England's Ruins


Book Description

Anne Janovitz examines the poetry of fragments, and of ruins, in its famous progression from classic to romantic mode and provides a typology of these fragments and a painstaking discrimination of the poetic forms involved. An important contribution of "England's ruins", is its use of generic analysis to provide a "political" dimension to ruins and fragments. Her aim is to historicize the category of 18th century poetry and to find within its own achievements precisely the tensions which led to the emergence of romanticism. "England's ruins" examines the ruin poem tradition, from old English and renaissance texts to the early 19th century, and finds in it a powerful force in the shaping of British national identity and of British nationalism. The pervasive image of ubiquitous decay in 18th century writing was, Janovitz argues, both the literary topos of mortality and a sophisticated ideological bolster for imperialism and stable authority overseas. This book isolates three major lines which together form a genealogy of ruin: the tradition of topographical poetry about ruined castles in the British countryside; the tradition of antiquarianism which gathers together textual fragments and relics into anthologies and miscellanies; and the tradition of "accidental" ruins, poems that remained unfinished but found their way into an aesthetic of incompletion that characterizes the romantic fragment and its modernist heir, the pose assembled out of the ruins of other poems and documents.




The Ruin of Roman Britain


Book Description

This book employs new archaeological and historical evidence to explain how and why Roman Britain became Anglo-Saxon England.




England's ruin


Book Description




Posh Boys


Book Description

‘The latest in the series of powerful books on the divisions in modern Britain, and will take its place on many bookshelves beside Reni Eddo-Lodge’s Why I’m No Longer Talking to White People About Race and Owen Jones’s Chavs.’ –Andrew Marr, Sunday Times ‘In his fascinating, enraging polemic, Verkaik touches on one of the strangest aspects of the elite schools and their product’s domination of public life for two and a half centuries: the acquiescence of everyone else.’ –Observer In Britain today, the government, judiciary and military are all led by an elite who attended private school. Under their watch, our society has become increasingly divided and the gap between rich and poor is now greater than ever before. Is this the country we want to live in? If we care about inequality, we have to talk about public schools. Robert Verkaik issues a searing indictment of the system originally intended to educate the most underprivileged Britons, and outlines how, through meaningful reform, we can finally make society fairer for all.







Ruin Lust


Book Description

Ruin Lust offers a guide to the mournful, thrilling, comic, and perverse uses of ruins in art from the 17th century to the present day. This book, which accompanied a major Tate Britain exhibition, includes more than 100 works by artists such as J. M. W Turner, John Constable, John Martin, Eduardo Paolozzi, Paul Nash, and Rachel Whiteread. Beginning in the midst of the craze that sent artists, writers, architects, and tourists in search of ruins and picturesque landscapes in the 18th century, it shows how ruins have continued to be a source of visual and emo­tional fascination at particular historical moments. Thoroughly illustrated, Ruin Lust explores how ruin has become a way of thinking about art itself and its connection to both the past and the future.




Understanding the Castle Ruins of England and Wales


Book Description

Medieval castles were not just showcases for the royal and powerful, they were also the centerpieces of many people's daily lives. A travel guide as well as a historical text, this volume looks at castles not just as ruined buildings, but as part of the cultural and scenic landscape. The 88 photographs illustrate the different architectural concepts and castle features discussed in the text. The book includes glossaries of terminology, an appendix listing all the castles mentioned and their locations, notes, bibliography and index.




