Essays in Existentialism


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Existential Monday


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Benjamin Fondane—who was born and educated in Romania, moved as an adult to Paris, lived for a time in Buenos Aires, where he was close to Victoria Ocampo, Jorge Luis Borges’s friend and publisher, and died in Auschwitz—was an artist and thinker who found in every limit, in every border, “a torture and a spur.” Poet, critic, man of the theater, movie director, Fondane was the most daring of the existentialists, a metaphysical anarchist, affirming individual against those great abstractions that limit human freedom—the State, History, the Law, the Idea. Existential Monday, the first selection of his philosophical work to appear in English, includes four of Fondane's most thought-provoking and important texts, "Existential Monday and the Sunday of History," "Preface for the Present Moment," "Man Before History" (co-translated by Andrew Rubens), and "Boredom." Here Fondane, until now little-known except to specialists, emerges as one of the enduring French philosophers of the twentieth century.




The Existentialists


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This volume brings together for the first time some of the most helpful and insightful essays on the four most influential and discussed philosophers in the history of existentialism: Kierkegaard, Nietzsche, Heidegger, and Sartre. The contributors write on such topics as Kierkegaard's knight of faith and his diagnosis of the 'present age;' Nietzsche's view of morality and self-creation; Heidegger's accounts of worldhood and authenticity; and Sartre's ontology, ethics, and conception of the cogito. The essays have been selected for their higher level of scholarship and for their ability to illuminate various aspects of their subject's work. The volume is enhanced by the editor's introduction and extensive bibliography to aid further study.




Lifeworlds


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4e de couv.: Michael Jackson's Lifeworlds is a masterful collection of essays, the culmination of a career of exploring the relationship between anthropology and philosophy. Drawing inspiration from James, Dewey, Arendt, Husserl, Sartre, and Merleau-Ponty, and from ethnographic fieldwork among the Kuranko of Sierra Leone, the Warlpiri of Central Australia, and the Maori of Aotearoa (New Zealand), Jackson outlines an existential anthropology grounded in the dynamics and quandaries of everyday life. He offers a pragmatic understanding of how people act to make their lives more viable, to bridge the gap between self and other, to grasp the elusive, and to transform abstract possibilities into embodied truths.







Existentialism, Religion, and Death


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Four brilliant essays examine Kierkegaard, Tolstoy, Dostoevsky and Buber. Each is seen in a new perspective (the appreciation of Tolstoy, for example, is eye-opening). One chapter contrasts Nietzsche with the leading existentialists, and another explores the reception of existentialism in the United States. Throughout, the author's thrust is critical and constructive and never merely expository. [Back cover].




Living Existentialism


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Writing in the late 1990s about the tendency of encyclopedists to designate existentialism a finished project, Thomas W. Busch cautions that such hasty periodization risks distorting our understanding of the contemporary philosophical scene and of depriving ourselves of vital resources for critiquing contemporary forms of oppression, what Garbriel Marcel referred to as processes of dehumanization. We should recall that "existentialism made possible present forms of Continental philosophy, all of which assume the existentialist critique of dualism, essentialism, and totality in modern philosophy," and we should acknowledge that "existentialism remains capable of haunting today's scene as an important and relevant critic." Offered in honor of Thomas W. Busch after his more than fifty years of work in philosophy, the essays in this volume attest to existentialism as a living project. The essays are written by scholars who championed existentialism in America and by scholars who now seek to extend existentialist insights into new territory, including into research in cognitive science. The essays range from studies of key figures and texts to explorations of urgent topics such as the nature of freedom and the possibility of what Busch calls "incorporation," a sense of communicative solidarity that respects difference and disagreement.




We Have Only This Life to Live


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Jean-Paul Sartre was a man of staggering gifts, whose accomplishments as philosopher, novelist, playwright, biographer, and activist still command attention and inspire debate. Sartre’s restless intelligence may have found its most characteristic outlet in the open-ended form of the essay. For Sartre the essay was an essentially dramatic form, the record of an encounter, the framing of a choice. Whether writing about literature, art, politics, or his own life, he seizes our attention and drives us to grapple with the living issues that are at stake. We Have Only This Life to Live is the first gathering of Sartre’s essays in English to draw on all ten volumes of Situations, the title under which Sartre collected his essays during his life, while also featuring previously uncollected work, including the reports Sartre filed during his 1945 trip to America. Here Sartre writes about Faulkner, Bataille, Giacometti, Fanon, the liberation of France, torture in Algeria, existentialism and Marxism, friends lost and found, and much else. We Have Only This Life to Live provides an indispensable, panoramic view of the world of Jean-Paul Sartre.




Essays in Aesthetics


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DIVDIVRenowned French philosopher Jean-Paul Sartre references artists such as Tintoretto, Calder, Lapoujade, Titian, Raphael, and Michaelangelo in discussing how great art of the past relates to the challenges of his era/divDIVEssays in Aesthetics is a provocative collection that considers the nature of art and its meaning. Sartre considers the artist’s “function,” and the relation of art and the artist to the human condition. Sartre integrates his deep concern for the sensibilities of the artist with a fascinating analysis of the techniques of the artist as creator. The result is a vibrant manifesto of existentialist aesthetics./divDIV /divDIVBy looking at existentialism through the lens of great art, Essays in Aesthetics is just as valuable a read to the artist as it is to the philosopher./divDIV /div/div




The Philosophy of Existentialism


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Essays. Bibliography: p. 423-431.