Ettore Sottsass. There is a Planet. Texts and Photographs


Book Description

Electa, with the Triennale Design Museum in Milan, publishes a new project proposed by Barbara Radice for the centenary of Ettore Sottsass' birth and ten years after his death (Innsbruck 1917-Milan 2007). Sottsass worked on the There is a Planet project in collaboration with Nanae Umeda for the German publisher Wasmuth in the 1990s.00It features photographs taken in 40 years of his travels around the world, focused on living and the human presence on the planet in general. There are pictures of uncontaminated nature (views of rivers, forests, sea expanses, rocks and strongly aesthetic features studied close-up, from Algeria to Polynesia, the Caribbean and his beloved Eolie islands) as well as architecture, houses, people and unusual, profoundly human situations. All are grouped by theme and introduced with sketches and comments on life. The Sottsass project ? which gathered these pictures in five groups, under five different titles and with as many texts ? remained unfinished and the book was never published. Conceived by the great master, There is a Planet is now being reproposed, convinced as we are that it provides readers with important insight into the original and radical angle from which Ettore Sottsass viewed the world.00Exhibition: Triennale Design Museum at the Galleria dell'Architettura, Milan, Italy (15.09.2017-11.03.2018).




Design Metaphors


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The Changing of the Avant-garde


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Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings.




Ettore Sottsass


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Italian architect and designer Ettore Sottsass is celebrated internationally for his contribution to architecture, industrial and furniture design, ceramics, jewelry, crafts, graphic design, and photography. He founded the Memphis group, and through its startling, eclectic and irreverent aesthetic he dominated furniture and interior style for over a decade. Almost every area of modern design displays his influence. Featuring over 100 full-page illustrations - photographs, architectural drawings, sketches, collages - this monograph explores Sottsass's work in all his many fields of activity, including his world-famous office products for Olivetti, and his colorful Memphis furniture. Barbara Radice, a long-time companion of Sottsass, gives a sensitive account of his life and work, drawing on her keen understanding of his talents, personality, preoccupations, likes and dislikes. She outlines his working methods, describes the inspiration he draws from popular culture, follows him on his constant travels, and explains the interactions necessary for his long-term responsibilities at Olivetti's design division. This is a splendidly complete summary of the career and achievement of Ettore Sottsass, one of the most stimulating, innovative, inspired and entertaining in modern times. Barbara Radice is the editor of Terrazzo and regular contributor to several Italian art and design magazines. She was co-author of Sottsass Associates (1989).




Ettore Sottsass and the Poetry of Things


Book Description

The incredible life story of one of the 20th century's most important designers, who knew everyone from Hemingway to Picasso. Ettore Sottsass and the Poetry of Things chronicles the life and times of one of the most important, prolific, and, above all, interesting designers and architects of the 20th century. Sottsass (1917-2007), originally trained as an architect and worked as a design consultant for Olivetti, where he developed the iconic Valentine typewriter, before going on to found the Memphis Group in the 1980s, ushering in an era of influential designs in furniture, ceramics and lighting that continue to inspire design minds today with their flamboyance and use of color. Author Deyan Sudjic (Director of London's Design Museum) does not limit his narrative to an examination of Sottsass' iconic designs. Though a native son of Italy, Sottsass cast a shadow of influence on the entire world, traveling extensively over the course of his life and interacting with some of the 20th century's most iconic figures, including Picasso, Hemingway and Allen Ginsberg. Sudjic's writing, complemented by unpublished personal photographs from Sottsass' archive, offers a unique view of Sottsass from the perspective of the world that surrounded him, recounting anecdotes of encounters between the designer and his famous contemporaries. The result is a unique and comprehensive portrait not only Sottsass but of the last 100 years of design in Italy and around the world. Features anecdotes of his encounters with the biggest creatives of the time, and details of his influences and inspirations, documenting the contemporary design scene both in Italy and abroad.




Sottsass Associati


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Speculative Everything


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How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.




Global Village


Book Description

In his 1962 book "The Gutenberg Galaxy," Marshall McLuhan wrote the famous words: "The new electronic interdependence recreates the world in the image of a global village." As predicted by the renowned Canadian media theorist, satellite telecommunications, beginning with the first Sputnik launch in 1957, united humanity under a vast "cosmic membrane." An immense web of waves echo information around the planet, and distance and time are abolished. Dreams, upheavals, trends, and conflicts are now experienced on a global scale. "Global Village: The 1960s" plumbs the depths of those planetary echoes as they resonated throughout the decade in the fields of visual arts, decorative arts, fashion, and architecture. Along with a wealth of images, it contains interviews with diverse key figures of the time, including designer Ettore Sottsass, art critic Arthur Danto, artist Yoko Ono, filmmaker Agn s Varda, curator Okwui Enwezor, writer Tobias Wolff, playwright Michel Tremblay, and artist Carolee Schneeman.




The Publishers Weekly


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Design Emergency


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Alice Rawsthorn and Paola Antonelli, two of the world's most influential design figures, meet the visionary designers whose innovations and ingenuity give us hope for the future by redesigning and reconstructing our lives, enabling us to thrive Design Emergency tells the stories of the remarkable designers, architects, engineers, artists, scientists, and activists, who are at the forefront of positive change worldwide. Focusing on four themes - Technology, Society, Communication, and Ecology - Alice Rawsthorn and Paola Antonelli present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.