European Modernity


Book Description

It is often taken for granted that modernity emerged in Europe and diffused from there across the world. This book questions that assumption and re-examines the question of European modernity in the light of world history. Bo Stråth and Peter Wagner re-position Europe in the global context of the 19th and 20th centuries. They show that Europe is less modern than has been assumed, and modernity less European and thus decentre Europe in a way that makes room for a wider historical perspective. Adopting a thematic structure, the authors reconceive the idea of European modernity in relation to key topics such as democracy, capitalism and market society, individual autonomy, religion and politics. European Modernity is an important addition to the literature that will be of interest to all students and scholars of modern European history.




European Modernity and Beyond


Book Description

In this book one of Europe's foremost sociologists offers a profound and accessible overview of the trajectory of European societies, East and West, since the end of World War II. Combining theoretical depth with factual analysis, Göran Therborn addresses the questions that underpin an understanding of the nature of European modernity, including: To what extent is the period 1945-2000 producing fundamental change and what are the areas of continuity? Have the societies of Europe become more similar to others on the globe or more distinctively European? What are the prospects of Europe after decades of postwar change and the end of the Cold War? Issues covered include the division of paid and unpaid labour,




Formations of European Modernity


Book Description

Formations of European Modernity seeks to provide an interpretation of the idea of Europe through an analysis of the course of European history. It aims to discover the structure of qualitative shifts in the relation between state, society and individual, how they occurred and what were their consequences for the formation of social and culture structures for European history. The book makes a major contribution to the debate on the idea of Europe and offers an interdisciplinary approach drawing especially from history, sociology and political theory, but also from geography and anthropology. The theoretical objective of is to make sense of the course of European history through an account of the formation of a European cultural model that emerges out of the legacies of the inter-civilizational background. It considers how in relation to this cultural model a societal structure takes shape. The tension between both gives form to Europe's path to modernity and defines the specificity of its heritage. The structuring process that has shaped Europe made possible a model of modernity that has placed a strong emphasis on the values of social justice and solidarity. These values have been reflectively appropriated in different periods to produce different interpretations, societal outcomes and a multiplicity of projects of modernity.




Christianity and Modernity in Eastern Europe


Book Description

Disgraceful collusion. Heroic resistance. Suppression of faith. Perseverance of convictions. The story of Christianity in twentieth-century Eastern Europe is often told in stark scenes of tragedy and triumph. Overlooked in the retelling of these dramas is how the region's clergy and lay believers lived their faith, acted within religious and political institutions, and adapted their traditions---while struggling to make sense of a changing world. The contributors to this volume, coming from the U.S. and Western and Eastern Europe, look beyond the narratives of resistance and collaboration. They offer surprising new evidence from archives and oral history interviews, and they provide fresh interpretations of Christianity as it was lived and expressed in modern Europe: from religiosity in the industrial cities of the late nineteenth century to current debates over immigration and European identity; from theological debates in East Germany to folk healing in post-socialist Bulgaria; and, counter-intuitively, from religious fervor among the Czechs to indifference among the Poles. Addressing Christianity in diverse forms---Orthodox, Protestant, Roman and Greek Catholic---as an integral part of the region's politics, society, and culture, this collection is a major addition to studies of both Eastern Europe and religion in the twentieth century. "A volume that specialists in the history of Christianity in other regions of the world will read with great interest, and a degree of envy. As an historian of religion in Western Europe, I can say that although there is a vast literature on the religious history of the nineteenth century and a growing literature on the twentieth century, there is nothing quite like this." From the Foreword by Hugh McLeod, author of The Religious Crisis of the 1960s. "This is a path-breaking book in two different ways. It contributes to the re-evaluation of the nature of modern European religion generally, and to the nature of religion in the modern world." Jeffrey Cox, University of Iowa, author of Imperial Fault Lines: Christianity and Colonial Power in India.




The European Modernity


Book Description

This Book Begins With An Exploration Of The Origins Of Modernity In European Science And Religion And Proceeds To A Discussion Of The End Of Modernity.




The Europeans


Book Description

From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.




Brokers of Modernity


Book Description

The story of modernist architects in East Central Europe The first half of the twentieth century witnessed the rise of modernist architects. Brokers of Modernity reveals how East Central Europe turned into one of the pre-eminent testing grounds of the new belief system of modernism. By combining the internationalism of the CIAM organization and the modernising aspirations of the new states built after 1918, the reach of modernist architects extended far beyond their established fields. Yet, these architects paid a price when Europe’s age of extremes intensified. Mainly drawing on Polish, but also wider Central and Eastern European cases, this book delivers a pioneering study of the dynamics of modernist architects as a group, including how they became qualified, how they organized, communicated and attempted to live the modernist lifestyle themselves. In doing so, Brokers of Modernity raises questions concerning collective work in general and also invites us to examine the social role of architects today. Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).




Formations of European Modernity


Book Description

This book presents a historical and political sociology of European history and society. It offers a critical interpretation of the course of European history looking at the emergence of the idea of Europe and the formation of modernity. Now fully updated, Delanty's second edition features commentary on Brexit, populism, the refugee crisis, and secessionism, as well as additional coverage of colonialism and the wider global context. The book will be in an invaluable resource for advanced undergraduates and postgraduate students of historical sociology, the history of Europe, nations and modernity, political sociology, and political and social theory.




Toward Modernity


Book Description

The contributors to this volume throw light on one of the central problems of modern Jewish historiography: How has Jewry and Judaism survived the crisis of the breakup of Jewish traditional society, the transition from the dosed, ghetto existence into a more or less open environment? The process of development, starting in eighteenth-century Germany, gradually encompassed the entire world of European Jewish experience.Toward Modernity compares modernization in Germany with its counterparts in other countries to see if the German-Jewish development had any influence on what transpired elsewhere. The authors explore the history of Jewish modernization in Russia, Galicia, Vienna, Prague, Hungary, Holland, France, England, Italy, and the United States. Topics covered include: the political and social authority of Jewish community institutions; external impediments and internal inhibitions for Jews to be absorbed by the dominant culture; the relationship of the state to the Jewish community; educational and religious reform; the influence of the rational scientific worldview; and the possibility of inclusion in the emerging middle classes.Contents: Jacob Katz, Introduction; Emanuel Etkes, Immanent Factors and External Influences in the Development of the Haskala Movement in Russia; Israel Bartal, 'The Heavenly City of Germany' and Absolutism a la Mode D'Autriche: The Rise of the Haskala in Galicia; Robert S. Wistrich, The Modernization of Viennese Jewry: The Impact of German Culture in a Multiethnic State; Hillel J. Kieval, Caution's Progress: The Modernization of Jewish Life in Prague, 1780-1830; Michael Silber, The German Jewish Experience and Its Impact on Hungarian Jewry, 1780-1870; Michael Graetz, The History of an Estrangement between Two Jewish Communities: German and French Jewry during the Nineteenth Century; Joseph Michman, The Impact of German-Jewish Modernization on Dutch Jewry; Lois C. Dubin, Trieste and Berlin: The Italian Role in the Cultural Politics of the Haskalah; Todd M. Endelman, The Englishness of Jewish Modernity in England; Michael A. Meyer, German Jewish Identity in Nineteenth Century America.




Underground Modernity


Book Description

The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity.