. Donna Karan. Halston. Marc Jacobs. Tom Ford. Michael Kors. Tory Burch. Today, American designers are some of the biggest names in fashion, yet before World War II, they almost always worked anonymously. The industry, then centered on Seventh Avenue in Manhattan, had always looked overseas for "inspiration"—a polite phrase for what was often blatant copying––because style, as all the world knew, came from Paris. But when the Nazis invaded France in 1940, the capital of fashion was cut off from the rest of the world. The story of the chaos and tragedy that followed has been told many times—but how it directly affected American fashion is largely unknown. Defying the naysayers, New York-based designers, retailers, editors, and photographers met the moment, turning out clothes that were perfectly suited to the American way of life: sophisticated, modern, comfortable, and affordable. By the end of the war, "the American Look" had been firmly established as a fresh, easy elegance that combined function with style. But none of it would have happened without the influence and ingenuity of a small group of women who have largely been lost to history. Empresses of Seventh Avenue will tell the story of how these extraordinary women put American fashion on the world stage and created the template for modern style––and how the nearly $500 billion American fashion industry, the largest in the world, could not have accrued its power and wealth without their farsightedness and determination.




In My Fashion


Book Description




What Shall I Wear?


Book Description

First published in 1956, What Shall I Wear? is revolutionary fashion designer Claire McCardell’s collection of fashion wisdom and philosophy, and a vivacious guide to looking effortlessly stylish. This new edition of the sought-after classic features a foreword by iconic designer Tory Burch and a color insert of photos from McCardell’s collections. “The testament to great design, Claire McCardell’s dresses look fresh, contemporary, and desirable eight decades after they were made, as the Costume Institute’s 2022 exhibit In America: An Anthology of Fashion demonstrated.” —Nicole Phelps, global director, Vogue Runway and Vogue Business “Among the many surprises and insights I discovered in McCardell’s valuable book is that she wanted to call it Fashion is Fun. That may also be the secret behind her genius and enduring influence—she refused to take fashion too seriously.” —Cathy Horyn, New York Magazine “The first designer to create a cohesive vision rooted in the American lifestyle of ease, McCardell and her contributions as a designer and a woman in business are often overlooked. Tory Burch’s new foreword . . .puts this American treasure in her rightful place.” —Constance White, fashion editor and author of How to Slay: Inspiration from the Queens and Kings of Black Style “Claire McCardell’s guiding philosophy of dressing with ease in afunctional, fashionable American look was groundbreaking—and feminist—for her times. And it continues to resonate globally on the runways and in closets today.” —Booth Moore, executive editor, Women’s Wear Daily




Baldwin's Monthly


Book Description




Claire Mccardell


Book Description

But at a time when every American designer of note was sent to Paris to copy the latest styles, McCardell shrugged off the Paris couture industry, refusing, after 1940, to visit the collections or even to look at Paris design for fear it might influence her. In Claire McCardell: Redefining Modernism, coauthors Kohle Yohannan and Nancy Nolf have told a story that is as much biography as it is fashion history.




740 Park


Book Description

From the author of House of Outrageous Fortune For seventy-five years, it’s been Manhattan’s richest apartment building, and one of the most lusted-after addresses in the world. One apartment had 37 rooms, 14 bathrooms, 43 closets, 11 working fireplaces, a private elevator, and his-and-hers saunas; another at one time had a live-in service staff of 16. To this day, it is steeped in the purest luxury, the kind most of us could only imagine, until now. The last great building to go up along New York’s Gold Coast, construction on 740 Park finished in 1930. Since then, 740 has been home to an ever-evolving cadre of our wealthiest and most powerful families, some of America’s (and the world’s) oldest money—the kind attached to names like Vanderbilt, Rockefeller, Bouvier, Chrysler, Niarchos, Houghton, and Harkness—and some whose names evoke the excesses of today’s monied elite: Kravis, Koch, Bronfman, Perelman, Steinberg, and Schwarzman. All along, the building has housed titans of industry, political power brokers, international royalty, fabulous scam-artists, and even the lowest scoundrels. The book begins with the tumultuous story of the building’s construction. Conceived in the bubbling financial, artistic, and social cauldron of 1920’s Manhattan, 740 Park rose to its dizzying heights as the stock market plunged in 1929—the building was in dire financial straits before the first apartments were sold. The builders include the architectural genius Rosario Candela, the scheming businessman James T. Lee (Jacqueline Kennedy Onassis’s grandfather), and a raft of financiers, many of whom were little more than white-collar crooks and grand-scale hustlers. Once finished, 740 became a magnet for the richest, oldest families in the country: the Brewsters, descendents of the leader of the Plymouth Colony; the socially-registered Bordens, Hoppins, Scovilles, Thornes, and Schermerhorns; and top executives of the Chase Bank, American Express, and U.S. Rubber. Outside the walls of 740 Park, these were the people shaping America culturally and economically. Within those walls, they were indulging in all of the Seven Deadly Sins. As the social climate evolved throughout the last century, so did 740 Park: after World War II, the building’s rulers eased their more restrictive policies and began allowing Jews (though not to this day African Americans) to reside within their hallowed walls. Nowadays, it is full to bursting with new money, people whose fortunes, though freshly-made, are large enough to buy their way in. At its core this book is a social history of the American rich, and how the locus of power and influence has shifted haltingly from old bloodlines to new money. But it’s also much more than that: filled with meaty, startling, often tragic stories of the people who lived behind 740’s walls, the book gives us an unprecedented access to worlds of wealth, privilege, and extraordinary folly that are usually hidden behind a scrim of money and influence. This is, truly, how the other half—or at least the other one hundredth of one percent—lives.




Dior: The Legendary 30, Avenue Montaigne


Book Description

The history of Dior as seen through the mythical Parisian address of 30, avenue Montaigne, home to the House’s headquarters and ateliers. Celebrating 30, avenue Montaigne, this sophisticated volume—published on the occasion of the House’s 75th anniversary in 2022—presents the public and unseen life of the iconic headquarters. Located in the heart of Paris’s posh Triangle d’Or, 30, avenue Montaigne has been linked to the House of Dior’s story since 1946. Christian Dior chose this hôtel particulier to establish his couture house and present his collections, including the inaugural 1947 fashion show that marked the New Look era’s debut. Since then, Christian Dior and his successors—from Yves Saint Laurent to Maria Grazia Chiuri—have designed and created all the House’s collections here. 30, avenue Montaigne is where the ateliers are still based, making it a fabled address of Parisian haute couture. With emblematic images of Christian Dior working in his design studio, fitting sessions, and backstage fashion shows; archival documents; and a breathtaking portfolio of Dior creations, readers will discover 30, avenue Montaigne’s spirit throughout the decades while heralding its future.




A Plan for the City of Vancouver, British Columbia


Book Description