Enid Marx


Book Description

'Enid Marx: Design' is a completely new collection of the printed and woven textile design patterns of Enid Marx (1902-1998), encompassing examples of her work for the London Underground, Royal Mail and Chatto and Windus Publishers; extraordinarily versatile and prolific, she became uniquely defined as a pattern maker, using textiles, paper and plastic in a way that was completely original, and while centred in the times that she was living and working, her designs enjoyed an amazing longevity of mass appeal. She was equally at home wood engraving or drawing for print making, end papers, book jackets, book illustrations and for stamp design. Outside her own design activities her major interest lay with popular or folk art. Together with her companion, Margaret Lambert, she wrote articles and books on the subject and amassed a considerable collection of artefacts, which are now lodged at Compton Verney, Warwickshire. When asked in old age if there was anything she wished she had done, she replied that she would liked to have instigated a Folk Art Museum; taking into account the wealth of work that she produced over her life that very much reflected and found fame in the commonplace, among the ordinary and the everyday, it would seem that she may have achieved that ambition, almost without trying. AUTHOR: Ruth Artmonsky trained as a psychologist. On her retirement from her associate directorship of a leading psychometric consultancy she ran a small art gallery. She has written and published a number of books on British mid-20th century art. Brian Webb is a designer and visiting Professor at the University of the Arts London. SELLING POINTS: An excellent introduction to the work of celebrated designer Enid Marx, this is the first book about her and her patternmaking Perhaps best remembered for her textile designs especially those for London Transport buses and trains, in use for over thirty years - Marx was one of only a handful of women elected Royal Designer of Industry, and the only one, of either sex, to have the epithet pattern maker attached to her award 150 colour illustrations




English Popular Art


Book Description




Enid Marx


Book Description

This is the first ever monograph on the work of Enid Marx (1902-1998), a leading artist-designer, collector and writer, closely associated with the Great Bardfield group of artists, including Eric Ravilious and Eric Bawden. Marx was a leading woman designer in the first generation to make a distinctive contribution to the growing practice of industrial design in Britain. Her design work, much of it anonymous, including postage stamps, book cover patterns, wartime utility fabrics and tube train seat fabric, was, in its time, ubiquitous in British public life and as a whole, remains utterly emblematic of post-war popular visual culture. Alan Powers traces Marx's career beginning as a student at the Royal College of Art to in-demand designer of the mid-twentieth century and eventually inspirational teacher at Croydon College of Art. He considers Marx's contacts with other significant artists, including international friendships with designers in Europe, Scandinavia and America, her role in the crafts revival between the wars, her reputation in Britain and overseas, and the wider campaigns to involve artists in the design of industrially produced goods. Drawing on a wealth of research and thoroughly illustrated with high-quality reproductions of drawings, paintings, hand-blocked fabrics, linocuts and book illustrations - many previously unpublished - Alan Powers' account adds considerably to the existing body of knowledge about Enid Marx's actual production and reveals an artist whose work was perfectly poised at the intersection of traditional craft and abstract modernity.




Ravilious and Co


Book Description

The acclaimed biography detailing the lives of the British inter-war artists and designers centred on Ravilious - an enthralling narrative of creative achievement, joy and tragedy. In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nash's teaching at the Royal College of Art - Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values. Eighty years after Ravilious's untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy.




Utility Reassessed


Book Description

This collection of essays both defines and reassesses the concept of utility. In considering the place of ethics in the recent history of art and design, the text offers a way into the issues which concern design decision-makers today.The text presents topics such as the investigation in to hitherto undiscovered designs for a utility vehicle, it gives a perspective on the philosophy behind the concept of utility as a design theory and offers a critique of the dangers of good design. The text approaches the subject as a continuing history that has attempted to improve the human condition, through a process of rational thought in the construction of the material world. Using the history of Utility as a design theory, the text suggests ways in which the past can teach us something of the present, and reveals why, on the cusp of the new millennium, Utility is important.




The Little White Bear


Book Description

Originally written and illustrated by Enid Marx in 1945, The Little White Bear tells the tale of Ivan, the friendly polar bear, and his exciting adventures in the snow. After accidentally jumping on a boat of stranded wartime sailors Ivan makes some unlikely friendships, becoming their lucky charm in the search to get the sailors home safely. Along the way Ivan sneaks into an igloo, rescues his new friend Marcus from a great whale, helps hunt for seals and fish until finally a plane saves the day just in time for a Christmas party.The Little White Bear is published, along with The Pigeon Ace and Fifty-four Conceits, to coincide with the exhibition 'Ravilious & Co: The Pattern of Friendship' at the Towner Art Gallery in Eastbourne, opening May 2017.




A Life in Pattern


Book Description

Orla Kiely has opened her archives to explore a life dedicated to print. From her earliest and most iconic pattern, Stem, to the evolution of her print design encompassing the worlds of fashion, homewares and beyond, Orla shares the full range of patterns and designs that she has produced since establishing her brand in 1995. This is a celebration of Orla's entire body of work - of colour, of print and of a handbag loved by women all over the world. Foreword written by Leith Clark, founder of The Violet Book and previously Lula magazine.




Sam and Arry


Book Description




Mark Hearld's Work Book


Book Description

This is the new compact hardcover edition of Mark Hearld's Work Book, the first collection of the artist's beguiling art. The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.




Modern Block Printed Textiles


Book Description

An overview of one of the oldest known methods of textile printing, from the late nineteenth century to the present day.