Episodes of an Unwritten History


Book Description

"Suddenly the thought came into my mind: 'What if this be but hallucination...' -from "The Arabian Nights in New York" The philosophical discipline of theosophy enjoyed a flowering in the late 19th century, a spiritual reaction to the materialism aggressive scientific exploration and the newly ascendant corporate culture seemed to be promoting. In 1910, Claude Bragdon published this overview of the roots of theosophy, and it remains an important document of this influential movement, key reading for anyone interested in the origins and aims of early New Age thought. Though known primarily as an architect and, later, as a stage designer, Bragdon dabbled in mysticism, and brings his well-deserved renown as a delightful, charming writer to this little volume. Other works by Bragdon available from Cosimo Classics: More Lives Than One, The Beautiful Necessity, Architecture and Democracy, and A Primer of Higher Space (The Fourth Dimension). American architect, stage designer, and writer CLAUDE FAYETTE BRAGDON (1866-1946) helped found the Rochester Architectural Club, in the city where he made his greatest mark as a building designer with structures including Rochester Central Station, Rochester Institute of Technology, and the First Universalist Church; he also designed Peterborough Bridge in Ontario. In later life, Bragdon worked on Broadway as scenic designer for 1930s productions of Cyrano de Bergerac and Hamlet, among others.




Episodes from an Unwritten History (Classic Reprint)


Book Description

Excerpt from Episodes From an Unwritten History About two years ago there was slipped under my office door an announcement of a series of lectures to be given under the auspices of the Theosophical Society by one C. Jinarajadasa, of Columbo, Island of Ceylon. On the front page of the folder was his portrait in half-tone: a dusky young gentleman with curly hair, an untroubled intellectual brow, eyes dreamy yet penetrating behind gold-bowed glasses, a sweet mouth, and a firm chin. It was a face to which I took an instant liking, but the announced lectures did not attract me, for they appeared to deal with matters with which I had been long familiar through the theosophical literature I had read when it was first given to the world in the eighties. I had been interested in that literature, but in common with many others I had been deterred from following up my interest by the bad odor which soon afterwards came to be attached to the very word Theosophy by reason of the internecine warfare of the Society, and of the alleged exposure of Madame Blavatsky, its founder, by a member of the London Society for Psychical Research. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Oreo


Book Description

A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.




Filth


Book Description

With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam. There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . . .In Bruce Robertson Welsh has created one of the most compellingly misanthropic characters in contemporary fiction, in a dark and disturbing and often scabrously funny novel about the abuse of everything and everybody. "Welsh writes with a skill, wit and compassion that amounts to genius. He is the best thing that has happened to British writing in decades."—Sunday Times [London] "[O]ne of the most significant writers in Britain. He writes with style, imagination, wit, and force, and in a voice which those alienated by much current fiction clearly want to hear."—Times Literary Supplement "Welsh writes with such vile, relentless intensity that he makes Louis-Ferdinand Céline, the French master of defilement, look like Little Miss Muffet. "—Courtney Weaver, The New York Times Book Review "The corrupt Edinburgh cop-antihero of Irvine Welsh's best novel since Trainspotting is an addictive personality in another sense: so appallingly powerful is his character that it's hard to put the book down....[T]he rapid-fire rhythm and pungent dialect of the dialogue carry the reader relentlessly toward the literally filthy denouement. "—Village Voice Literary Supplement, "Our 25 Favorite Books of 1998" "Welsh excels at making his trash-spewing bluecoat peculiarly funny and vulnerable—and you will never think of the words 'Dame Judi Dench' in the same way ever again. [Grade:] A-. "—Charles Winecoff, Entertainment Weekly










Episodes from a History of Undoing


Book Description

Episodes from a History of Undoing: The Heritage of Female Subversiveness (paraphrasing Rada Khumar’s seminal study of the development of the feminist movements in India: The History of Doing) is a volume purporting to illustrate women’s resistance to patriarchal colonization through societal norms and hegemonic discourses. Whether mythical amazons, mediaeval authors or regular cannonesses, Renaissance monarchs, activists and academics, philosophers or politicians, such women have become trail-blazers in their fields, attempting to forge new epistemes through strategies of undoing, refashioning, rewriting or revising political and cultural concepts, practices and institutions. The volume comprises 11 essays authored by academics from Brazil, Hungary, Poland, Romania, Turkey and the USA, and addresses a wide readership of academics, students, historians, NGO activists, etc. The volume is prefaced by Professor Margaret R. Higonnet from Connecticut University.




More Lives Than One


Book Description

Few Americans have had as many creative lives as Claude Bragdon who designed theatrical sets and churches, who dabbled in theosophy and the occult, who wrote about it all with spirit, passion, and penetrating insight. Here, in delightfully effervescent prose, Bragdon tells the story of his life-or lives. From his Personal Life ("Born under the constellation Leo, the heart sign, I was never long out of love") to his Occult Life ("I frightened [my mother] by declaring that I was the chosen vessel for the pouring out of a new revelation upon mankind"), Bragdon is surprisingly frank, frequently hilarious, and always wonderfully self-deprecating. First published in 1917, this is an intimate dispatch from a true American character. Other works by Bragdon available from Cosimo Classics: The Beautiful Necessity, Architecture and Democracy, Episodes from An Unwritten History, and A Primer of Higher Space (The Fourth Dimension). American architect, stage designer, and writer CLAUDE FAYETTE BRAGDON (1866-1946) helped found the Rochester Architectural Club, in the city where he made his greatest mark as a building designer with structures including Rochester Central Station, Rochester Institute of Technology, and the First Universalist Church; he also designed Peterborough Bridge in Ontario. In later life, Bragdon worked on Broadway as scenic designer for 1930s productions of Cyrano de Bergerac and Hamlet, among others.




America's Unwritten Constitution


Book Description

Reading between the lines: America's implicit Constitution -- Heeding the deed: America's enacted Constitution -- Hearing the people: America's lived Constitution -- Confronting modern case law: America's "warrented" Constitution -- Putting precedent in its place: America's doctrinal Constitution -- Honoring the icons: America's symbolic Constitution -- "Remembering the ladies" : America's feminist Constitution -- Following Washington's lead: America's "Georgian" Constitution -- Interpreting government practices: America's institutional Constitution -- Joining the party: America's partisan Constitution -- Doing the right thing: America's conscientious Constitution -- Envisioning the future: America's unfinished Constitution -- Afterward -- Appendix: America's written Constitution.




The Unwritten Rule


Book Description

Sarah and Brianna have always been friends, and it's always gone like this: guys talk to Sarah in order to get closer to Brianna. So even though Sarah met Ryan first, she's not surprised that he ends up with Brianna (even though Sarah has a massive crush on him). The three of them hang out, and Sarah and Ryan's friendship grows until one night an innocent exchange between them leads to a moment that makes Sarah realize that Ryan might be interested in her after all. But if there's one unwritten rule, it's this: you don't mess around with a friend's boyfriend. So Sarah tries to resist temptation. But with the three of them thrown together more and more, tension builds between Sarah and Ryan, and when they find themselves alone together at one point, they realize they just can't fight how they feel anymore....