English Drama, 1580-1642


Book Description




English Drama, 1580-1642


Book Description







English Drama 1580-1642


Book Description




A Dictionary of Stage Directions in English Drama 1580-1642


Book Description

This dictionary, the first of its kind, defines and explains over 900 terms found in the stage directions of plays for the professional stage written by Shakespeare and his contemporaries. The authors draw on a database of over 22,000 stage directions drawn from around 500 plays. Each entry defines a term, gives examples of how it is used, cites additional instances, and gives cross-references to other relevant entries. This will be an indispensable work of reference for scholars, historians, directors and actors.







English Drama, 1580-1642


Book Description




Illustrations of the English Stage 1580-1642


Book Description

A collection of the surviving visual evidence on the English stage, from the rise of professional theatres in London to their closing in the Commonwealth period. Volume includes: maps; panoramas; drawings of specific actors and theatres; and illustrations from printed play texts. Each illustration is accompanied by a commentary.




Specimens of the Elizabethan Drama


Book Description

Excerpt from Specimens of the Elizabethan Drama: From Lyly to Shirley, A. D. 1580 A. D. 1642, With Introductions and Notes In selecting these specimens of the Elizabethan Drama the editor has been guided, as far as possible, by the following principles. He has endeavoured to choose typical and representative scenes, illustrating the various kinds of work done by each dramatist, such scenes being complete in themselves, containing as many as possible of the chief characters, and forming episodes of the main plot. It seemed unnecessary to include Shakespeare or extracts contained in Lamb's Specimens. With these limitations the pieces have been chosen for their literary merit, and if in any case the editor seems to have failed in this respect, he can only plead the difficulty of gleaning after Lamb, and the impossibility of pleasing all tastes. His aim has been to convey to the reader who, for one reason or another, is unable to study the collected works of the Elizabethan dramatists, a fair general impression of their average style and spirit. In the short appreciations prefixed to each section, while carefully considering and giving full weight to the opinions of recognized critics, he has tried to form an independent and moderate judgement of his own. The notes, without pretending to be exhaustive, will, it is hoped, be found to provide a satisfactory explanation of the difficulties. The New English Dictionary has been used as far as it is available; elsewhere definitions have frequently been taken from Bailey's Dictionary in preference to more modern works, as giving more precisely the exact shade of meaning which the words connoted to contemporary readers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




John Lowin and the English Theatre, 1603–1647


Book Description

Even for scholars who have devoted their careers to the early modern theatre, the name John Lowin may not instantly evoke recognition-until now, the actor's life and contribution to the theatre of the period has never been the subject of a full-length publication. In this study, Barbara Wooding provides a comprehensive overview of the life and times of Lowin, a leader of the King's Men's Company and one of the greatest actors of the seventeenth century. She examines his involvement in the Jacobean/Caroline world as performer, citizen and company manager, and contextualizes his life and career within the socio-economic and political framework of the period. Although references to him in the archives are patchy and sporadic, information about his activities within the King's Men's Company is well documented. In the course of analysing less familiar plays of the period and the characters Lowin played in them, Wooding supplements critical understanding of the scope and range of Caroline drama. Because Lowin's career burgeoned after Shakespeare's and Burbage's death, his life in Southwark and his career with the same company furnishes the opportunity for an examination of the changing status of actors, and the exercising of their skills within the drama of the later playhouse period.