Ex Libris Carissimis


Book Description

In 1930 A. S. W. Rosenbach founded a Fellowship in Bibliography at the University of Pennsylvania. Christopher Morley was appointed the first fellow under this foundation. The present volume contains the five informal talks Morley delivered, on book collecting and literary anecdotes, at the University in the Autumn of 1931 and also includes a list of the author's eighty-five favorite books.




Ex Libris Carissimis


Book Description




Ex Libris Carissimis (Classic Reprint)


Book Description

Excerpt from Ex Libris Carissimis Because what interests me is the actual impact of a book upon the mind, and anything in the nature of fantastic or frolic decoration, or excessive bulk, or slovenly editing, Persian ornament of any sort, interferes with the intrinsic purport of the Work. In number I 58 of the famous Tatler, you will find a delicious ironic character-sketch written by Addison of a gentleman whom he describes as a book collector and broker in learning, Tom Folio. And so that it may be textual in the record, I want to read you two or three lines from that essay. Addison ironically describes Tom Folioz He is a universal scholar, so far as the title page, of all authors. He has a greater esteem for Aldus and Elzevir than for Virgil and Horace. He thinks he gives you an account of an author when he tells you the subject he treats of, the name of the editor, and the year in which it was printed. Or, if you draw him into further particulars, he cries up the goodness of the paper, extols the diligence of the corrector, and is transported with the beauty of the letter. This he looks upon to be sound learning and substantial criticism. (you will not have missed Addison's sly suggestion of a pun, Tom Folio and tomfoolery.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










Off the Deep End


Book Description

A collection of essays on various subjects, and two one-act plays.







The Book History Reader


Book Description

The editors illustrate how book history studies have evolved into a broad approach which incorporates social and cultural considerations governing the production, dissemination and reception of print and texts.




Bibliography and Modern Book Production


Book Description

Bibliography and Modern Book Production is a fascinating historic journey through the fields of print history, librarianship and publishing. It covers key developments from 1494 to 1949 in bibliography and book production from the history of scripts and paper manufacture to the origins of typefaces and printing. Although not a textbook, the book was a guide for library students in the 1950s on the essential literature of librarianship. As the first librarian appointed to Wits University in 1929, Percy Freer’s near encyclopaedic knowledge of the subject of bibliography enabled him to develop a key resource for relevant library examinations in South Africa and abroad. Due to its immense value as a historic record, and to acknowledge Freer’s contributions as scholar, librarian and publisher, it is being reissued as part of the Wits University Press Re/Presents series to make it accessible to scholars in book histories, publishing studies and information science.




The Fifteenth-Century Book


Book Description

The fifteenth century, one of the most curious and confused periods in recorded history, witnessed amazing developments in the printing industry and in the production of books. The present volume surveys the history of the manufacture of books throughout the fifteenth century, whether written by hand or produced by the press, and points out that both methods faced very similar problems and found almost identical solutions for them. Actually, the fifteenth century itself saw no material difference between manuscripts and incunabula (fifteenth-century printings), and regarded the latter simply as codices produced by "a new method of artificial writing." Curt F. Bühler discusses the impact of the epoch-making invention on the scribes as well as the attitudes that the contemporary book-lovers adopted toward the products of the press. The author also studies the types of men who were attracted to the new industry and the nature of the books that they believed to be readily vendible. In addition, certain familiar beliefs regarding the history of the early presses are challenged, and possible solutions are presented for the problems are still imperfectly understood. To illustrate the text, beautiful reproductions of illuminated manuscript pages, printed pages, colophons, woodcut illustration, and early typefaces have been included. The author's discussion of the decoration in books is not so much a study in the fine arts but, rather, an analysis of the types of volumes which lent themselves to decoration, and the various forms of such work.