Modernist Art in Ethiopia


Book Description

If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.




Ethiopian Art


Book Description

Ethiopia has often attracted attention because of its unique position as an ancient Christian culture far into Africa. Many people have been fascinated by the brilliant colours and childlike directness of traditional Ethiopian art. Little attention has been given, however, to the great art periods the culture has witnessed in the past. The fifteenth century saw a magnificent flowering of painting in the highlands of central and northern Ethiopia - in paintings on panel and above all in manuscripts. This book features an unparallelled collection of Ethiopian Christian artefacts, mostly fifteenth-century manuscripts and icons and metalwork but also some work from the two succeeding centuries.




Ethiopian Art


Book Description

The collection of Ethiopian art at The Walters Art Museum, Baltimore is one of the largest and finest outside of Ethiopia, both in terms of depth and range. This book celebrates the art of the Christian kingdom of Ethiopia in metalwork, processional crosses, painted icons and illuminated manuscripts used in the services of the Church and reveals a vibrant artistic world of color, ritual and spirituality.




Art that Heals


Book Description

Exhibition catalog, Paper not available, Published for Museum for African Art, New York.




Ethiopia


Book Description

A monolithic collection of images captured by photographer Joey L. over the course of thirteen years with the support of his dedicated Ethiopian crew. "Joey L.’s Ethiopia book is a true love letter to my home country of Ethiopia, the land of milk and honey. His imagery does a beautiful job of capturing the diversity of the country and culture. The astonishing landscapes, beautiful people, and vibrant culture. It can all be found all here in this book. Looking at the images, I can't wait to go back to my motherland." - Marcus Samuelsson, Acclaimed chef, Author, and Restaurateur Ethiopia: A Photographic Tribute to East Africa's Diverse Cultures & Traditions is a visual ode to every region of the country and a celebration of all the diverse peoples found within. This highly anticipated volume includes both the iconic landmarks and landscapes found exclusively within Ethiopia, and regions that are lesser known to tourists and travellers. From the cosmopolitan hub of Addis Ababa famous for its Ethiopian Jazz, to the hinterlands of the Gambela region, where the Majang people climb trees over 150 feet tall to collect wild honey. From the north’s Orthodox Tewahedo historic sites, to the Islamic influence spread across the east within Afar and Somali communities, to the Animist spiritualities of the southern nations. The book is a first of its kind—underscoring what makes each region of Ethiopia unique, yet uniting all in one cohesive visual style. Every walk of life is dignified in their own unique way. The flow of the collection is guided by immersive environmental images, landscapes, and classic still life. Interspersed into the narrative are thoughtful portraits, all photographed within the same “nomadic studio tent” the team built and took across the country. The portraits have a familiarity that only a decade of commitment to a single project can produce. The subjects are introduced by name. One spread of the book shows the same girl, Gure, photographed nearly ten years apart. On the book cover is a rare portrait of Fentale and Woday, two Kereyu men who travel to the market once a week to trade camels and try to meet potential wives with their carefully crafted hairstyles. There is Captain Amsale, a charismatic pilot of Ethiopian Airlines—the first to fly internationally with an all-female flight crew. Deeper within the book, we meet Mories, one of the last remaining subsistence crocodile hunters of the Dassanach, whose nomadic existence is kept alive by following the legends of their ancestors. These seemingly disconnected cultural threads are woven together masterfully in order to truly see Ethiopia—which itself is the sum of all the diverse lands and the proud people who inhabit it. 300+ COLOR PHOTOGRAPHS: Hundreds of intimate fine art photographs capture the diverse people and landscapes of Ethiopia and East Africa. STUNNING LANDSCAPES: Joey captures distinct—and often overlooked—natural features of Ethiopia's interior, from its vast deserts, sprawling mountain ranges, and dense forests. VIBRANT CITIES: Scenes from cities like Addis Ababa reveal a vibrant energy, alight with jazz clubs, musicians, youth culture, and so much more. DIVERSE CULTURES: Visually explore the Orthodox Tewahedo historic sites, see the Islamic influence on the Afar and Somali communities, and experience the Animist spiritualities of the southern nations.




Ethiopian Passages


Book Description

This study introduces audiences to the importance of the arts in the African diaspora and tells of the important histories of migration and the myriad negotiations of artistic, cultural, group and personal identities among African artists in the diaspora.




The Indigenous and the Foreign in Christian Ethiopian Art


Book Description

In the rural plateaux of northern Ethiopia, one can still find scattered ruins of monumental buildings that are evidently alien to the country's ancient architectural tradition. This little-known and rarely studied architectural heritage is a silent witness to a fascinating if equivocal cultural encounter that took place in the 16th-17th centuries between Catholic Europeans and Orthodox Ethiopians. The Indigenous and the Foreign in Christian Ethiopian Art presents a selection of papers derived from the 5th Conference on the History of Ethiopian Art, which for the first time systematically approached this heritage. Bringing together work by key researchers in the field, these studies open up a particularly rich period in the history of Ethiopia and cast new light on the complexities of cultural and religious (mis)encounters between Africa and Europe.




The Indigenous and the Foreign in Christian Ethiopian Art


Book Description

In the rural plateaux of northern Ethiopia, one can still find scattered ruins of monumental buildings that are evidently alien to the country's ancient architectural tradition. This little-known and rarely studied architectural heritage is a silent witness to a fascinating if equivocal cultural encounter that took place in the 16th-17th centuries between Catholic Europeans and Orthodox Ethiopians. The Indigenous and the Foreign in Christian Ethiopian Art presents a selection of papers derived from the 5th Conference on the History of Ethiopian Art, which for the first time systematically approached this heritage. The book explores the enduring impact of this encounter on the artistic, religious and political life of Ethiopia, an impact that has not been readily acknowledged, not least because the public conversion of the early 17th-century Emperor Susïnyus to Catholicism resulted in a bloody civil war shrouded in religious intolerance. Bringing together work by key researchers in the field, these studies open up a particularly rich period in the history of Ethiopia and cast new light on the complexities of cultural and religious (mis)encounters between Africa and Europe.




State of the Art in Ethiopian Church Forests and Restoration Options


Book Description

This book, with contributions from leading academics - and including reviews and case studies from Ethiopian Church forests - provides a valuable reference for advanced students and researchers interested in forest and other natural resource management, ecology and ecosystem services as well as restoration options. The book addresses various aspects including a general overview of Ethiopian church forests, the present role and future challenges of church forests. It also discusses their structure and diversity in the context of sustainability and discusses restoration options for surrounding landscapes, under consideration of the circumstances of the land and the needs of surrounding communities. The intended readership includes natural resource professionals in general as well as forestry professionals in particular (practitioners, policymakers, educators and researchers). The book will provide the reader with a good foundation for understanding Ethiopian forest resources and restoration options of degraded landscape.