An Independent Stance


Book Description

Part One of this strongly worded, informed, and wide-ranging collection examines key issues for the future of Canadian criticism. Part Two offers new readings of important works by Grove, Wilson, MacLennan, Davies, Laurence, Hood, Wiebe, Hodgins, and Atwood. As W.J. Keith argues, `We still have a mission: to have our literature recognized as an essential reflection of our national life. This is what I mean by retrenchment and consolidation. Literature can survive without literary criticism but it cannot survive if it is unknown and unread. It is criticism's prime function at the present time to see that it is both known and read with that mature enjoyment which is a combination of emotional sensitivity and humane intelligence. As critics, scholars, editors, we shall not be fulfilling our responsibilities or justifying our existence if we attempt anything less.' Or as Keith modestly observes in his introduction to this collection, `If this book is of any interest, it will be because Canadian literature is an important subject. Literary commentators like myself are middle-men, and should be prepared to admit the fact. If this book succeeds in helping readers to appreciate the works of Canadian writers that I discuss, and to derive increased pleasure and insight from them, it will have served its purpose. I can see no other justification for it -- or for any other work of criticism.'




Best Canadian Essays 2021


Book Description

A Winnipeg Free Press Top Read of 2021 The thirteenth installment of Canada's annual volume of essays showcases diverse nonfiction writing from across the country. “The exceptional essay,” writes editor Bruce Whiteman, “derives from a passionate feeling, love and anger being perhaps its upper and lower limits, coexisting with a desire for truth, and it aims for the radiance of what is.” In the 2021 edition of Best Canadian Essays, Whiteman’s selections seek truth in all the places it may be found, from walks in brambled woods and ancient cities to memories of childhoods that shape a life; to analyses of artifacts both legislative and cultural that advance equality long overdue; to reports from the field that articulate the poetry of the present, the invisibility of the poor, the social contours and consuming mental contagions of the ongoing pandemic. Drawn from leading magazines and journals published in 2020, the fifteen essays gathered here brilliantly illuminate what is. Featuring work by: Neil Besner Catherine Bush Yvonne Blomer Jenna Butler Elizabeth Dauphinee Eva-Lynn Jagoe Mark Kingwell Frances Koziar Hilary Morgan V. Leathem Stephanie Nolen Kevin Patterson Soraya Roberts Ian Waddell Sheila Watt-Cloutier Joyce Wayne Rob Winger




Ripostes


Book Description

Ripostes is a collection of essays on some salient features of the Canadian literary landscape, a number of which were first published in the Toronto Star, many of which appear in these pages for the first time. Included are essays on Atwood, Findley, Ondaatje and Margaret Laurence, as well as thematic explorations of Canadian literature such as an account of the demise of the Survival school of Canadian writing, a look at the recent history of the Writers' Union of Canada, an examination of the role of fathers in Canadian fiction, a study of the strange attraction of many of our writers to the occult, and so on. The tone is considered, and critical rather than celebratory, although the essays are respectful of the genuine achievements of Canadian literature in the past few decades. They try to clear the air, as it were, of boosterism, political correctness, and other attitudes which hinder the appreciation and reception of good writing. This is an honest re-appraisal of Canadian literature, undertaken at a time when we need no longer be overcome with relief and euphoria over the fact that some of our authors are now world famous, or at least world famous in Hoboken, New Jersey.













Contrasts


Book Description

This historic collection, the first of its kind, is devoted to the discussion of Italian-Canadian writers publishing in English, in French or in Italian. These critical essays include analyses of some important writing: F.G. Paci's Black Madonna, the poetry of Mary di Michele and Pier Giorgio Di Cicco, the plays of Marco Micone, Gens du Silence and Addolorata, the novels of Maria Ardizzi and many other titles. The ten contributors make significant additions to the study of Canadian literature: D.C. Minni examines the short story; Alexandre Amprimoz and Sante Viselli consider Italian-Canadian poetry; Roberta Sciff-Zamaro analyses Black Madonna; Robert Billings fathoms di Michels's verse; Frank Paci considers the task of the novelist. Fulvio Caccia's essay on the literary languages of Quebec is controversial as are Filippo Salvatore's arguments on the writer and politics. Antonio D'Alfonso speculates on future developments among the more than one hundred Italian-Canadian writers. In addition to editing the collection, Joseph Pivato introduces the volume with a long essay on ethnic history and literary criticism in Canada, includes another essay on Italian-language writers and concludes with a detailed bibliography and an index.




Revolutions


Book Description

Revolutions is the first book-length critical survey of twenty-first-century Canadian fiction, with in-depth essays examining subjects such as the Scotiabank Giller Prize, the effects of the digital revolution, and the dark legacy of what has come to be know as the Canadian literary establishment. Throughout, close reading is given to many contemporary authors, with particular attention paid to such central figures as Douglas Coupland and David Adams Richards. Alex Good explains and contextualizes this period in Canadian fiction for the general reader, providing a much-needed critical re-assessment of Canadian writing in the new millennium. By offering a contrary yet thoughtful position to that taken by our nation’s most prominent literary tastemakers, Good offers a vigorous commentary on the state of Canadian literature—where we are and how we got here.