Essays on Twentieth-Century History


Book Description

Probing the paradoxes of "the long twentieth century"--Unprecedented human opportunity and deprivation to the rise of the United States as a hegemon




Twentieth-Century Music and Politics


Book Description

When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.




The Book of Twentieth-century Essays


Book Description

This collection of the best essays written in the English language during the past one hundred years includes many that have become landmarks defining their time: Norman Mailer's The White Negro, Tom Wolfe's These Radical Chic Evenings, James Baldwin's Notes of a Native Son, and Gore Vidal's The Holy Family. Others are in a lighter vein, like James Thurber's lampoon of Salvador Dali's Secret Life or Max Beerbohm's reflections on Laughter. There are Philip Roth on baseball and A. P. Herbert on bathrooms; Mary McCarthy's My Confession, on her Communist sympathies; and F. Scott Fitzgerald's The Crack-up. Each reader will have his or her own favorites: Eudora Welty capturing the precise moment at which she grew up, or Arthur Koestler debunking the effects of magic mushrooms. And each essay has stood the test of time, like Hannah Arendt's The Concentration Camps, Edmund Wilson's now classic The Wound and the Bow, and Paul Fussell on World War II.




Politics, Personality, and Social Science in the Twentieth Century


Book Description

Harold Lasswell is one of America's most distinguished political scientists, a man whose work has had enormous impact both in the United States and abroad upon not only his own field but also those of sociology, psychology and psychiatry, economics, law, anthropology, and communications. This collection of essays is the first full-scale effort to deal with the voluminous writings of Lasswell and explore his at once charming and baffling personality which is perhaps inseparable from the inventiveness, unconventionality, and unusual scope of his work. The authors of these essays, many of whom are former students or collaborators, view their subject from a variety of perspectives. What emerges is a full assessment of Lasswell's many-faceted contribution to the social scholarship of his time.




Philosophy of Mathematics in the Twentieth Century


Book Description

In these selected essays, Charles Parsons surveys the contributions of philosophers and mathematicians who shaped the philosophy of mathematics over the past century: Brouwer, Hilbert, Bernays, Weyl, Gödel, Russell, Quine, Putnam, Wang, and Tait.




Essays in History


Book Description

Classic Kindleberger: Engaging and stimulating reading on eclectic topics in finance, economics, and the life of this captivating author







U.S. History As Women's History


Book Description

This outstanding collection of fifteen original essays represents innovative work by some of the most influential scholars in the field of women's history. Covering a broad sweep of history from colonial to contemporary times and ranging over the fields of legal, social, political, and cultural history, this book, according to its editors, 'intrudes into regions of the American historical narrative from which women have been excluded or in which gender relations were not thought to play a part.' The book is dedicated to pioneering women's historian Gerda Lerner, whose work inspired so many of the contributors, and it includes a bibliography of her works. The contributors include: Linda K. Kerber on women and the obligations of citizenship Kathryn Kish Sklar on two political cultures in the Progressive Era Linda Gordon on women, maternalism, and welfare in the twentieth century Alice Kessler-Harris on the Social Security Amendments of 1939 Nancy F. Cott on marriage and the public order in the late nineteenth century Nell Irvin Painter on 'soul murder' as a legacy of slavery Judith Walzer Leavitt on Typhoid Mary and early twentieth-century public health Estelle B. Freedman on women's institutions and the career of Miriam Van Waters William H. Chafe on how the personal translates into the political in the careers of Eleanor Roosevelt and Allard Lowenstein Jane Sherron De Hart on women, politics, and power in the contemporary United States Barbara Sicherman on reading Little Women Joyce Antler on the Emma Lazarus Federation's efforts to promulgate women's history Amy Swerdlow on Left-feminist peace politics in the cold war Ruth Rosen on the origins of contemporary American feminism among daughters of the fifties Darlene Clark Hine on the making of Black Women in America: An Historical Encyclopedia




Essays in the History of Ideas


Book Description

Originally published in 1948. In the first essay of this collection, Lovejoy reflects on the nature, methods, and difficulties of the historiography of ideas. He maps out recurring phenomena in the history of ideas, which the essays illustrate. One phenomenon is the presence and influence of the same presuppositions or other operative "ideas" in very diverse provinces of thought and in different periods. Another is the role of semantic transitions and confusions, of shifts and of ambiguities in the meanings of terms, in the history of thought and taste. A third phenomenon is the internal tensions or waverings in the mind of almost every individual writer—sometimes discernible even in a single writing or on a single page—arising from conflicting ideas or incongruous propensities of feeling or taste to which the writer is susceptible. These essays do not contribute to metaphysical and epistemological questions; they are primarily historical.