Gordon's Print Price Annual
Author :
Publisher :
Page : 804 pages
File Size : 11,94 MB
Release : 1984
Category : Prints
ISBN :
Author :
Publisher :
Page : 804 pages
File Size : 11,94 MB
Release : 1984
Category : Prints
ISBN :
Author : Thomas Wolf
Publisher :
Page : 786 pages
File Size : 43,63 MB
Release : 1984
Category : Art
ISBN : 9780931036118
Author :
Publisher : Macmillan Reference USA
Page : 632 pages
File Size : 35,13 MB
Release : 1987
Category : Antiques & Collectibles
ISBN :
Author :
Publisher :
Page : 656 pages
File Size : 37,76 MB
Release : 1987
Category : Art
ISBN :
Author :
Publisher :
Page : 748 pages
File Size : 50,92 MB
Release : 1990
Category : Microcards
ISBN :
Author : Riva Castleman
Publisher : ABRAMS
Page : 0 pages
File Size : 49,63 MB
Release : 1997-09
Category :
ISBN : 9780810961814
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author : Christine Poggi
Publisher : Yale University Press
Page : 318 pages
File Size : 45,80 MB
Release : 1992-01-01
Category : Art
ISBN : 9780300051094
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Author : Roxana Marcoci
Publisher : The Museum of Modern Art
Page : 263 pages
File Size : 42,47 MB
Release : 2010
Category : Art
ISBN : 0870707574
"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Author : Pierre Bonnard
Publisher : Metropolitan Museum of Art
Page : 210 pages
File Size : 26,88 MB
Release : 2009
Category : Interior architecture in art
ISBN : 1588393089
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
Author : S. A. Mansbach
Publisher : Cambridge University Press
Page : 400 pages
File Size : 50,2 MB
Release : 2001-02-05
Category : Art
ISBN : 9780521456951
This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement. Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), S.A. Mansbach shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of the day, political as well as aesthetic. Mansbach examines the critical reaction of the contemporary artistic culture and political state. A major groundbreaking interpretation of Modernism, Modern Art in Eastern Europe completes any full assessment of twentieth-century art, as well as its history. Modern Art in Eastern Europe is the recipient of the 1997 C.I.N.O.A. Prize, awarded by La Confédération Internationale de Négociants en Oeuvres d'Art. The prize is awarded to defray the costs of publication in order to encourage publishers to produce maunscripts of particular merit and the works of younger art historians.