Everybody's Heard about the Bird


Book Description

If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of. In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter. For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.




Bird is the Word


Book Description

More than 900 species of birds are known from North America, an avifauna made up of native year-round residents and seasonal migrants, modestly enhanced by introduced exotics and neighboring vagrants. Bird Is the Word is an unequalled compilation of the names of almost 800 of those birds and the record of how, when, where, and by whom those names were created and became parts of the history and science of North America's avifauna. This book is made up of three parts. Part I provides an introduction to the discovery and recording of North American birds by Europeans and to the scope and structure of avian taxonomy. Part II, which consists of 26 chapters and makes up most of the book, is devoted to the names of the individual species and the historical and cultural context of those names. Part III includes three appendixes, the largest of which introduces more than a hundred naturalists and other persons who participated searching for, finding, recording, naming, describing, or illustrating the birds of North America. Bird Is the Word is a rich, and readily accessible, collection of information about finding and naming the birds of North America. It is much more than a reference book; it is a journey of discovery that will enrich the reader's birding experience.




Reading Jesus


Book Description

For more than five hundred years, the Bible has been referred to as the Word of God. Yet, even before the Bible was written, there was a Living Word—spoken through prophets and through Jesus of Nazareth — that ultimately echoes through the centuries. Pastor Toivonen relies on his nearly thirty years of preaching as well as studying and interpreting the Bible to inspire others to contemplate how God speaks in the contemporary world and whether God prefers flesh and blood to ink and paper. While sharing his careful examination of how the Bible came to be the Word of God through a very human process and why the Word of God is intended to be living and breathing as opposed to a book, Toivonen offers intriguing insights and commentary that encourages spiritual seekers to embark on a personal journey to answer their own questions about the Bible, its authority, and its trustworthiness. Reading Jesus offers encouragement to anyone ready to consider a deeper and more meaningful relationship with Jesus of Nazareth and apply the Word of God to truly live God’s way—today.




Everything Is True, Except the Parts I Made Up


Book Description

During the reign of Pharaoh Amenhotep IV, Fred Kopp's image, name and deeds were erased from all obelisks, temples and public monuments in Muscatine, Iowa. This book attempts to rectify that injustice.




Angel in My Closet


Book Description

An inspirational memoir short-story collection of controversial psychological, spiritual, philosophical, and sociological origins. Tom’s ten-year-old grandson blows his mind when he tells Tom that he saw his mother sitting in the closet after she died and told him, “Everything is going to be alright.” It inspires Tom to change his life. Tom emerges from drug rehab a new man, taking self-revelation and being reborn to new heights as he embarks on a spiritual adventure, journey quest in psyche back to his youth in the voice of a ten-year-old child in search of the truth of how he made such a mess of his mind as he rewrites his past trauma and lows into highs because he was still an angel in God’s eyes. Young Tom starts life as a fatherless child of a broken home—neglected with no role models or discipline. His curious nature for adventure in a world with no fences finds him running wild in the streets of south St. Louis and two years behind from failing in school. One step ahead of the social workers, he must figure out how to fit into a world that’s as broken as he is—religious fanatics, child molesters, poverty, racial hate, girls, bullies, and social injustice are conflicts he tries to make sense of, but all he can get is, “That’s just the way it is.” Feeling insecure and inadequate with low self-esteem, he’s falling fast as he searches for truth and facts to fix what is broken like new to rise up and account before he falls through the cracks.




Our Bravest Young Men


Book Description




I Know Why the Caged Bird Sings


Book Description

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.




Everybody's Everywhere Backyard Bird Book


Book Description

Here is a unique version of a bird guide--in full color and spiralbound for the real world. It contains photographs and descriptions of the 28 most common bird species in North America--those birds we are already supposed to know. Permanently attached to the book is the Audubon Bird Call, made by Roger Eddy.




Quote, Double Quote


Book Description

The boundary between ‘high’ culture and ‘popular’ culture is neither hermetic nor stable. A wide-spread mechanism of a reception strongly influenced by structuralism and post-modernism has led to the amplification and acceleration of cultural production between these two poles. Relying on a decidedly theoretical approach, this volume offers a broad perspective transgressing linguistic, cultural, temporal, and media borders. Reflections and perspectives on the relationship between ‘high’ and ‘popular’ culture are the subject of the thirteen articles collected here. Side by side with theoretical approaches, case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and ‘Creature Features’, philosophically infused comics and popular lexicography, professional wrestling and hypertext literature pave the way to a contemporary aesthetics.




Novel Sounds


Book Description

The 1950s witnessed both the birth of both rock and roll and the creation of Southern literature as we know it. Around the time that Chuck Berry and Elvis Presley put their electric spin on Southern vernacular ballads, a canonical group of white American authors native to rock’s birthplace began to write fiction about the electrification of those ballads, translating into literary form key cultural changes that gave rise to the infectious music coming out of their region. In Novel Sounds, Florence Dore tells the story of how these forms of expression became intertwined and shows how Southern writers turned to rock music and its technologies—tape, radio, vinyl—to develop the “rock novel.” Dore considers the work of Southern writers like William Faulkner, Flannery O’Connor, and William Styron alongside the music of Bessie Smith, Lead Belly, and Bob Dylan to uncover deep historical links between rock and Southern literature. Along with rock pioneers, Southern authors drew from blues, country, jazz, and other forms to create a new brand of realism that redefined the Southern vernacular as global, electric, and notably white. Resurrecting this Southern literary tradition at the birth of rock, Dore clarifies the surprising but unmistakable influence of rock and roll on the American novel. Along the way, she explains how literature came to resemble rock and roll, an anti-institutional art form if there ever was one, at the very moment academics claimed literature for the institution.