Enough Stupidity in a Wise Man


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Re: Direction


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Re: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.




The Power of Stupidity


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The Basic Laws of Human Stupidity


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"A masterly book" —Nassim Nicholas Taleb, author of The Black Swan "A classic" —Simon Kuper, Financial Times An economist explains five laws that confirm our worst fears: stupid people can and do rule the world Throughout history, a powerful force has hindered the growth of human welfare and happiness. It is more powerful than the Mafia or the military. It has global catastrophic effects and can be found anywhere from the world's most powerful boardrooms to your local bar. It is human stupidity. Carlo M. Cipolla, noted professor of economic history at the UC Berkeley, created this vitally important book in order to detect and neutralize its threat. Both hilarious and dead serious, it will leave you better equipped to confront political realities, unreasonable colleagues, or your next dinner with your in-laws. The Laws: 1. Everyone underestimates the number of stupid individuals among us. 2. The probability that a certain person is stupid is independent of any other characteristic of that person. 3. A stupid person is a person who causes losses to another person while deriving no gain and even possibly incurring losses themselves. 4. Non-stupid people always underestimate the damaging power of stupid individuals. 5. A stupid person is the most dangerous type of person.




Viktor Simov


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Viktor Simov is the first English-language biography of Konstantin Stanislavsky’s principal scenic designer at the Moscow Art Theatre from the company’s formation in 1898. His ground-breaking work included the designs for the premieres of Anton Chekhov’s major stage plays, and his approach to theatre design still influences contemporary scenography. Translated from the original Russian text written by author, editor, and literary critic Yuri Ivanovich Nekhoroshev, the book provides a revealing insight into the staging and technical practices of one of the world’s most influential theatre companies. Supported by 60 illustrations representing the full range of Simov’s designs, this volume provides a historical account of Simov’s career and a vivid description and critical assessment of his work. The book traces the artist’s development from his early years as a painter to his later experiments in early silent film design, including his work for the classic Russian science fiction film Aelita, Queen of Mars (1924). Written for theatre scholars and students of Scenic Design and Drama courses, Viktor Simov: Stanislavsky’s designer re-establishes Simov as one of the most influential theatre designers of the 20th century.




Hearings


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Scope of Soviet Activity in the U.S.


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An Actor's Work


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Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.