European Post-medieval Tapestries and Related Hangings in the Metropolitan Museum of Art


Book Description

Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.







Fifteenth- to Eighteenth-century European Drawings


Book Description

"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).







Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century


Book Description

The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.




European Tapestries XV to XVIII Centuries


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










Storytelling in Sixteenth-Century France


Book Description

This collection explores different modalities of storytelling in sixteenth-century France and emphasizes shared techniques and themes rather than attempting to define narrow kinds of narratives categories. Through studies of storytelling in tapestries, stone, and music as well as in historical, professional, and literary writing that addressed both erudite and common readers, the contributors evoke a society in transition.




House Beautiful


Book Description