Encyclopedia of the Essay


Book Description

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies




On Essays


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Montaigne called it a ramble; Chesterton the joke of literature; and Hume an ambassador between the worlds of learning and of conversation. But what is an essay, and how did it emerge as a literary form? What are the continuities and contradictions across its history, from Montaigne's 1580 Essais through the familiar intimacies of the Romantic essay, and up to more recent essayists such as Virginia Woolf, James Baldwin, and Claudia Rankine? Sometimes called the fourth genre, the essay has been over-shadowed in literary history by fiction, poetry, and drama, and has proved notoriously resistant to definition. On Essays reveals in the essay a pattern of paradox: at once a pedagogical tool and a refusal of the methodical languages of universities and professions; politically engaged but retired and independent; erudite and anti-pedantic; occasional and enduring; intimate and oratorical; allusive and idiosyncratic. Perhaps because it is a form of writing against which literary scholarship has defined itself, there has been surprisingly little work on the tradition of the essay. Neither a comprehensive history nor a student companion, On Essays is a series of seventeen elegantly written essays on authors and aspects in the history of the genre - essays which, taken together, form the most substantial book yet published on the essay in Britain and America.




Paradoxes and Problems


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A scholarly edition of works by John Donne. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.







The Seventeenth-century English Essay


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John Wilkins (1614-1672): New Essays


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John Wilkins (1614-72): New Essays presents ten fresh essays on the life and work of the influential English natural philosopher and theologian, John Wilkins. Wilkins, one of the most prominent figures in the scientific revolution in England, and a founder of the Royal Society of London, published widely on astronomy, mechanics, language, and theology, and was also an important churchman and politician. These ten essays review Wilkins’s writings and influence, while also addressing the wider contexts of his activities, including his service as head of house at two successive colleges in Oxford and Cambridge, and his political work. This new collection thus covers all aspects of Wilkins’s career, and functions as a complete reappraisal of this seminal early modern figure. Contributors are: C. S. L. Davies, Mordechai Feingold, Felicity Henderson, Natalie Kaoukji, Rhodri Lewis, Scott Mandelbrote, Jon Parkin, William Poole, Anna Marie Roos, and Richard Serjeantson.




The Yablo Paradox


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Roy T Cook examines the Yablo paradox—a paradoxical, infinite sequence of sentences, each of which entails the falsity of all others later than it in the sequence—with special attention paid to the idea that this paradox provides us with a semantic paradox that involves no circularity. The three main chapters of the book focus, respectively, on three questions that can be (and have been) asked about the Yablo construction. First we have the Characterization Problem, which asks what patterns of sentential reference (circular or not) generate semantic paradoxes. Addressing this problem requires an interesting and fruitful detour through the theory of directed graphs, allowing us to draw interesting connections between philosophical problems and purely mathematical ones. Next is the Circularity Question, which addresses whether or not the Yablo paradox is genuinely non-circular. Answering this question is complicated: although the original formulation of the Yablo paradox is circular, it turns out that it is not circular in any sense that can bear the blame for the paradox. Further, formulations of the paradox using infinitary conjunction provide genuinely non-circular constructions. Finally, Cook turns his attention to the Generalizability Question: can the Yabloesque pattern be used to generate genuinely non-circular variants of other paradoxes, such as epistemic and set-theoretic paradoxes? Cook argues that although there are general constructions-unwindings—that transform circular constructions into Yablo-like sequences, it turns out that these sorts of constructions are not 'well-behaved' when transferred from semantic puzzles to puzzles of other sorts. He concludes with a short discussion of the connections between the Yablo paradox and the Curry paradox.










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