Not Quite Australian


Book Description

Permanent migration has long been vital to the story of Australia. From the arrival of early settlers to waves of post-war immigration, the symbolic moment of disembarking onto Australian soil is an image deeply embedded in our nation’s consciousness. Today, there are more than million temporary migrants living in Australia. They work, pay tax and abide by our laws, yet they remain unrecognised as citizens. All the while, this rise in temporary migration is redefining Australian society, from wage wars and healthcare benefits, to broader ideas of national identity and cultural diversity. In Not Quite Australian, award-winning journalist Peter Mares draws on case studies, interviews and personal stories to investigate the complex realities of this new era of temporary migration. Mares considers such issues as the expansion of the 457 work visa, the unique experience of New Zealand migrants, the internationalisation of Australia's education system and our highly politicised asylum-seeker policies to draw conclusions about our nation's changing landscape. Not Quite Australian is packed with fresh insight and challenging new ideas for understanding Australia’s growing culture of temporary migration. Peter Mares is an independent writer and researcher. He is a contributing editor with the online magazine Inside Story and a senior moderator with The Cranlana Programme. Peter was a broadcaster with the ABC for twenty-five years, serving as a foreign correspondent based in Hanoi and presenting national radio programs. He is the author of the award-winning book Borderline: Australia's Response to Refugees and Asylum Seekers in the Wake of the Tampa and has written about migration for many media outlets including the Age, Australian Financial Review and Griffith Review. Peter lives in Melbourne with his wife and son. ‘Mares is indefatigable in his data gathering and scrupulously even-handed in weighing the evidence. He strikes an exquisite balance between the personal and scholarly, the humane and tough-mindedness. Not Quite Australian is big-picture storytelling with a pulse, always keeping ideals, blunt realities and people—the exposed who want a place and the lucky ones entrenched here—in the frame.’ Australian ‘An important and timely contribution to the debate about how Australia should handle the migration of people to its territory, and I highly recommend it.’ Australian Book Review ‘Compellingly readable...[Mares’] research is comprehensive, intellectually deft, ethically and philosophically grounded—but digestible, and personally attested...This is on-the-ground, people-focused journalism of the highest kind.’ Sydney Morning Herald ‘Mares has once again presented a controversial and complicated topic with clarity and humanity. At a time when a national conversation about what it means to be Australian (or unAustralian) seems daily social media fodder, Not Quite Australian is an important contribution. And a reminder of the importance of thorough, slow-burn journalism in the hot-takes age.’ Big Issue ‘This detailed, careful and topical book is illuminated by the personal stories of individuals and families caught up in a complex and bureaucratic system, and it leaves a lasting impression of an Australia that is becoming a two-tiered country...Powerful and persuasive.’ Overland ‘This book is one which should be read by policymakers and concerned citizens alike.’ Spectator ‘One of the most important books published in Australia in 2016. An impressive account of one of the biggest scandals in contemporary Australia; how we’ve sleepwalked into a policy environment that encourages the systemic exploitation of an underclass of millions of temporary migrants in our country.’ Tim Watts




Justice for People on the Move


Book Description

Offers a comprehensive framework that can assist in responding to new justice challenges for people on the move.




