English Nonconformist Poetry, 1660-1700, vol 2


Book Description

The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.




English Nonconformist Poetry, 1660-1700, vol 1


Book Description

The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.




English Nonconformist Poetry, 1660-1700, vol 3


Book Description

The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.




Polemic


Book Description

If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and influential medieval genres such as sermons and hagiography dealt with potentially heterodox positions; and the role of literary, especially fictional, debate in developing modes of articulating discord, as well as demonstrating polemic in action in political and ecclesiastical debate. Within this historical context, the position of early modern debates as part of a more general culture of articulating discord becomes more clearly visible. The structure of the volume moves from an internal textual focus, where the nature of polemic can be debated, through a middle section where these concerns are also played out in social practice, to a more historical group investigating applied polemic. In this way a more nuanced view is provided of the meaning, role, and effect of ’polemic’ both broadly across time and space, and more narrowly within specific circumstances.




The Oxford Handbook of John Bunyan


Book Description

The Oxford Handbook of John Bunyan is the most extensive volume of original essays ever published on the seventeenth-century Nonconformist preacher and writer, John Bunyan. Its thirty-eight chapters examine Bunyan's life and works, their religious and historical contexts, and the critical reception of his writings, in particular his allegorical narrative, The Pilgrim's Progress. Interdisciplinary and comprehensive, it provides unparalleled scope and expertise, ranging from literary theory to religious history and from theology to post-colonial criticism. The Handbook is structured in four sections. The first, 'Contexts', deals with the historical Bunyan in relation to various aspects of his life, background, and work as a Nonconformist: from basic facts of biography to the nature of his church at Bedford, his theology, and the religious and political cultures of seventeenth-century Dissent. Part 2 considers Bunyan's literary output: from his earliest printed tracts to his posthumously published works. Offering discrete chapters on Bunyan's major works—Grace Abounding to the Chief of Sinners (1666), The Pilgrim's Progress, Parts I and II (1678; 1684); The Life and Death of Mr. Badman (1680), and The Holy War (1682)—this section nevertheless covers Bunyan's oeuvre in its entirety: controversial and pastoral, narrative and poetic. Section 3, 'Directions in Criticism', engages with Bunyan in literary critical terms, focusing on his employment of form and language and on theoretical approaches to his writings: from psychoanalytic to post-secular criticism. Section 4, 'Journeys', tackles some of the ways in which Bunyan's works, and especially The Pilgrim's Progress, have travelled throughout the world since the late seventeenth century, assessing Bunyan's place within key literary periods and their distinctive developments: from the eighteenth-century novel to the writing of 'empire.'




Secular Chains


Book Description

Secular Chains offers an original and richly contextualized account of the relationship between poetry and religious controversy between 1649 and 1745. This was a period of political conflict and intellectual upheaval, in which traditional sources of spiritual authority were variously challenged and transformed. This study reveals the importance of English literary culture for our understanding of this process, and throws new light on the dynamics of change and continuity between the puritan revolution and the early Enlightenment. Based on extensive research in both printed and manuscript sources, the book combines detailed case studies of major literary figures with a sustained historical narrative linking the republican moment of the 1650s, the conflicts and crises of the Restoration, and the ecclesiastical politics of the early eighteenth century. Milton and Dryden provide the principal focus of the first three chapters, which explore the divisive issue of church settlement in the work of both writers, together with the increasingly prominent rhetoric of anti-clericalism and irreligion in the poetry and polemics of the later seventeenth century. Subsequent chapters extend the book's argument to the embattled condition of the Church of England in the decades after 1688, and the significant contribution of contemporary literary culture to a range of religious and philosophical argument, from heterodox free-thinking to Newtonian natural theology. Secular Chains demonstrates the close and continued relationship between poetry and religious politics in the age of Milton and Pope, and provides a new framework for understanding this complex and turbulent period in English literary history.




Contesting the English Polity, 1660-1688


Book Description

What did people in Restoration England think the correct relationship between church state should be? And how did this thinking evolve? Based on the author's published essays, revised and updated with a new overarching introduction, this book explores the debates in Restoration England about "godly rule". The book assesses some of the crucial transitions in English history: how the late Reformation gave way to the early Enlightenment; how Royalism became Toryism and Puritanism became Whiggism; how the power of churchmen was challenged by virulent anticlericalism; how the verities of "divine right" theory revived and collapsed. Providing a distinctive account of English thought in the era between the two revolutions of the Stuart century, "Contesting the English Polity, 1660-1688" discusses the ideological foundations of emerging party politics, and the deep intellectual roots of competing visions for the commonwealth, placing the power of religion, and the taming of religion, squarely alongside constitutional battles within secular politics.




The Oxford Handbook of Early Modern English Literature and Religion


Book Description

This handbook scrutinises the links between English literature and religion, specifically in the early modern period; the interactions between the two fields are explored through an examination of the literary impact the British church had on published work in the sixteenth and seventeenth centuries.




The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800


Book Description

More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.




The Oxford Handbook of Restoration Literature


Book Description

The Oxford Handbook of Restoration Literature begins by asking if there was a distinctive literature of the Restoration. For a long time, the answer seemed obvious: heroic drama, libertine comedy, scandalous lyrics, and the short but brilliant career of John Wilmot, earl of Rochester. Could there be an age when the coincidence of literary culture and political rule were any more obvious? But as this Handbook will remind us, some of the most wonderful literature of this Restoration came from writers who had lived across the decades of turbulence and into an age when the Stuart kings returned, when the Church and House of Lords were restored, a world made safe for bishops and for the memory of divine right rule. Of course, these returns and restorations did not meet with uniform celebration. John Milton wrote his great epic poems not in quiet submission but in a kind of resistance to the dominant culture of the 1660s, and Andrew Marvell produced his most brilliant satiric verse by holding up a looking glass to court corruption and Anglican intolerance. So we begin with the most obvious conclusion: Restoration literature does and does not fit to the categories that so long defined the late Stuart age. This book explores and contests, challenges and reimagines the experience embodied by the writing of the late Stuart world and invites readers new to this world and those who have often read its literatures to the pleasures but as well to the challenges and discomforts of its texts.