Essays on Jaina Art


Book Description

Fifteenth In The Series Of Collected Works Of Dr. Ananda Coomaraswamy In The Ignca'S Publication Programme, This Volume Deals With His Contribution To The Study Of Jaina Art.




Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U.P. Shah


Book Description

The Present Volume Is Published By The Oriental Institute, M.S. University Of Baroda In Sacred Memory Of Late Dr. U.P. Shah, Ex-Deputy Director And General Editor, Ramayana Deptt. Of The Institute. It Contains Research Articles Specially Written By Scholar-Friends Of Dr. Shah From The World Over, Ranging From Jaina Philosophy, Jaina Iconography, Art-History To Indian Literature In General, As His Interest Too Ranged To All The Afore-Mentioned Subjects. As Will Be Evident From The Life-Sketch And The Bibliography Of His Works, Dr. Shah Made An Impact In The Field Of Jaina Iconography And Art-History, Though He Handled, With Equal Felicity, Subjects Related To Oriental Studies. Some Of The Articles Appearing In This Volume Break New Ice Regarding Certain Knotty Points Of Jaina Philosophical Thought And Religious Practices. It Would Be Helpful To View The Contents Of This Volume From The Standpoint Of Long, Mutual Affinity And Correlatedness Of The Ancient Vedic And Jaina Traditions That Flourished Coevally Over A Great Stretch Of Time In This Country Of Uncommon Tolerance And Understanding Of Opposing Ideas And Ideals, Evincing Brilliant Insights Into The Problems Of Being And Consciousness Ever Probed By Human Mind. The Methodology Of Symbolical Representation Of Transcendental Principles And Perceptions Evolved In Both Jaina And Brahmanical Traditions Of Thought Is Well-Documented In This Volume, Which Will Prove To Be A Treasure For The Students Of Oriental Studies In General And Indology In Particular




Framing the Jina


Book Description

John Cort explores the narratives by which the Jains have explained the presence of icons of Jinas (their enlightened and liberated teachers) that are worshiped and venerated in the hundreds of thousands of Jain temples throughout India. Most of these narratives portray icons favorably, and so justify their existence; but there are also narratives originating among iconoclastic Jain communities that see the existence of temple icons as a sign of decay and corruption. The veneration of Jina icons is one of the most widespread of all Jain ritual practices. Nearly every Jain community in India has one or more elaborate temples, and as the Jains become a global community there are now dozens of temples in North America, Europe, Africa, and East Asia. The cult of temples and icons goes back at least two thousand years, and indeed the largest of the four main subdivisions of the Jains are called Murtipujakas, or "Icon Worshipers." A careful reading of narratives ranging over the past 15 centuries, says Cort, reveals a level of anxiety and defensiveness concerning icons, although overt criticism of the icons only became explicit in the last 500 years. He provides detailed studies of the most important pro- and anti-icon narratives. Some are in the form of histories of the origins and spread of icons. Others take the form of cosmological descriptions, depicting a vast universe filled with eternal Jain icons. Finally, Cort looks at more psychological explanations of the presence of icons, in which icons are defended as necessary spiritual corollaries to the very fact of human embodiedness.




The Oxford Handbook of Tantric Studies


Book Description

"Since the earliest encounters between tantric traditions and Western scholars, tantra has posed a challenge. Representation of tantra has tended to emphasize the antinomian, decadent aspects, which, as attention-grabbing as they were for Western audiences, hampered the study of the field. The Oxford Handbook of Tantric Studies is intended to overcome these obstacles, facilitating collaboration between scholars working on different forms of tantra, and in different disciplines. With more than forty chapters and a global pool of contributors, the Handbook aims to be the definitive reference work in the field, exploring core topics such as action, transformation, embodiment, art, language, and social movements. The first chapter provides an overview of major issues confronting the field today, including debates regarding the definition and category of "tantra," historical origins and dating, and recent developments in gender studies and tantra, ethnography and "lived tantra," and cognitive approaches to the study of tantra. Using a topical framework, the opening section explores the concept of action, one of the most prominent features of tantra, which includes performing rituals, practicing meditation, chanting, embarking on a pilgrimage, or reenacting moments from a sacred text. From there, the sections cover broad topics such as transformation (e.g., soteriology and healing), gender and embodiment, "extraordinary" beings (such as deities and saints), art and visual expressions, language and literature, social organizations, and the history and historiography of tantra. Keywords tantric studies, tantra, Buddhism, Hinduism, Jainism, ritual, soteriology, meditation, embodiment, yoga"--




Jaina Art


Book Description

Illustrations: Numerous B/w & Colour Illustrations Description: The present text contributes to our knowledge and understanding of the Jaina paintings and minor arts which are of great interest as being the oldest known Indian paintings on paper. In order to make them fully comprehensible the author first describes and illustrates the actual paintings by a short account to Jainism and of the legends of Mahavira and Kalakacarya, which are main subject of the pictures. Beginning with a short account of Jainism, the author depicts the life of Mahavira and other Tirthankaras based on Kalpa Sutra in the first three chapters. Chapter four describes the faithful dealings of the holy monk Kallika with the wicked king Gardabhilla. Chapter five gives in detail the explanation of various terms used in the painting. Chapter six studies the whole cosmos according to the Jainas. The author is very clear in his mind about the artist's creation of aesthetic excellence, described in chapter seven. Chapters eight and nine account for the reproduction given in figures which have been taken from the pages of the Jaina MSS. Abbreviated reference is made in the descriptions facing the plates. Author's cogent and remarkably well-documented writings reveal the masterly pen recording the thought of a great master born to interpret Indian art for all time.




Puja and Piety


Book Description

Accompanies the exhibition presented at the Santa Barbara Museum of Art, Santa Barbara, California, April 17-July 31, 2016.




A Survey of Jainism and Jaina Art of Eastern India


Book Description

This Study Proposes To Find Out The Infrastructure Of Jain History In Eastern India, Especially Bengal, From The Earliest Times To Mid-14Th Century A.D., Based On The Available Sculptural Materials.







Essays on Indian Art and Architecture


Book Description

Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.




Early Asceticism in India


Book Description

Ājīvikism was once ranked one of the most important religions in India between the 4th and 2nd centuries BCE, after Buddhism, ‘Brahmanism’ and before Jainism, but is now a forgotten Indian religion. However, Jainism has remained an integral part of the religious landscape of South Asia, despite the common beginnings shared with Ājīvikism. By rediscovering, reconstructing, and examining the Ājīvikism doctrine, its art, origins and development, this book provides new insight into Ājīvikism, and discusses how this information enables us to better understand its impact on Jainism and its role in the development of Indian religion and philosophy. This book explains how, why and when Jainism developed its strikingly unique logic and epistemology and what historical and doctrinal factors prompted the ideas which later led to the formulation of the doctrine of multiplexity of reality (anekānta-vāda). It also provides answers to difficult passages of Buddhist Sāmañña-phala-sutta that baffled both Buddhist commentators and modern researchers. Offering clearer perspectives on the origins of Jainism the book will be an invaluable contribution to Jaina Studies, Asian Religion and Religious History.