Greek Epigram from the Hellenistic to the Early Byzantine Era


Book Description

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound interest on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the evolution of particular subgenres over time, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from explorations of the dynamic interactions between poets and their predecessors and contemporaries, and of the relationship between epigram and its socio-political, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation which generated the collections which survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world which will be of value to scholars and students of Greek epigram and classical literature more broadly.







Epigram, Art, and Devotion in Later Byzantium


Book Description

This book explores the nexus of art, personal piety, and self-representation in the last centuries of Byzantium. Spanning the period from around 1100 to around 1450, it focuses upon the evidence of verse inscriptions, or epigrams, on works of art. Epigrammatic poetry, Professor Drpić argues, constitutes a critical - if largely neglected - source for reconstructing aesthetic and socio-cultural discourses that informed the making, use, and perception of art in the Byzantine world. Bringing together art-historical and literary modes of analysis, the book examines epigrams and other related texts alongside an array of objects, including icons, reliquaries, ecclesiastical textiles, mosaics, and entire church buildings. By attending to such diverse topics as devotional self-fashioning, the aesthetics of adornment, sacred giving, and the erotics of the icon, this study offers a penetrating and highly original account of Byzantine art and its place in Byzantine society and religious life.




SELECTED POETRY


Book Description

This is the 4th book of selected poetry by Paul Shapshak, PhD, titled: ‘Cantos Epigrammes and Themes’. There are 11 photographs of art by the poet’s father, Sir Rene Shapshak. The sections in this book include, as previously, Pastoral, Mythology, Cosmology, Theology, History, Social, Economics, The Arts, as well as two additional sections, Cybernetic Fables and Virtual Allegories. These contributions may bring rest and calm through exercised good works and right action. Perhaps also recollections of images of modest pleasantness and elusive country scenes, concatenate daydreams, reality checks, dwellings, pastures, wisps - threads, demeanor, and overtones of time and day.










Hellenistic Epigrams


Book Description

This volume contains the papers of the 'Groningen Workshop on Hellenistic Poetry 5: Hellenistic Epigrams' (Groningen 30 August - 1 September 2000). During the workshop a first draft of the papers was discussed and commented on by an international group of specialists in the field of Hellenistic poetry. The volume contains a wide range of articles and thus provides a survey of current developments in research on one of the important genres of Hellenistic poetry. Several articles deal with generic aspects of the Hellenistic epigram, including the transition of inscriptions on stone to purely literary texts, others explore the function of the epigram in its social and cultural context or focus on specific groups of epigrams. The volume is the fifth of a series. Every two years a Workshop on Hellenistic Poetry takes place at the University of Groningen, the papers of which are published in the series "Hellenistica Groningana".




Dialect, Diction, and Style in Greek Literary and Inscribed Epigram


Book Description

Language and style of epigram is a topic scarcely discussed in the related bibliography. This edition aspires to fill the gap by offering an in-depth study of dialect, diction, and style in Greek literary and inscribed epigram in a collection of twenty-one contributions authored by international scholars. The authors explore the epigrammatic Kunstsprache and matters of dialectical variation, the interchange between poetic and colloquial vocabulary, the employment of hapax legomena, the formalistic uses of the epigrammatic discourse (meter, syntactical patterns, arrangement of words, riddles), the various categories of style in sepulchral, philosophical and pastoral contexts of literary epigrams, and the idiosyncratic diction of inscriptions. This is a book intended for classicists who want to review the connection between the stylistic features of epigram and its interpretation, as well as for scholars keen to understand how rhetoric and linguistics can be used as a heuristic tool for the study of literature.




Selected Poetry Book Vii


Book Description

About the Book This is the 7th book of selected poetry by Paul Shapshak, PhD, titled: ‘NEUTRINO SPINOR TRANSCENDENTAL COUNTERPOINT 21ST CENTURY POETRY’. Art is included by the poet’s father, Sir Rene Shapshak. The ten sections in this book, like prior volumes, encompass Pastoral, Mythology, Cosmology, Theology, History, Social, Economics, Health, Cybernetic Allegories, and the Arts. Interrogations include neutrino communication, unitary matrix, mass, oscillation transition, elementary particles, jurisprudence, jurisdiction, labor, law, landscapes, language. It’s just a still summer’s day, work, providence, revery, and continuum.




Kommentar zu den simonideischen Versinschriften


Book Description

The work concerns 15 epigraphic and/or verse inscriptions, handed down from the writers of the 5th and 4th centuries BC. These inscriptions were probably commissioned from Simonides of Keos. The commentaries on the individual verse inscriptions form the centre of the investigation. Each commentary is introduced by a text for the sake of orientation concerning the epigram in question, by a brief apparatus criticus, and by a review of the relevant secondary literature. The historic, literary, and, when possible, architectural contexts are taken into consideration in the interpretations. The first part of the book includes studies on the archaic and classical epigram in the public space, on the sources and transmissions of the oldest Simonidean verse inscriptions, and on the status quaestionis regarding the authenticity of the claims of authorship. The concluding observations deal with epigrammatic competitions and with the historical reception of the verse inscriptions in the public space. Die Arbeit widmet sich 15 epigraphisch und/oder bei Autoren des 5. und 4. Jhs. v. Chr. überlieferten Versinschriften, die vermutlich bei Simonides von Keos in Auftrag gegeben wurden. Den Kern der Untersuchung bilden die Kommentare zu einzelnen Versinschriften. Ein zur Orientierung gedachter Text des jeweiligen Epigramms, ein knapper kritischer Apparat und ein Überblick über die Sekundärliteratur leiten die einzelnen Kommentare ein. In der Deutung werden die historischen, literarischen und, wenn möglich, architektonischen Kontexte berücksichtigt. Der erste Teil des Buches umfasst Studien zum archaischen und klassischen Epigramm im öffentlichen Raum, zu den Quellen und zur Überlieferung der ältesten simonideischen Versinschriften und zum status quaestionis bezüglich der Zuschreibungen. Der abschließende Ausblick gilt epigrammatischen Wettbewerben und der historischen Rezeption der Versinschriften im öffentlichen Raum.