Essays on Modern India


Book Description

Contents: Introduction, India s Agony, Rammohun Roy, Macaulay s Educational Minutes, Swami Dayanand Saraswati his Life and Works, The Mysore-Maratha Relations, Annie Besant s Political Ideology in India, The Rowlatt Satyagraha of 1919, England and India, The Gurukul Kangri as an Experiment in National Education, Working Class Consciousness in Colonial India, Colonialism and Nationalists.







Essays in Indian History


Book Description

This volume offers a collection of several of Professor Habib's essays, providing an insightful interpretation of the main currents in Indian history.




The Book of Indian Essays


Book Description




When was Modernism


Book Description

A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.




Essays of a Lifetime


Book Description

For the past forty years or more, the most influential, respected, and popular scholar of modern Indian history has been Sumit Sarkar. When his first monograph, The Swadeshi Movement in Bengal 1903–1908, appeared in 1973 it soon became obvious that the book represented a paradigm shift within its genre. As Dipesh Chakrabarty put it when the work was republished in 2010: "Very few monographs, if any, have ever rivalled the meticulous research and the thick description that characterized this book, or the lucidity of its exposition and the persuasive power of its overall argument." Ten years later, Sarkar published Modern India 1885–1947, a textbook for advanced students and teachers. Its synthesis and critique of everything significant that had been written about the period was seen as monumental, lucid, and the fashioning of a new way of looking at colonialism and nationalism. Sarkar, however, changed the face not only of modern Indian history monographs and textbooks, he also radically altered the capacity of the historical essay. As Beethoven stretched the sonata form beyond earlier conceivable limits, Sarkar can be said to have expanded the academic essay. In his hands, the shorter form becomes in miniature both monograph and textbook. The present collection, which reproduces many of Sarkar's finest writings, shows an intellectually scintillating, skeptical-Marxist mind at its sharpest.




Essays on Modern India Historiography


Book Description

The book contains five essays on historiography of Modern India. The essays are written for the students of the postgraduate classes. It will also benefit the students preparing for the NET/UGC test. It will help them to learn about the established historians about whom the questions are generally asked. It will also help the students for the course work required for the PhD. The headings of the chapters are as follows: 1.Chapter 1: Historiography of Modern India – An Introduction 2.Chapter 2: Imperialist Historians of Modern India 3.Chapter 3: Nationalist Historians of Modern India 4.Chapter 4: Marxists Historians of Modern India 5.Chapter 5: Historiography of Colonialism in India 6.Bibliography The Hindi version of this book is available in eBook format. The Book is available on amazon.com with ASIN: B07WD4T2K3




Essays in Modern Indian History


Book Description

Originally written for seminars and lectures held under the auspices of the Nehru Memorial Museum and Library.




Essays in Modern Indian Economic History


Book Description

Essays in Modern Indian Economic History is part of a three-volume set, comprising representative articles of Indian History Congress Proceedings (1935-85). The essays in this volume provide an overview of the continuities and changes in the historians' approach to the economic aspects of 'modern' Indian history. In the agenda of economic historians, the problems uppermost have been the policies of the colonial state, the impact of metropolitan capitalism on colonial trade and industry, and in particular the evolution of land revenue systems in various regions. At the same time, many of the continuities from the pre-colonial period to the so-called modern period in terms of social institutions, political structures, and organization of production have engaged historians. This collection indicates how historical research in modern economic history has pushed beyond the study of colonial economic policies per se, into the processes internal to the economy and society under the impact of these policies--resulting in the development of a culturally and socially sensitive economic history. Re-issued in a revised form to synchronize with the Platinum Jubilee Celebrations of the Indian History Congress, the essays in this volume are accompanied by a new Preface and an Introduction that highlight the changing contours of emphasis, shifting focus/es and methodologies and projections of research, held under the aegis of the Indian History Congress.




Makers of Modern India


Book Description

Includes a short biographical introduction to each person, followed by excerpts from their writings.