How to Read Chinese Ceramics


Book Description

Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.




Chinese Ceramics


Book Description

Presents 50 selected highlights of this world-renowned collection ... The accompanying text gives brief details and draws out their most significant features"--Cover flap.




Collectors, Collections and Museums


Book Description

This book presents the first comprehensive study of the collecting, consumption and display of Chinese porcelain in Britain from the 16th to the 20th century, as well as the impact of this activity on British culture. Beginning with the early porcelains acquired as objects of exotica and vessels for the consumption of tea and coffee, followed by porcelains for display in the country house interior, the first part of this book reveals the role of porcelain in Britain's developing economic relations with China and the impact of this material on both daily life and interior design. The subsequent diplomatic and political conflicts of the 18th and 19th centuries provide a framework for an examination of British consumption of Chinese porcelain as both spoils of war and iconic representations of China, material which helped to shape and influence British perceptions of China. The final section demonstrates how these perceptions of China and its porcelain began to change significantly in the 20th century with porcelains acquired as works of art and displayed publicly in museums. Collectors in Britain began to specialise in this area and actively invented a 'field' of Chinese ceramics that was promulgated by learned societies and culminated in the founding of a museum of Chinese ceramics in London by one of the foremost British collectors, Sir Percival David, who donated his world class collection to the University of London in 1950.










In Pursuit of the Dragon


Book Description

Rondreizende tentoonstelling van objecten uit de collectie van het Idemitsu Museum (Tokio).







Exhibition of Chinese Ceramics


Book Description




International Symposium on Chinese Ceramics


Book Description

The iconic images of Parisian nightlife created by Henri de Toulouse-Lautrec (1864-1901) became a hallmark of the bohemian lifestyle in fin-de-siècle Paris. A man born into aristocracy but handicapped by his physical disability, Toulouse-Lautrec immersed himself in his radical art and found company in avant-garde artists, dancers, and other social outcasts in Montmartre, Paris's district of pleasure. His widely popular prints of those otherwise marginalized by society captured the nonconformist spirit of the Belle Epoque (1871-1914). While the formal influence of Japanese prints-flat forms, cropped compositions, and vibrant colors-on Toulouse-Lautrec and his contemporaries has been well studied, the shared anti-establishment hedonism that underlies both Japanese prints and Toulouse-Lautrec's work has not been examined in tandem. Rather than focusing on the visual connections between French and Japanese prints, Renegade Edo and Paris highlights the social impulses-pleasure seeking, theater going-that led to the tremendous print production in both Paris and Edo (present-day Tokyo). Drawing from the Seattle Art Museum's Japanese prints collection and from one of the most extensive private holdings of Toulouse-Lautrec prints, this catalogue presents more than 60 works to offer a critical look at the renegade spirit that permeates both Japanese prints and Toulouse-Lautrec's work




Imperial Taste


Book Description

Catalog of an exhibition organized by the Los Angeles County Museum of Art in collaboration with the Percival David Foundation of Chinese Art. Many of the porcelains in this volume were once owned by Chinese emperors: all are extraordinary specimens. Ranging from the ninth to the 18th centuries, they opitomize the sophistication of imperial Chinese taste. Five essays by scholars of Chinese art describe the significance of these ceramics and review recent archaeological developments contributing to their study. Fine color plates. No index. Annotation copyrighted by Book News, Inc., Portland, OR