War in European History


Book Description

First published over thirty years ago, War in European History is a brilliantly written survey of the changing ways that war has been waged in Europe, from the Norse invasions to the present day. Far more than a simple military history, the book serves as a succinct and enlightening overview of the development of European society as a whole over the last millennium. From the Norsemen and the world of the medieval knights, through to the industrialized mass warfare of the twentieth century, Michael Howard illuminates the way in which warfare has shaped the history of the Continent, its effect on social and political institutions, and the ways in which technological and social change have in turn shaped the way in which wars are fought. This new edition includes a fully updated further reading and a new final chapter bringing the story into the twenty-first century, including the invasion of Iraq and the so-called 'War against Terror'.




Europe at War 1939-1945


Book Description

The conventional narrative of the Second World War is well known: after six years of brutal fighting on land, sea and in the air, the Allied Powers prevailed and the Nazi regime was defeated. But as in so many things, the truth is somewhat different. Bringing a fresh eye to bear on a story we think we know, Norman Davies.Davies forces us to look again at those six years and to discard the usual narrative of Allied good versus Nazi evil, reminding us that the war in Europe was dominated by two evil monsters - Hitler and Stalin - whose fight for supremacy consumed the best people in Germany and in the USSR . The outcome of the war was at best ambiguous, the victory of the West was only partial, its moral reputation severely tarnished and, for the greater part of the continent of Europe, ‘liberation’ was only the beginning of more than fifty years of totalitarian oppression. ‘Davies writes with real knowledge and passion.’ Michael Burleigh, Evening Standard ‘Punchy and compelling' Noel Malcolm, Sunday Telegraph




Fire and Blood


Book Description

Europe’s second Thirty Years’ War—an epoch of blood and ashes Fire and Blood looks at the European crisis of the two world wars as a single historical sequence: the age of the European Civil War (1914–1945). Its overture was played out in the trenches of the Great War; its coda on a ruined continent. It opened with conventional declarations of war and finished with “unconditional surrender.” Proclamations of national unity led to eventual devastation, with entire countries torn to pieces. During these three decades of deepening conflicts, a classical interstate conflict morphed into a global civil war, abandoning rules of engagement and fought by irreducible enemies rather than legitimate adversaries, each seeking the annihilation of its opponents. It was a time of both unchained passions and industrial, rationalized massacre. Utilizing multiple sources, Enzo Traverso depicts the dialectic of this era of wars, revolutions and genocides. Rejecting commonplace notions of “totalitarian evil,” he rediscovers the feelings and reinterprets the ideas of an age of intellectual and political commitment when Europe shaped world history with its own collapse.




The European Wars of Religion


Book Description

In recent years religion has resurfaced amongst academics, in many ways replacing class as the key to understanding Europe's historical development. This has resulted in an explosion of studies revisiting issues of religious change, confessional violence and holy war during the early modern period. But the interpretation of the European wars of religion still remains largely defined by national boundaries, tied to specific processes of state building as well as nation building. In order to more thoroughly interrogate these concepts and assumptions, this volume focusses on terms repeatedly used and misused in public debates such as "religious violence" and "holy warfare" within the context of military conflicts commonly labelled "religious wars". The chapters not only focus on the role of religion, but also on the emerging state as a driver of the escalation of violence in the so-called age of religious war. By using different methodological and theoretical approaches historians, philosophers, and theologians engage in an interdisciplinary debate that contributes to a better understanding of the religio-political situation of early modern Europe and the interpretation of violent conflicts interpreted as religious conflicts today. By adopting a multi-disciplinary approach, new and innovative perspectives are opened up that question if in fact religion was a primary driving force behind these conflicts.




Cold War Books in the ‘Other’ Europe and What Came After


Book Description

Drawing on analyses of the socio-cultural context of East and Central Europe, with a special focus on the Czech cultural dynamics of the Cold War and its aftermath, this book offers a study of the making and breaking of the centrally-controlled system of book production and reception. It explores the social, material and symbolic reproduction of the printed text, in both official and alternative spheres, and patterns of dissemination and reading. Building on archival research, statistical data, media analyses, and in-depth interviews with the participants of the post-1989 de-centralization and privatization of the book world, it revisits the established notions of ‘censorship’ and ‘revolution’ in order to uncover people’s performances that contributed to both the reproduction and erosion of the ‘old regime’.




World War II in Europe


Book Description

From military maneuvers to mass murder, history's most lethal conflict is thoroughly explained including the actions of the instigator, Adolf Hitler.




Peace, War and the European Powers, 1814–1914


Book Description

The causes of war have tended to attract more attention than the causes of peace, yet the two are intimately related, Indeed there was much talk of war during the unprecedentedly long periods of peace between the European great powers in the years 1815-1854 and again in 1871-1914, the Near Eastern crises of 1878 and 1887-8 being only two of the more notable examples. In the case of the latter, there occurred a spell of fatalistic and belligerent talk in both Berlin and Vienna which in many ways anticipated that which gripped those capitals by 1914. A study of the whole question of the best methods by which to defend and advance the national interest is often more illuminating on why wars were avoided that are studies of the documentation surrounding the Holy Alliance, the congress system or the Concert of Europe. It is clear that the Concert tended to become most active only after a war had already been fought, or when the powers had already decided that conflict was likely to prove too costly, dangerous and unpredicatable in its effects both at home and abroad. Thus the Russians twice advanced almost to the gates of Constantinople only to recoil at the implications of trying to obtain control of the Straits. Similarly, Habsburg thoughts of war were frequently neutralised by reminders of financial weakness. This valuable book will be welcomed by anyone wishing to understand the nature of European state relations in the nineteenth century. Professor Bartlett examines why major wars did happen and did not happen, with particular attention being paid to the events of 1914.




Future War and the Defence of Europe


Book Description

Future War and the Defence of Europe offers a major new analysis of how peace and security can be maintained in Europe: a continent that has suffered two cataclysmic conflicts since 1914. Taking as its starting point the COVID-19 pandemic and way it will inevitably accelerate some key global dynamics already in play, the book goes on to weave history, strategy, policy, and technology into a compelling analytical narrative. It lays out in forensic detail the scale of the challenge Europeans and their allies face if Europe's peace is to be upheld in a transformative century. The book upends foundational assumptions about how Europe's defence is organised, the role of a fast-changing transatlantic relationship, NATO, the EU, and their constituent nation-states. At the heart of the book is a radical vision of a technology-enabling future European defence, built around a new kind of Atlantic Alliance, an innovative strategic public-private partnership, and the future hyper-electronic European force, E-Force, it must spawn. Europeans should be under no illusion: unless they do far more for their own defence, and very differently, all that they now take for granted could be lost in the maze of hybrid war, cyber war, and hyper war they must face.




Europe's Last Summer


Book Description

When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.




The Enemy on Display


Book Description

Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.