Temporary People


Book Description

Winner of the Restless Books Prize for New Immigrant Writing "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, starred review In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf. "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, Starred Review "Inventive, vigorously empathetic, and brimming with a sparkling, mordant humor, Deepak Unnikrishnan has written a book of Ovidian metamorphoses for our precarious time. These absurdist fables, fluent in the language of exile, immigration, and bureaucracy, will remind you of the raw pleasure of storytelling and the unsettling nearness of the future." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Inaugural winner of the Restless Books Prize for New Immigrant Writing, this debut novel employs its own brand of magical realism to propel readers into an understanding and appreciation of the experience of foreign workers in the Arab Gulf States (and beyond). Through a series of almost 30 loosely linked sections, grouped into three parts, we are thrust into a narrative alternating between visceral realism and fantastic satire.... The alternation between satirical fantasy, depicting such things as intelligent cockroaches and evil elevators, and poignant realism, with regards to necessarily illicit sexuality, forms a contrast that gives rise to a broad critique of the plight of those known euphemistically as ‘guest workers.’ VERDICT: This first novel challenges readers with a singular inventiveness expressed through a lyrical use of language and a laserlike focus that is at once charming and terrifying. Highly recommended.” —Henry Bankhead, Library Journal, Starred Review “Unnikrishnan’s debut novel shines a light on a little known world with compassion and keen insight. The Temporary People are invisible people—but Unnikrishnan brings them to us with compassion, intelligence, and heart. This is why novels matter.” —Susan Hans O’Connor, Penguin Bookshop (Sewickley, PA) “Deepak Unnikrishnan uses linguistic pyrotechnics to tell the story of forced transience in the Arabian Peninsula, where citizenship can never be earned no matter the commitment of blood, sweat, years of life, or brains. The accoutrements of migration—languages, body parts, passports, losses, wounds, communities of strangers—are packed and carried along with ordinary luggage, blurring the real and the unreal with exquisite skill. Unnikrishnan sets before us a feast of absurdity that captures the cruel realities around the borders we cross either by choice or by force. In doing so he has found what most writers miss: the sweet spot between simmering rage at a set of circumstances, and the circumstances themselves.” —Ru Freeman, author of On Sal Mal Lane “Deepak writes brilliant stories with a fresh, passionate energy. Every page feels as if it must have been written, as if the author had no choice. He writes about exile, immigration, deportation, security checks, rage, patience, about the homelessness of living in a foreign land, about historical events so strange that, under his hand, the events become tales, and he writes tales so precisely that they read like history. Important work. Work of the future. This man will not be stopped.” —Deb Olin Unferth, author of Revolution “From the strange Kafka-esque scenarios to the wholly original language, this book is amazing on so many different levels. Unlike anything I've ever read, Temporary People is a powerful work of short stories about foreign nationals who populate the new economy in the United Arab Emirates. With inventive language and darkly satirical plot lines, Unnikrishnan provides an important view of relentless nature of a global economy and its brutal consequences for human lives. Prepare to be wowed by the immensely talented new voice.” —Hilary Gustafson, Literati Bookstore (Ann Arbor, MI) “Absolutely preposterous! As a debut, author Unnikrishnan shares stories of laborers, brought to the United Arab Emirates to do menial and everyday jobs. These people have no rights, no fallback if they have problems or health issues in that land. The laborers in Temporary People are sewn back together when they fall, are abandoned in the desert if they become inconvenient, and are even grown from seeds. As a collection of short stories, this is fantastical, imaginative, funny, and even more so, scary, powerful, and ferocious.” —Becky Milner, Vintage Books (Vancouver WA)




The Sociology of Return Migration: A Bibliographic Essay


Book Description

1. 1. Why this essay? It is customary for the author on return migration to complain about the lack of theoretical and empirical knowledge on his sub ject. Three recent general handbooks on the sociology of migra tion Jackson (1969), Jansen (1970) and Albrecht (1972), pro duce together no more than 10 sources on return migration. The by Mangalam (1968), although extensive migration bibliography giving no less than 2051 titles, still comes up with no more than 10 sources. I t is true that not so many books and articles are de voted exclusively to return migration: Appleyard (1962a, 1962b), Cerase (1967,1970), Committee ... (1967), Davison, B. (1968), Dietzel (1971), Elizur (1973), Feindt & Browning (1972), Form & Rivera (1958), Frohlich & Schade (1966), Hernandez-Alvarez (1967,1968), Kraak (1957a, 1957b, 1958), Kayser (1972), Myers & Masnick (1968), Migration News (1969), Mc Donald (1963), O.E. CD. (1967a, 1967b), Patterson. H.O. (1968), Richmond (1967a, 1967b, 1968), Richardson (1968), Saloutos (1956), Stark (1967b), Vanderkamp (1972), Vagts (1960) and Wilder-Okladek (1969). But this does not imply that no further research has been done and that therefore every new student of return migration had to begin from scratch. In numerous studies on emigration, migrant labour, immigration, integration and assimilation, room has been made for a chapter or a paragraph on "those who re turned" or "the migrant's return". I've found the demographical periodicalPopulation Index relatively useful in tracing the subject. 1. 2




