Eriugena's Commentary on the Dionysian Celestial Hierarchy


Book Description

"The book is a comprehensive study of John Scotus Eriugena's commentary (Expositiones) on the Pseudo-Dionysian Celestial Hierarchy, with special attention given to its literary form and theological content." "The order for introducing various aspects of the Expositiones follows the format of the work itself: first in John's own order comes the Dionysian text in translation, followed by a paraphrase or two and then by Eriugena's own comments, sometimes on particular sources, more often on the points of doctrine he wants to expound. Thus this book starts with the author, that is, John's perspective on Dionysius himself (Chapter I: "Dionysian Biographies"). For Eriugena, Dionysius was the Athenian Areopagite, but was he also the Parisian martyr Saint Denis? Turning to the text of The Celestial Hierarchy, the particular Greek codex John was working with contained its own variants and challenges (Chapter II: "The Greek Manuscript and Its Problems"). Next comes a study of John's "Patterns of Translation and Paraphrase" (Chapter III). After his multiple paraphrases, Eriugena often adds his own expository remarks, sometimes invoking other sources, especially the remaining works of the Dionysian corpus (Chapter IV)." "Those interested primarily in John's philosophical theology could turn directly to the last three chapters, spanning the arc of "procession and return" so characteristic of the Periphyseon. The Expositiones show a particular interest in creation (Chapter V), anthropology (Chapter VI) and "Christ and Salvation" (Chapter VII). Eriugena's treatment of the doctrine of creation includes a particularly innovative understanding of creatio ex nihilo. His anthropology turns on the question of humanity's relationship to the divine, whether immediate (unmediated) or mediated or somehow both. The discussion of Christ includes skillful expansions of the biblical and Dionysian images for Christ, and a presentation of salvation as "theosis" or deification." "Translations of major sections of the Expositiones are appended, as well as John's prologue to his earlier translation of the Dionysian corpus. The book also contains a bibliography, an index of premodern and modern names, a scriptural index, and an index to the works of Eriugena."--BOOK JACKET.




Pseudo-Dionysius


Book Description

"Dionysius the Areopagite" is the biblical name chosen by the pseudonymous author of an influential body of Christian theological texts, dating from around 500 C.E. The Celestial Hierarchy, The Ecclesiastical Hierarchy, The Divine Names, and The Mystical Theology offer a synthesis of biblical interpretation, liturgical spirituality, and Neoplatonic philosophy. Their central motif, which has made them the charter of Christian mysticism, is the upward progress of the soul toward God through the spiritual interpretation of the Bible and the liturgy. Dionysius continually reminds his readers, however, that all human concepts fall short of the transcendence of God and must therefore be abandoned in negotiations and silence. In this book, Rorem provides a commentary on all of the Dionysian writings, chapter by chapter, and examines especially their complex inner coherence. The Dionysian influence on medieval theology is introduced in essays on specific topics: hierarchy, biblical symbolism, angels, Gothic architecture, liturgical allegory, the scholastic doctrine of God, and the mystical theology of the western Middle Ages. Rorem's book makes these texts more accessible to both scholars and students and includes a comprehensive bibliography of secondary sources.




The Dionysian Mystical Theology


Book Description

This book introduces the Pseudo-Dionysian mystical theology, with glimpses at key stages in its interpretation and critical reception through the centuries. Part one reproduces and provides commentary on the elusive Areopagites own miniature essay, The Mystical Theology, impenetrable without judicious reference to the rest of the Dionysian corpus. Stages in the reception and critique of this Greek corpus and theme are sketched in part two, from the sixth-century through the twelfth and to the critical reaction and opposition by Martin Luther in the Reformation.




A Companion to John Scottus Eriugena


Book Description

An overview of the context, thought, writings and legacy of John Scottus Eriugena, the most important philosopher and theologian in the Latin West from the death of Boethius until the thirteenth century.




The Mystery of Union with God


Book Description

The Mystery of Union with God offers the most extensive, systematic analysis to date of how Albert and Thomas interpreted and transformed the Dionysian Moses "who knows God by unknowing." It shows Albert's and Thomas's philosophical and theological motives to place limits on Dionysian apophatism and to reintegrate mediated knowledge into mystical knowing. The author surfaces many similarities in the two Dominicans' mystical doctrines and exegesis of Dionysius. This work prepares the way for a new consideration of Albert the Great as the father of Rhineland Mysticism. The original presentation of Aquinas's theology of the Spirit's seven gifts breaks new ground in theological scholarship. Finally, the entire book lays out a model for the study of mystical theology from a historical, philosophical and doctrinal perspective.




