Ensayos de crítica filosófica


Book Description

La primera edición de los Ensayos de crítica filosófica se publicó en la Colección de Escritores Castellanos en el año 1892, y comprende solo tres trabajos. La segunda edición se publicó en la colección de Obras Completas del Excmo. Sr. D. Marcelino Menéndez y Pelayo, en 1918, y el ordenador y anotador, Sr. Bonilla y San Martín, añadió otros estudios hasta completar los 11 que hoy presentamos en esta edición. La obra de Marcelino Menéndez Pelayo es ampliamente conocida y en los últimos años se ha ido despojando de muchos prejuicios de origen ideológico que se habían colocado en el camino entre el estudioso y el lector. Sin embargo, apenas contamos con obras que profundicen en su tarea como pensador, haciendo especial énfasis en la filosofía y en la estética, si bien su trabajo en el ámbito histórico y literario es muy conocido. Menéndez Pelayo ha realizado una gran aportación a la historia del pensamiento español, ha contribuido con contenidos, métodos y actitudes interesantes a la elaboración de nuestro pensamiento, pasando por el gran saber de la estética. Entiende la filosofía como una noble aspiración por alcanzar una síntesis suprema de lo diverso con lo idéntico y se refiere al lulismo, al vivismo y al suarismo como tradiciones filosóficas genuinamente nacionales.










Encyclopedia of the Essay


Book Description

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies




Ensayos sobre crítica literaria


Book Description

Antonio Alatorre reunió, en 1993, trece artículos en los que expone su manera de ver la literatura y de entender y ejercer la crítica literaria. No formula ninguna "teoría literaria" ni ninguna "metodología" (nada más ajeno a sus afanes), simplemente propone su manera de entender dos fenómenos indisolublemente trabados: la literatura y la lectura. Alatorre muestra que el que lee y, muy importante, siente lo que lee, es ya un crítico literario en potencia: con las herramientas adecuadas será capaz de pensar críticamente y de explicar las razones de la emoción experimentada. El crítico no es sino un lector más "formado", más "instruido", dotado de mayor capacidad de recepción, de mayor sagacidad literaria y de la capacidad y honradez para transmitir elocuente y claramente su experiencia de lector. Este "librito" se publicó originalmente en la colección Lecturas Mexicanas de Conaculta. Actualmente esta edición se encuentra agotada. De 1993 a 2010, Alatorre añadió algunas noticias más, pulió una que otra idea (pocas) y corrigió poquísimas cosillas de estilo. Se ofrece esta nueva edición (algo corregida y añadida) para conmemorar los 90 años del nacimiento de Antonio Alatorre.




Arts of Perception


Book Description

Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracián, Quevedo, Calderón, Saavedra Fajardo, López de Vega, and Sor Juana. Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various ‘arts of perception’ - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such ‘arts of perception’. This mentality was fostered by the creative interaction of scepticism and Stoicism, and found expression in the key concepts ser/parecer and engaño/desengaño. The work traces the emergence, development, and impact of these concepts on Spanish thought and culture. As well as offering new interpretations of specific major figures, Arts of Perception offers an interpretation of the mentality of an entire culture as it made the fraught transition to intellectual modernity. As such it ranges over numerous discourses and formative contexts and provides a wealth of new material which will be of use to all those seeking to understand and interpret the literature, culture and thought of Golden Age Spain. This book was previously published as a special issue of The Bulletin of Spanish Studies.




Abraham Cohen de Herrera: Gate of Heaven


Book Description

With the publication of Abraham Cohen de Herrera's Gate of Heaven, a widely influential work of Jewish mysticism is available for the first time in an unabridged, annotated English edition. In this work, originally written in Spanish for the marrano community of Amsterdam, Herrera (d. 1635) follows the syncretic model of Marsilio Ficino and Pico della Mirandola in reconciling the teachings of the Sefer Yezirah, the Zohar, Moses Cordovero, Isaac Lurian and the Lurianic school (in particular Israel Sarug), with Aristotelian, Platonic, and Neoplatonic metaphysics, medieval Islamic and Jewish theology, and Scholasticism. This thorough synthesis explains the work's appeal to philosophers like Spinoza, Leibniz, Henry More, Hegel, and Jacob Bruckner.







Narrating the Past


Book Description

The relationship between fiction and historiography in Francoist Spain (1939–1975) is a contentious one. The intricacies of this relationship, in which fiction works to subvert the regime’s authority to write the past, are the focus of David K. Herzberger’s book. The narrative and rhetorical strategies of historical discourse figure in both the fiction and historiography of postwar Spain. Herzberger analyzes these strategies, identifying the structures and vocabularies they use to frame the past and endow it with particular meanings. He shows how Francoist historians sought to affirm the historical necessity of Franco by linking the regime to a heroic and Christian past, while several types of postwar fiction—such as social realism, the novel of memory, and postmodern novels—created a voice of opposition to this practice. Focusing on the concept of writing history that these opposing strategies convey, Herzberger discloses the layering of truth and meaning that lies at the heart of postwar Spanish narrative from the early 1940s to the fall of Franco. His study clearly reveals how the novel in postwar Spain became a crucial form of dissent from the past as it was conceived and used by the State. Making a decisive intervention in the debate about the ways in which narration determines both the meaning and truth of history and fiction, Narrating the Past will be of special interest to students and scholars of the politics, history, and literature of twentieth-century Spain.




Selected Non-Fictions


Book Description

Winner of the National Book Critics Circle Award in Criticism The first comprehensive selection in any language of the non-fiction--much of it appearing here in English for the first time--of “one of literature’s most fertile and original minds” (San Francisco Chronicle) A Penguin Classics Deluxe Edition with flaps and deckle-edged paper It will come as a surprise to many readers that the greater part of Jorge Luis Borges’s extraordinary writing was not in the genres of fiction or poetry, but in various forms of non-fiction prose. His thousands of pages of essays, reviews, prologues, lectures, and notes on politics and culture—though revered in Latin America and Europe as among his finest work—have scarcely been translated into English. Selected Non-Fictions presents a Borges almost entirely unknown to American readers. Here is the dazzling metaphysician speculating on the nature of time and reality and the inventions of heaven and hell, and the almost superhumanly erudite reader of the world’s literatures, from Homer to Ray Bradbury, James Joyce to Lady Murasaki. Here, too, the political Borges, taking courageous stands against fascism, antisemitism, and the Perón dictatorship; Borges the movie critic, on King Kong and Citizen Kane and the Borgesian art of dubbing; and Borges the regular columnist for the Argentine equivalent of the Ladies’ Home Journal, writing hilarious book reviews and capsule biographies of modern writers. Like the Aleph in his famous story—the magical point in a basement in Buenos Aires from which one can view everything in the world—Borges’s non-fictions are a vortex for seemingly the entire universe: Dante and Ellery Queen, Shakespeare and the Kabbalah, the history of angels and the history of tango, the Buddha, Bette Davis, and the Dionne Quints. Selected Non-Fictions presents more than 160 of these astonishing writings, from his youthful manifestos to his last meditations on his favorite books. More than a hundred of these pieces have never before appeared in English, and all have been rendered in brilliant new translations by Esther Allen, Suzanne Jill Levine, and Eliot Weinberger. This unique selection presents Borges as at once a deceptively self-effacing guide to the universe and the inventor of a universe that is an indispensable guide to Borges. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.