Tell Me How It Ends


Book Description

"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books




Essays in Migratory Aesthetics


Book Description

This volume addresses the impact of human movement on the aesthetic practices that make up the fabric of culture. The essays explore the ways in which cultural activities—ranging from the habitual gestures of the body to the production of specific artworks—register the impact of migration, from the forced transportation of slaves to the New World and of Jews to the death camps to the economic migration of peoples between the West and its erstwhile colonies; from the internal and external exile of Palestinians to the free movement of cosmopolitan intellectuals. Rather than focusing exclusively on art produced by those identified as migrant subjects, this collection opens up the question of how aesthetics itself migrates, transforming not only its own practices and traditions, but also the very nature of our being in the world, as subjects producing, as well as produced by, the cultures in which we live. The transformative potential of cultures on the move is both affirmed and critiqued throughout the collection, as part of an exploration of the ways in which globalisation implicates us ever more tightly in the unequal relations of production that characterise late modernity. This collection brings academic scholars from a variety of disciplines into conversation with practising visual and verbal artists; indeed, many of the essays break down the distinction between artist and academic, suggesting a dynamic interchange between critical reflection and creativity.







Temporary Migration


Book Description

Temporariness has become an increasingly salient feature in international migration that presents itself as fragmented, non-linear, including different intermediate stops and multiple returns and new departures. This book proposes a new analytical framework that brings together the role of policies defining migrants as temporary and the role of migrant’s own agency in perceiving their migration project as temporary or permanent. The proposed analytical framework is conceived taking into account both low-skill and high-skilled, legal and irregular migratory flows, and also different visa and citizenship regimes. The aim of this book is to highlight the interplay between the lived reality and the policy and legal concepts on temporary migration and point out to the tensions and contradictions inherent in the latter. Contributions to this book cover different country cases including Canada, Australia, Nepal, Taiwan and Germany, Italy, Russia, and several former Soviet Republics as well as a variety of sectors ranging from opera singers to construction and domestic workers. This book will be a key resource for academics, researchers, and advanced students of sociology, politics, law, migration studies, and ethnic and racial studies. It was originally published as a special issue of the Journal of Ethnic and Migration Studies.




Quarterly Essay 62 Firing Line


Book Description

Going to war may be the gravest decision a nation and its leaders make. At the moment, Australia is at war with the Islamic State. We also live in a region that has become much more volatile, as China asserts itself and America seeks to hold the line. What is it like to go to war? How do we decide to go to war? Where might we go to war in the future? Will we get that decision right? In this vivid, urgent essay, James Brown looks to history, strategy and his own experience to explore these questions. He examines the legacy of the Iraq War and argues that it has prevented a clear view of Australia’s future conflicts. He looks at how we plug into the US war machine, now that American troops are based in Darwin. And he sheds fascinating light on the extraordinary concentration of war powers in the hands of the Prime Minister – and how this might go wrong. This powerful essay argues that we have not yet begun to think through the choices that may confront us in years ahead. ‘When you live in a country like ours, the dirty business of war is a stranger. That is the blessed legacy of a place where soldiers are rarely seen, and then only on parade. Where war means Anzac Day, and Anzac Days are all the same. There are few moments in modern Australia when you might pause to ask the most consequential of questions . . . What is it that we are willing to fight for?’ —James Brown, Firing Line ‘[James Brown] is a fine writer, clear and persuasive and capable of adroit tactical moves.’ —Weekend Australian ‘Brown’s survey of this complicated landscape yields some striking phrases and arresting moments. He is a natural and precise writer with a vivid sense of place.’ —Australian Book Review




Essays in Modern Jewish History


Book Description

A diverse collection of essays studying Jewish communities before, during, and after their emergence into a modern, emancipated status. A fitting tribute to an outstanding sociologist and scholar.