"Women's Contributions to Visual Culture, 1918?939 "


Book Description

An exploration of women?s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women?s relationships with the processes of modernism and modernization. Women?s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women?s role in the agency and mediation of artistic production in the interwar period.










Handbook of Modern British Painting and Printmaking 1900-90


Book Description

Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.




The Athenaeum


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The Athenaeum


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Colour


Book Description

The periodical's purpose was to report on contemporary developments in painting from the British Isles and elsewhere ; more importantly, each issue contained high quality colour reproductions of examples of various artists' work.




The Studio


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