Exhibition of the Art of Ancient Egypt, 1895 (Classic Reprint)


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Excerpt from Exhibition of the Art of Ancient Egypt, 1895 Happily, year by year they are being slowly but surely amassed. None of the present generation can expect to trace the stream from its source to its termination. The task of exploration, however, affords keener enjoyment than the passage when the course is clear, and certainly the discoveries of late years have been such as must stir the coldest imagination. Up to the middle Of the present century it was generally believed that Egyptian art, through its long duration of many centuries, remained stationary, that the artists continued repeating the same forms. This notion was derived from the writings of the Greeks and Romans, probably echoing what they had heard from the priests and learned men of Egypt of their own day. Plato states - And you will find that their (the Egyptian) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Catalogue


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British Representations of the Middle East in the Exhibition Space, 1850–1932


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This volume analyses British exhibitions of Middle Eastern (particularly ancient Egyptian and Persian) artefacts during the nineteenth and early twentieth centuries – examining how these exhibitions defined British self image in response to the Middle Eastern ‘other’. This study is an original interpretation of the exhibition space along intersectional constructionist lines, revealing how forces such as gender, race, morality and space come together to provide an argument for British supremacy. The position of museums as instruments of representation of display made them important points of contact between the British national imperialist scheme and the public. Displays in the British Museum, Victoria and Albert Museum and Burlington House provide a focus for analysis. Through the employment of a constructionist lens, the research outlines a complex relationship between British society and the Middle Eastern artefacts presented in museums during the nineteenth and early twentieth centuries. This allows a dialogue to emerge which has consequences for both societies which is achieved through intersections of gender, race and morality in space. This book will be of value to students and scholars alike interested in museology, cultural studies, history and art history.




A Catalogue of ... [books] ...


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Piccadilly Series


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