Entre dos Américas


Book Description

In Entre dos Américas, Guillermina Walas explores the importance of memory for Latina authors. These authors are displaced from their familiar roots in Latin America and the Hispanic Caribbean, and find themselves immersed in their actual individual lives in the United States. These women construct or re-build a new Latina identity based on memory and the past, but also project to a future located in the Anglo-American context. The resulting identity is complex, riddled with cultural conflict that often involves class and gender. Walas analyzes many texts including, Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood (1990) and When I was Puerto Rican (1993) by Judith Ortiz Cofer and Esmerelda Santiago, Dreaming in Cuban (1992) by Cristina García, and How the García Girls Lost Their Accents (1991) by Julia Alvarez. (TEXT IN SPANISH)







Solidarity across the Americas


Book Description

The Puerto Rican Nationalist Party (PNPR) understood that to successfully establish an independent nation it needed to generate solidarity across the Americas with its struggle against US colonial rule. It invested significant energy, personnel, and resources in attending regional conferences, distributing its literature throughout the hemisphere, creating solidarity committees, presenting its case to elected officials and the general public, and promoting the causes of oppressed peoples. The hemispheric outpourings of solidarity with Puerto Rican independence have been obscured by larger, later liberation movements as well as the anticolonial party's ultimate failure to achieve independence. However, as this book shows, they were nonetheless central to anti-imperialists, nationalists, and revolutionaries from New York City to Buenos Aires. Margaret M. Power's new history of the PNPR focuses on how it built a broad movement with active networks in virtually all of Latin America, much of the Caribbean, and New York City. This hemispheric view introduces a sprawling transnational network, nurtured by the PNPR from its founding in 1922 through its military actions of the 1950s and beyond that included individuals, parties, organizations, and governments throughout the Americas, and it resituates the Puerto Rican nationalist movement as a transnational revolutionary influence and force.




Identity Mediations in Latin American Cinema and Beyond


Book Description

The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early ‘30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the flows and transits of music, films and artists, mainly in the Ibero-American space, although it also features essays on Soviet and Asian cinema, with a view to exploring the processes of configuration of cultural identities. As such, this work views national borders as flexible spaces that permit an exploration of the appearance of transversal relations that are part of broader networks of circulation, as well as economic, social and political models beyond the domestic sphere.