Europe's Myths of Orient


Book Description

In travel books and Orientalist painting, the Victorian concept of an erotic East as a grand harem with endless potential for pleasure and perversion fueled romantic imaginations, art, and commerce. These racial and sexual stereotypes became vital to imperial designs. In Imperial Fictions, Rana Kabbani unravels the erotic fantasies and myths that the West has developed about the East over the ages. Includes a new introduction about modern-day perceptions of the Islamic world.




Imperial Fictions


Book Description

Rana Kabbani unravels Western fantasies and myths about the East which were woven over the ages. Devised during the Crusades to combat Islam, then confirmed by centuries of Western writers and artists, these myths fostered racial and sexual stereotypes that became vital to imperial designs. In Orientalist travelogues and paintings, the British and the French conceived of an erotic and sinister East, one that they believed to be morally inferior and dangerous, and therefore ripe for colonisation. Such perceptions remain very much apparent today, fuelling the tension between East and West. "Imperial Fictions", now a classic, is an erudite analysis of Europe's fabricated Orient, as expressed in its writings and illustrated in its paintings.




Europe's Myths of Orient


Book Description




Orientalism


Book Description

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.




Europe Knows Nothing about the Orient


Book Description

A century before the publication of Edward Said's Orientalism, a passionate discourse emerged in the Ottoman Empire, rebutting politicized Western representations of the East. Until the 1930s, Ottoman and early Turkish Republican intellectuals, well acquainted with the European political and cultural scene and charged with their own ideological agendas, deconstructed tired clichés about "the Orient." In this book, Zeynep Çelik recontextualizes Eurocentric postcolonial studies, unearthing an important episode in modern Middle Eastern intellectual history and curating a selection of primary texts illustrating the debates.




Antinomies of Modernity


Book Description

DIVA collection of essays arguing for a global and economically based modernity driven by capitalist development./div




The Myth of Continents


Book Description

In a thoughtful and engaging critique, geographer Martin W. Lewis and historian Karen Wigen re-examine the basic geographical divisions we take for granted. Their up-to-the-minute study reflects both on the global scale and its relation to the specific continents of Europe, Asia, and Africa actually part of one contiguous landmass. Photos. maps.




Compass


Book Description

Winner of the 2015 Prix Goncourt, an astounding novel that bridges Europe and the Islamic world Winner of the Prix Goncourt (France), the Leipzig Prize (Germany), Premio Von Rezzori (Italy), shortlisted for the 2017 International Man Booker Prize, shortlisted for the Dublin Literary Award As night falls over Vienna, Franz Ritter, an insomniac musicologist, takes to his sickbed with an unspecified illness and spends a restless night drifting between dreams and memories, revisiting the important chapters of his life: his ongoing fascination with the Middle East and his numerous travels to Istanbul, Aleppo, Damascus, and Tehran, as well as the various writers, artists, musicians, academics, orientalists, and explorers who populate this vast dreamscape. At the center of these memories is his elusive, unrequited love, Sarah, a fiercely intelligent French scholar caught in the intricate tension between Europe and the Middle East. With exhilarating prose and sweeping erudition, Mathias Énard pulls astonishing elements from disparate sources—nineteenth-century composers and esoteric orientalists, Balzac and Agatha Christie—and binds them together in a most magical way.




The Monstrous Races in Medieval Art and Thought


Book Description

Beyond the boundaries of the known Christian world during the Middle Ages, there were alien cultures that intrigued, puzzled, and sometimes frightened the people of Europe. The reports of travelers in Africa and Asia revealed that "monstrous" races of men lived there, whose appearance and customs were quite different from the European norm. This book examines the impact of these races upon Western art, literature, and philosophy, from their earliest mention until the age of exploration. Friedman furnishes a descriptive catalog of the races, most of which were real, geographically remote peoples, some of which were fabled creatures that served as symbols. He traces the evolution of European attitudes toward them, with particular emphasis on the high Middle Ages, when they seem most strongly to have captured the Western imagination. Ranging through literature, the arts, cartography, canon law, and theology, he considers the widely varying ways in which Christians viewed and depicted strange races of men. Finally, he examines transformations in European consciousness brought about by the discoveries of the exotic peoples of the Americas. Whatever their form—pygmy, giant, hirsute cave—dweller, cyclops, or Amazon-the monstrous races clearly challenged the traditional concept of man in the Christian world scheme. It is the medieval thinking about this challenge that Mr. Friedman addresses in this revealing account.




Russian Orientalism


Book Description

Here, the author examines Russian thinking about the Orient before the Revolution of 1917. He argues that the Russian Empire's bi-continental geography and the complicated nature of its encounter with Asia have all resulted in a variegated understanding of the East among its people.