The People of the Ruins: A Story of the English Revolution and After


Book Description

MR. JEREMY TUFT became aware with a slight shock that he was lying in bed wide awake. He raised his head a little, stared around him, found something vaguely unfamiliar, and tried to go to sleep again. But sleep would not come. Though he felt dull and stupid, he was yet invincibly awake. His eyes opened again of themselves, and he stared round him once more. It was the subdued light, filtered through the curtains, that was strange; and as intelligence flowed back into his empty mind, he realized that this was because it was much stronger than it should have been at any time before eight o’clock. Thence to the conclusion that it was very likely later than eight o’clock was an easy step for his reviving faculties. Energy followed the returning intelligence, and he sat up suddenly, his head throbbing as he did so, and took his watch from the table beside him. It was, in fact, a quarter to ten. Arising out of this discovery a stream of possibilities troubled the still somewhat confused processes of his mind. Either Mrs. Watkins for some unaccountable reason had failed to arrive, or else, contrary to his emphatic and often repeated instructions, she had been perfunctory in knocking at his door and had not stayed for an answer. In either case it was annoying; but Mrs. Watkins’ arrival at half-past seven was so fixed a point in the day, she was so regular, so trustworthy, and, moreover, life without her ministrations was so unthinkable that the first possibility seemed much the less possible of the two. When Jeremy had thus exhausted the field of speculation he rose and went out of his room to speak sharply to Mrs. Watkins. His intention of severity was a little belied by the genial grotesqueness of his short and rather broad figure in dressing-gown and pyjamas; but he hoped that he looked a disciplinarian. Mrs. Watkins, however, was not there. The flat was silent and completely empty. The blinds were drawn over the sitting-room windows, and stirred faintly as he opened the door. He passed into the kitchen, but not hopefully, for as a rule his ear told him without mistake when the charwoman was to be found there. As he had expected, she was not there, nor yet in the bathroom. There was a quiet uncanny silence everywhere, so strange and yet at the same time so reminiscent of something that eluded his memory, that Jeremy paused a moment, head lifted in air, trying to analyze its effect on him. He ascribed it at last to the obvious cause of Mrs. Watkins’ absence at this unusually late hour; and he went further into the bathroom, whence he could see, with a little craning of the neck, the clock on St. Andrew’s Church in Holborn. This last testimony confirmed that of his watch. He returned to the sitting-room, struggling half-consciously in his mind with a quite irrational feeling, for which he could not account, that it was a Sunday. He knew very well that it was a Tuesday—Tuesday, the 18th of April, in the year 1924. When he came into the sitting-room he drew back the blinds and let in the full morning light, and by its aid he surveyed unfavorably his overcoat lying where he had thrown it the night before, coming in late from a party. He looked also with some disgust at the glass from which he had drunk a last unnecessary whisky and soda previous to going to bed. Then he paddled back wearily with bare feet to the narrow kitchen (a cupboard containing a gas-stove and a smaller cupboard), set a kettle on to boil, and began the always laborious process of bathing, shaving, and dressing. At the end he shirked making tea, or boiling an egg, and he sat down discontentedly to another whisky, in the same glass, and a piece of stale bread.




The Bones of Ruin


Book Description

An African tightrope walker who can’t die gets embroiled in a secret society’s deadly gladiatorial tournament in this “bloodily spectacular” (Chloe Gong, New York Times bestselling author of These Violent Delights) historical fantasy set in an alternate 1880s London, perfect for fans of The Last Magician and The Gilded Wolves. As an African tightrope dancer in Victorian London, Iris is used to being strange. She is certainly an unusual sight for leering British audiences always eager for the spectacle of colonial curiosity. But Iris also has a secret that even “strange” doesn’t capture…​ She cannot die. Haunted by her unnatural power and with no memories of her past, Iris is obsessed with discovering who she is. But that mission gets more complicated when she meets the dark and alluring Adam Temple, a member of a mysterious order called the Enlightenment Committee. Adam seems to know much more about her than he lets on, and he shares with her a terrifying revelation: the world is ending, and the Committee will decide who lives…and who doesn’t. To help them choose a leader for the upcoming apocalypse, the Committee is holding the Tournament of Freaks, a macabre competition made up of vicious fighters with fantastical abilities. Adam wants Iris to be his champion, and in return he promises her the one thing she wants most: the truth about who she really is. If Iris wants to learn about her shadowy past, she has no choice but to fight. But the further she gets in the grisly tournament, the more she begins to remember—and the more she wonders if the truth is something best left forgotten.