Eudora Welty's Aesthetics of Place


Book Description

In this study of the particular place from which Eudora Welty's writing arises, Fulbright Scholar Jan Nordby Gretlund contends that her writing represents the South's collective experience from the Depression to the present. Gretlund demonstrates that Welty's realistic fiction reveals an aesthetic allegiance to agrarian values, and that her "sense of place" ultimately reflects a sense of how to live. 8 halftones.




Eudora Welty's Aesthetics of Place


Book Description

The writer's imagination is bound to a place, which in the fiction becomes her "gateway to reality" and to a world of possibility.




The Postsouthern Sense of Place in Contemporary Fiction


Book Description

For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.




The Critical Study Of Eudora Welty As a Social Chronicler of Southern Life


Book Description

Eudora Welty explores the significant role in portraying the complexities of the American South. As a leading 20th-century Southern writer, Welty masterfully intertwines historical context with personal experiences, offering deep insights into Southern culture, traditions, and social dynamics. Through novels like The Optimist's Daughter and Delta Wedding, she captures themes such as the importance of place, time, community, and myths. This book highlights Welty's enduring influence on literature and provides a valuable resource for understanding the cultural fabric of the South.




The Late Novels of Eudora Welty


Book Description

The Late Novels of Eudora Welty offers readings of two of the works considered to be Welty's most exciting both in innovative technique and postmodern existential statement. Fourteen new essays by internationally distinguished critics of Southern literature provide focused appraisals of Welty's last two novels: Losing Battles (1970), a provocative experiment in narration, and Pulitzer Prize-winning The Optimist's Daughter (1972), a profound comment on our time.




Eudora Welty as Photographer


Book Description

A centennial consideration of the great author's vision as expressed in her renowned photography




One Time, One Place


Book Description

Collects photographs of Mississippians that Welty took in the 1930s when she worked for the Works Progress Administration.




Understanding Eudora Welty


Book Description

Kreyling instead reveals the dynamic growth in the depth and complexity of Welty's vision and literary technique over the course of her career."--BOOK JACKET.




The Postsouthern Sense of Place in Contemporary Fiction


Book Description

For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.




Robert Penn Warren's Circus Aesthetic and the Southern Renaissance


Book Description

The popularity of the circus in the United States reached its zenith in the early 1900s; as the century progressed, the circus gradually came to reflect traditional American values. In this book, Patricia L. Bradley analyzes the extent to which Warren's 1947 novella "The Circus in the Attic" and its use of the circus trope establishes a critical matrix for interpreting his fiction, poetry, essays, and literary criticism.