Erasures of My Coming Out (Letter)


Book Description

FIRST PLACE WINNER OF THE POETRY BOX CHAPBOOK PRIZE, 2021 In this hybrid erasure collection, Mary Warren Foulk is attempting a redaction, flipping the meaning of her "coming out" letter (and the act itself) on its head. What if she never had to "come out?" Never had to write such a letter? What if the process was rendered unnecessary-erased? What might she'd have done with that energy if it hadn't been wasted on hiding, on passing, on fear, on denial? A few of the questions asked/answered in this powerful poetry. "To uncover the human heart that quietly waits inside every life and every poem is no small feat and yet that is what Erasures of My Coming Out (Letter) does with deftness and hope. Shaped by both the weight of secrecy and the release of recovery, the poems draw our eyes and minds into the page and the careful search taking place in, around, and beneath each word. "Erasure poetry" may sound like it is the rubbing out of meaning, but the poems within this beautiful volume show that it has the very opposite effect, allowing love and truth to surface and catch the light that is their birthright." -Annie Lighthart, Contest Judge, 2021 author of PAX and Iron String




Hotel Almighty


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Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.




Reports


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Erasure


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Percival Everett's blistering satire about race and publishing, now adapted for the screen as the Academy Award-winning AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is—under the pseudonym Stagg R. Leigh—and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.




Inscription and Erasure


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Roger Chartier examines how authors transformed the material realities of writing or of publication into an aesthetic resource exploited for poetic, dramatic, or narrative ends.




The Ferguson Report: An Erasure


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A NEW YORKER BEST BOOK OF THE YEAR • A meditation on our times, cast through a reconsideration of the Justice Department's investigation of the Ferguson Police Department In August 2014, Michael Brown—a young, unarmed Black man—was shot to death by a police officer in Ferguson, Missouri. What followed was a period of protests and turmoil, culminating in an extensive report that was filed by the Department of Justice detailing biased policing and court practices in the city. It is a document that exposes the racist policies and procedures that have become commonplace—from disproportionate arrest rates, to flagrant violence directed at the Black community. It is a report that remains as disheartening as it is damning. Now, award-winning poet Nicole Sealey revisits the investigation in a book that redacts the report, an act of erasure that reimagines the original text as it strips it away. While the full document is visible in the background—weighing heavily on the language Sealey has preserved—it gives shape and disturbing context to what remains. Illuminating what it means to live in this frightening age, and what it means to bear witness, The Ferguson Report: An Erasure is an engrossing meditation on one of the most important texts of our time.




The Whalestoe Letters


Book Description

Between 1982 and 1989, Pelafina H. Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love. Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.




The Gregg Writer


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Sand Opera


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Using techniques of erasure, Metres seeks rhythm or language within the spare, bleak testimonies of those tortured at Abu Ghraib.




Nuclear Data Sheets


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