Epicoene


Book Description

Epicoene, or The silent woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. It was originally performed by the Blackfriars Children or Children of the Queen's Revels, a group of boy players, in 1609. It was, by Jonson's admission, a failure on its first presentation; however, John Dryden and others championed it, and after the Restoration it was frequently revived-indeed, a reference by Samuel Pepys to a performance on 6 July 1660 places it among the first plays legally performed after Charles II's ascension. The play takes place in London. Morose, a wealthy old man with an obsessive hatred of noise, has made plans to disinherit his nephew Dauphine by marrying. His bride Epic ne is, he thinks, an exceptionally quiet woman; he does not know that Dauphine has arranged the whole match for purposes of his own. The couple are married despite the well-meaning interference of Dauphine's friend True-wit. Morose soon regrets his wedding day, as his house is invaded by a charivari that comprises Dauphine, True-wit, and Clerimont; a bear warden named Otter and his wife; two stupid knights, La Foole and Daw; and an assortment of "collegiates," vain and scheming women with intellectual pretensions. Worst for Morose, Epic ne quickly reveals herself as a loud, nagging mate."




Epicoene


Book Description




Rogue Sexuality in Early Modern English Literature


Book Description

The "rogue," a term that described criminals, prostitutes, vagrants, beggars, and the unemployed, dominated the pages of early modern popular crime literature. Rogue Sexuality resituates the rogue by focusing on how their menace—and their seductive appeal—emerged not only from their social marginality, but also from their supposedly excessive sexuality and prodigious sexual reproduction. Through discussions of both familiar and little-studied early modern works by William Shakespeare, John Milton, Ben Jonson, Thomas Middleton, Thomas Dekker, Robert Greene, Thomas Harman, and the inventor of modern demography John Graunt, this volume posits the sexualized rogue as the avatar of a new category of "socio-sexual identity" and traces a surprising social transposition, in which socio-political elites are portrayed as appropriating the rogue's sexual vitality and performative charisma to navigate moments of crisis. By tracking the movement of rogue sexuality from a criminal to a normative discursive register, this book challenges the distinctions that literary critics and historians tend to draw between orderly and disorderly sexuality. With its focus on reproduction, rogue sexuality also provides a new framework for what Michel Foucault called "biopolitics," the state's focus on exercising power over life. In legal, administrative, and scientific documents, this book shows that early modern writers grappled with popular pamphlets' rendering of the alleged threat of rogue reproduction. Rogue Sexuality thus offers a new approach to the political history of early modern England as a population—as a people whose aggregate sexual life and reproduction were a key part of its political imagination.




Men in Women's Clothing


Book Description

Laura Levine examines the ways in which Shakespeare, Marlowe and Jonson addressed a generation's anxieties about gender and the stage and identifies the way the same 'magical thinking' informed documents we much more readily associate with extreme forms of cultural paranoia.




Consuming Splendor


Book Description

A fascinating study of the ways in which consumption transformed social practices, gender roles, royal policies, and the economy in seventeenth-century England. It reveals for the first time the emergence of consumer society in seventeenth-century England.




Male-to-Female Crossdressing in Early Modern English Literature


Book Description

This volume examines and theorizes the oft-ignored phenomenon of male-to-female (MTF) crossdressing in early modern drama, prose, and poetry, inviting MTF crossdressing episodes to take a fuller place alongside instances of female-to-male crossdressing and boy actors’ crossdressing, which have long held the spotlight in early modern gender studies. The author argues that MTF crossdressing episodes are especially rich sources for socially-oriented readings of queer gender—that crossdressers’ genders are constructed and represented in relation to romantic partners, communities, and broader social structures like marriage, economy, and sexuality. Further, she argues that these relational representations show that the crossdresser and his/her allies often benefit financially, socially, and erotically from his/her queer gender presentation, a corrective to the dominant idea that queer gender has always been associated with shame, containment, and correction. By attending to these relational and beneficial representations of MTF crossdressers in early modern literature, the volume helps to make a larger space for queer, genderqueer, male-bodied and queer-feminine representations in our conversations about early modern gender and sexuality.




Erotic Beasts and Social Monsters


Book Description

The voluminous contemporary critical work on English Renaissance androgyny/transvestism has not fully uncovered the ancient Greek and Roman roots of the gender controversy. This work argues that the variant Renaissance views on the androgyne's symbolism are, in fact, best understood with reference to classical representations of the double-sexed or gender-baffled figures, and with the classical merging of the figure with images of beasts and monsters.




Ben Jonson and Theatre


Book Description

Ben Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher. Reflecting the increasing interest in the wider field of Renaissance drama, this book bridges the theory/practice divide by debating how Jonson's drama operates in performance. Ben Jonson and Theatre includes: * discussions with and between practitioners * essays on the staging of the plays * edited transcripts of interviews with contemporary practitioners The volume includes contributions from Joan Littlewood, Sam Mendes, John Nettles, Simon Russell Beale and Geoffrey Rush, Oscar-winning actor for Shine.




The Routledge Anthology of Renaissance Drama


Book Description

This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346




Stillness in Motion in the Seventeenth-century Theatre


Book Description

In the seventeenth century, emerging practices such as print, collecting and performance influenced early modern discussions of stillness and motion.