Ennui: Le Mot Et L'idée


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Le Mot et l'idée


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Le Mot et L'idée - ANGLAIS


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MLN.


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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.







Gringoire


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First published in 1916, as part of the Cambridge Modern French Series, this book contains the text of Gringoire, a comedy written by Théodore de Banville (1823-1891). The play is presented in the original French, alongside exercises and a vocabulary. This book will be of value to anyone with an interest in French literature and the history of education.




The Double Vocation


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This study seeks to redefine the double role of those writers who have often been referred to as "French Catholic novelists." After a brief overview of the Catholic Renaissance movement in modern literature, three acknowledged geniuses in this "sub-genre" - Georges Bernanos, Francois Mauriac, and Julien Green - are meticulously reexamined in light of their Christian vocation. For the first time in English, the writings of the Franco-Russian novelist, Vladimir Volkoff, are also discussed in considerable detail. The book concludes with a theoretical chapter that raises troubling questions that apply to the "double vocation," namely: What is the distinctive character of fiction when it is written by a professing Christian? Are the two vocations of Christian and novelist fully compatible of mutually exclusive?




Disarming Intelligence


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A critical account of the idea of intelligence in modern French literature and thought In the late nineteenth century, psychologists and philosophers became intensely interested in the possibility of quantifying, measuring, and evaluating “intelligence,” and using it to separate and compare individuals. Disarming Intelligence analyzes how this polyvalent term was consolidated and contested in competing discourses, from fin de siècle psychology and philosophy to literature, criticism, and cultural polemics around the First World War. Zakir Paul examines how Marcel Proust, Henri Bergson, Paul Valéry, and the critics of the influential Nouvelle revue française registered, negotiated, and subtly countered the ways intelligence was invoked across the political and aesthetic spectrum. For these writers, intelligence fluctuates between an individual, sovereign faculty for analyzing the world and something collective, accidental, and contingent. Disarming Intelligence shows how literary and critical styles questioned, suspended, and reimagined what intelligence could be by bringing elements of uncertainty and potentiality into its horizon. The book also explores interwar political tensions—from the extreme right to Walter Benjamin’s engaged essays on contemporary French writers. Finally, a brief coda recasts current debates about artificial intelligence by comparing them to these earlier crises of intelligence. By drawing together and untangling competing conceptions of intelligence, Disarming Intelligence exposes its mercurial but influential and urgent role in literary and cultural politics.




Le Guide Musical


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