Essays on Four Plays of Euripides


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This Is A New Release Of The Original 1905 Edition.




ESSAYS ON 4 PLAYS OF EURIPIDES


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Essays on Four Plays of Euripides


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Excerpt from Essays on Four Plays of Euripides: Andromache; Helen; Heracles; Orestes The texts of Euripides to which I refer in this volume are the following. For the Andromache and the Heracles, the only two of the four plays which are included in the published volumes of Professor Gilbert Murray, I have used his edition. For the Helen I use the text of W. Dindorf in the 1869 edition (with apparatus criticus) of the Poetae Scenici. For the Orestes I refer to the edition (and commentary) of Mr Wedd. I have used also the commentary of Mr Hyslop on the Andromache, those of Professor von Wilamowitz-Mollendorff and Mr Blakeney on the Heracles, those of Paley on all the four plays, and others. To the commentary of Mr Wedd I am largely indebted. It has been my intention to notice doubts, whether of text or interpretation, which seem material to the purpose of my citation; if in any case I have not done so, it is by inadvertence. But doubts of either kind, when they are not for my purpose material, I do not notice. I cite frequently the translation of Euripides in verse by Mr A. S. Way, and appreciate highly the advantage of being able to adduce a version so faithful. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Euripides: Andromache


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The book is written mainly for students to enable them better to appreciate and enjoy Euripides' Andromache. Its presentation seeks to combine depth of analysis with clarity and accessibility. It discusses Greek theatre and performance, the myth behind the play, and the literary, intellectual, and political context in which it was written and first performed. The book provides analyses of the various characters, and highlights the play's ambiguities and complexities. What makes Andromache of special interest is the fact that, of the 32 extant tragedies, it might have been originally produced outside Athens. This in turn leads the discussion of how the play's scrutiny of the Spartan characters affected the off-stage audience. Andromache is the only play that portrays the human toll caused by the Trojan War to both the Trojan and the Greek sides. After the Fall of Troy, Andromache, former wife of Hector, has been given to Neoptolemus, Achilles' son, as a war-prize. Andromache bore Neoptolemus a son, Molossus, before Neoptolemus married Hermione, the daughter of Menelaus and Helen. While Neoptolemus is away, Menelaus and Hermione attempt to kill Andromache and Molossus, causing a rift between the two families who were the major players in the War: the house of Atreus and the house of Peleus, father of Achilles. Although Neoptolemus is murdered, the play ends with a prophecy for the future of the line of descent of Peleus and Thetis in the form of the blessed kingdom of Molossia.




The Art of Euripides


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In this book Professor Mastronarde draws on the seventeen surviving tragedies of Euripides, as well as the fragmentary remains of his lost plays, to explore key topics in the interpretation of the plays. It investigates their relation to the Greek poetic tradition and to the social and political structures of their original setting, aiming both to be attentive to the great variety of the corpus and to identify commonalities across it. In examining such topics as genre, structural strategies, the chorus, the gods, rhetoric, and the portrayal of women and men, this study highlights the ways in which audience responses are manipulated through the use of plot structures and the multiplicity of viewpoints expressed. It argues that the dramas of Euripides, through their dramatic technique, pose a strong challenge to simple formulations of norms, to the reading of consistent human character, and to the quest for certainty and closure.




Livy Book XXIII


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Monthly Bulletin


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