“My People, What Have I Done to You?”: The Good Friday Popule meus Verses in Chant and Exegesis, c. 380–880


Book Description

The Roman Catholic Good Friday liturgy includes a series of chants known today as the Improperia ("Reproaches") beginning with the following text: Popule meus, quid feci tibi? aut in quo contristavi te? responde mihi. Quia eduxi te de terra Egypti, parasti crucem Salvatori tuo ("My people, what have I done to you, or in what have I grieved you? Answer me. Because I led you out of the land of Egypt, you prepared a cross for your Savior"). The earliest witness to the chants is a Carolingian liturgical book from around 880, but it is agreed among scholars that their history extends back farther than this. Employing comparative analysis of Biblical exegesis, chant texts, and chant melodies, this study suggests that the initial chant verse, Micah 6:3-4a plus a Christianizing addendum ("My people... you prepared..."), originated in northwestern Italy between the end of the 4th century and the end of the 7th century and carried associations of the Last Judgment, the Passion, and Christian works, penitence, and forgiveness. Although previous scholarship has sometimes pointed to the Reproaches as a key text of Christian anti-Jewish history, it is clear that the initial three verses, the Popule meus verses, originally held allegorical rather than literal meanings. The fact that there are several preserved Popule meus chants across various liturgical repertoires and, moreover, several sets of Popule meus verses in a smaller subset of these repertoires--in northern Italy, southern France, and the Spanish March--bespeaks the pre-Carolingian origins of the Popule meus verses and raises the question of why the verses appear in the Carolingian liturgy when they do. This study proposes that the Popule meus verses were incorporated into the Carolingian liturgy at the Abbey of Saint-Denis under the abbacy of Charles the Bald (867-77). In the Adoration of the Cross ceremony adopted from Rome, paired with the Greek Trisagion, and carrying Gallican melody and meaning, the Carolingian Popule meus verses would have been an ecumenical declaration, as they spread, of the expediency of the crucified Christ and a penitent people, even in the face of impending political disintegration.




The Many Roots of Medieval Logic


Book Description

The specialized essays in this collection study whether non-Aristotelian traditions of ancient logic had a role for medieval logicians. Special attention is given to Stoic logic and semantics, and to Neoplatonism.




Re-thinking Dionysius the Areopagite


Book Description

Dionysius the Areopagite, the early sixth-century Christian writer, bridged Christianity and neo-Platonist philosophy. Bringing together a team of international scholars, this volume surveys how Dionysius’s thought and work has been interpreted, in both East and West, up to the present day. One of the first volumes in English to survey the reception history of Dionysian thought, both East and West Provides a clear account of both modern and post-modern debates about Dionysius’s standing as philosopher and Christian theologian Examines the contrasts between Dionysius’s own pre-modern concerns and those of the post-modern philosophical tradition Highlights the great variety of historic readings of Dionysius, and also considers new theories and interpretations Analyzes the main points of hermeneutical contrast between East and West




The Spatial Reformation


Book Description

In The Spatial Reformation, Michael J. Sauter offers a sweeping history of the way Europeans conceived of three-dimensional space, including the relationship between Earth and the heavens, between 1350 and 1850. He argues that this "spatial reformation" provoked a reorganization of knowledge in the West that was arguably as important as the religious Reformation. Notably, it had its own sacred text, which proved as central and was as ubiquitously embraced: Euclid's Elements. Aside from the Bible, no other work was so frequently reproduced in the early modern era. According to Sauter, its penetration and suffusion throughout European thought and experience call for a deliberate reconsideration not only of what constitutes the intellectual foundation of the early modern era but also of its temporal range. The Spatial Reformation contends that space is a human construct: that is, it is a concept that arises from the human imagination and gets expressed physically in texts and material objects. Sauter begins his examination by demonstrating how Euclidean geometry, when it was applied fully to the cosmos, estranged God from man, enabling the breakthrough to heliocentrism and, by extension, the discovery of the New World. Subsequent chapters provide detailed analyses of the construction of celestial and terrestrial globes, Albrecht Dürer's engraving Melencolia, the secularization of the natural history of the earth and man, and Hobbes's rejection of Euclid's sense of space and its effect on his political theory. Sauter's exploration culminates in the formation of a new anthropology in the eighteenth century that situated humanity in reference to spaces and places that human eyes had not actually seen. The Spatial Reformation illustrates how these disparate advancements can be viewed as resulting expressly from early modernity's embrace of Euclidean geometry.




The God Who Is Beauty


Book Description

In the beginning was beauty, and beauty was with God, and beauty was God. If the tradition of divine names, that (in its Christian form) originates with Dionysius the Areopagite and includes among its ranks Albert the Great, Thomas Aquinas, and others, is correct in identifying God with the name beauty, then repurposing the Prologue to John's Gospel in this way seems hardly controversial. For if beauty is a divine name then not only is it fitting to say God is beautiful, but it is equally fitting to say that God is beauty itself. However, like most arguments from fittingness-that is to say, arguments whose veracity derives from the congruency, proportion, or harmony between the various elements of a proposition or idea rather than from some categoricallyhigher, or univocally determinate, logical necessity-the simplicity of its utterance stands in stark contrast to the complexity of its intelligible content. It is the aim of the present work is to explore what it means to say that beauty is a divine name.