Verse and Voice in Byrd's Song Collections of 1588 and 1589


Book Description

The author offers close examination of the English-language songs of Byrd published in the late 1580s, looking at the music, texts, politics, and other aspects of the songs.




The Madrigal


Book Description

The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.




Lyric forms in the sonnet sequences of Barnabe Barnes


Book Description

No detailed description available for "Lyric forms in the sonnet sequences of Barnabe Barnes".




The Ancient English Morris Dance


Book Description

This book traces the history of morris dancing in England, from its introduction in the 15th century, through the contention of the Reformation and Civil War, when morris dancing and maypoles became potent symbols of the older ways of living, to its re-invention as an emblem of Victorian concepts of Merrie England in the 19th century.




The Anchor Book of Sixteenth Century Verse


Book Description

This comprehensive anthology contains selections from the work of twenty-five poets of the sixteenth century. Employing the original, rather than normalized, texts, the volume includes complete, non-excerpted poems by John Skelton, Philip Sidney and others. The selections - which include such works as 'The Steele Glass'. Richard S. Sylvester examines the evolution of English poetry through the century, tracing the development of the early Tudor poets through the eloquence of Surrey.




The Bookman


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English Studies


Book Description




Writing after Sidney


Book Description

Writing After Sidney examines the literary response to Sir Philip Sidney (1554-86), author of the Arcadia, Astrophil and Stella, and The Defence of Poesy, and the most immediately influential writer of the Elizabethan period. It does so by looking closely both at Sidney and at four writers who had an important stake in his afterlife: his sister Mary Sidney, his brother Robert Sidney, his best friend Fulke Greville, and his niece Mary Wroth. At the same time as these authors wrote their own works in response to Sidney they presented his life and writings to the world, and were shaped by other writers as his literary and political heirs. Readings of these five central authors are embedded in a more general study of the literary and cultural scene in the years after Sidney's death, examining the work of such writers as Spenser, Jonson, Daniel, Drayton, and Herbert. The study uses a wide range of manuscript and printed sources, and key use is made of perspectives from Renaissance literary theory, especially Renaissance rhetoric. The book aims to come to a better understanding of the nature of Sidney's impact on the literature of the fifty or so years after his death in 1586; it also aims to improve our understanding both of Sidney and of the other writers discussed by developing a more nuanced approach to the questions of imitation and example so central to Renaissance literature. It thereby adds to the general store of our understanding of how writing of the English Renaissance offered examples to later readers and writers, and of how it encountered and responded to such examples itself.