European Revolutions and the American Literary Renaissance


Book Description

Political issues and events have always acted as a catalyst on thought and art. In this pioneering study, Larry J. Reynolds argues that the European revolutions of 1848-49 quickened the American literary imagination and shaped the characters, plots, and themes of the American renaissance. He traces the impact of the revolutions on Emerson, Fuller, Hawthorne, Melville, Whitman, and Thoreau, showing that the upheavals abroad both inspired and disturbed. Extraordinarily well informed and creative treatment of the influences of the 1848-49 European revolutions on writers of the American Renaissance...The book is especially effective in providing a historical context for reading major writings. It demonstrates influences at work at a number of levels and presents historical narrative and subtle readings of literary texts with equal clarity. Highly recommended.- Choice




Righteous Violence


Book Description

Righteous Violence examines the struggles with the violence of slavery and revolution that engaged the imaginations of seven nineteenth-century American writers--Margaret Fuller, Ralph Waldo Emerson, Frederick Douglass, Henry David Thoreau, Louisa May Alcott, Nathaniel Hawthorne, and Herman Melville. These authors responded not only to the state terror of slavery and the Civil War but also to more problematic violent acts, including unlawful revolts, insurrections, riots, and strikes that resulted in bloodshed and death. Rather than position these writers for or against the struggle for liberty, Larry J. Reynolds examines the profoundly contingent and morally complex perspectives of each author. Tracing the shifting and troubled moral arguments in their work, Reynolds shows that these writers, though committed to peace and civil order, at times succumbed to bloodlust, even while they expressed ambivalence about the very violence they approved. For many of these authors, the figure of John Brown loomed large as an influence and a challenge. Reynolds examines key works such as Fuller's European dispatches, Emerson's political lectures, Douglass's novella The Heroic Slave, Thoreau's Walden, Alcott's Moods, Hawthorne's late unfinished romances, and Melville's Billy Budd. In addition to demonstrating the centrality of righteous violence to the American Renaissance, this study deepens and complicates our understanding of political violence beyond the dichotomies of revolution and murder, liberty and oppression, good and evil.




Revolutions: a Very Short Introduction


Book Description

"In the 20th and 21st century revolutions have become more urban, often less violent, but also more frequent and more transformative of the international order. Whether it is the revolutions against Communism in Eastern Europe and the USSR; the "color revolutions" across Asia, Europe and North Africa; or the religious revolutions in Iran, Afghanistan, and Syria; today's revolutions are quite different from those of the past. Modern theories of revolution have therefore replaced the older class-based theories with more varied, dynamic, and contingent models of social and political change. This new edition updates the history of revolutions, from Classical Greece and Rome to the Revolution of Dignity in the Ukraine, with attention to the changing types and outcomes of revolutionary struggles. It also presents the latest advances in the theory of revolutions, including the issues of revolutionary waves, revolutionary leadership, international influences, and the likelihood of revolutions to come. This volume provides a brief but comprehensive introduction to the nature of revolutions and their role in global history"--




Renaissance and Revolution


Book Description




American Renaissance


Book Description

This is a new release of the original 1941 edition.




The American Renaissance


Book Description




Revolution of 1861


Book Description

The Revolution of 1861




American Literature, 1764-1789


Book Description

The twenty-five years in which the American colonists acquired a sense of nationhood were turbulent, highly spirited, and highly literary. The finest written products of this intellectual surge included not only the fiery pamphlets, broadsides, and newspaper articles of the revolutionists, but also works of prose an poetry, letters, diaries, sermons, and plays.




American Literature in Transition, 1820–1860: Volume 2


Book Description

The essays in American Literature in Transition, 1820-1860 offer a new approach to the antebellum era, one that frames the age not merely as the precursor to the Civil War but as indispensable for understanding present crises around such issues as race, imperialism, climate change, and the role of literature in American society. The essays make visible and usable the period's fecund imagined futures, futures that certainly included disunion but not only disunion. Tracing the historical contexts, literary forms and formats, global coordinates, and present reverberations of antebellum literature and culture, the essays in this volume build on existing scholarship while indicating exciting new avenues for research and teaching. Taken together, the essays in this volume make this era's literature relevant for a new generation of students and scholars.




Cohesion and Dissent in America


Book Description

This book addresses one of the most important theories to arise in recent American literary scholarship. Developed over the past two decades, Sacvan Bercovitch’s ideas about the relationship of American cultural institutions to voices of dissent have repeatedly posed challenges to pervasive assumptions about American culture and the methods used by cultural critics and literary historians. The contributors to this book respond to different aspects of Bercovitch’s ideas by exploring a wide range of scholarly disciplines, including American, Chicano, Amerindian, African-American, Asian-American, feminist, comparatist, philosophical, legal, and critical studies. In addition to essays that focus on the theoretical backgrounds and implications of Bercovitch’s concepts, this book interrogates the uses of those concepts in the study of American literatures. Works by a variety of American writers are analyzed: the Colonial poet Phillis Wheatly; nineteenth-century writers Hawthorne and Melville; modernists Pound and Eliot; contemporary authors John Barth, Norman Mailer, Arturo Islas, and John Yau; and philosophers William James and Stanley Cavell. This book offers new directions to students of American culture, while it participates in the ongoing reassessment of American cultural and literary scholarship.