Vasily Vereshchagin Turkestan Series


Book Description

Vasily Vereshchagin (1842 -1904) was a Russian soldier, painter and traveller. He was born to a lesser noble family and sent to the Tsarskoe Selo military academy in 1850, 8 years old. in 1853, 11 years old he joined the Sea Cadet Corps in St Petersburg. He graduated in 1861 but left military service to attend the Imperial Academy of Fine Arts. In 1863 he won a medal from the academy for his Ulysses Slaying the Suitors. In 1864, he went to Paris, 22 years old, where he studied under Jean-Léon Gérôme. In 1867 he was invited to accompany General Konstantin Kaufman's expedition to Turkestan. He was granted the rank of ensign. His heroism at the siege of Samarkand from June 2-8, 1868 resulted an award of the Cross of St George (4th class). Having jointed the diplomatic corps, Vereshchagin was posted throughout Central Asia, and his artistic skills matured. In 1871 he set up a studio in Munich and it was here the initial "Turkestan Series" was painted.




The Peredvizhniki


Book Description




Russia's Unknown Orient


Book Description

The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).







The Life and Times of Charles R. Crane, 1858–1939


Book Description

In The Life and Times of Charles R. Crane, Norman E. Saul analyzes the contributions of Charles R. Crane, world traveler, businessman, diplomat, and philanthropist in the setting of his times. Crane acquired his appreciation for Russian culture and life through travel in the country, making a total of twenty-four trips to Russia. He developed friendships and professional relationships with many prominent Russians in political, cultural, and artistic spheres in addition to his connections to important figures in American history such as Woodrow Wilson. As the son of a Chicago industrialist with little formal education, Charles R. Crane enjoyed remarkable success serving as a financial backer and advisor to the Woodrow Wilson administration, founding member of the 1917 Root Commission to Russia, minister to China, and establishing a factory in Russia to manufacture air brakes for the Russian railroad. He devoted a considerable amount of his own time and resources to educating Americans about the Russian people. He sponsored visiting lecturers, subsidized publications, and commissioned works by Russian artists. Charles Crane was arguably the first true American globalist. His activities involved Russia, China, and the Middle East, but Saul emphasizes his travels in Russia and his role in the development and promotion of Russian studies in America. Crane represented the United States becoming a world power in business and diplomacy, and fostered an American appreciation and knowledge of Russian, Asian, and Middle Eastern societies. By studying this unusual man, Saul explores the world in which he lived and traveled. The relationship between America and Russia has always been a complex and fascinating one, and Saul shines light on a pivotal period in that relationship.




Musorgsky's Days and Works


Book Description

Biografie, samengesteld uit teksten, verschenen tussen 1828 en 1881, over de Russische componist (1839-1881)




Beyond Memory


Book Description

Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.




Photographing, Exploring and Exhibiting Russian Turkestan


Book Description

This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.







Diaghilev


Book Description

Featuring an eight-page gallery of full-color illustrations, here is a major new biography of Serge Diaghilev, founder and impresario of the Ballets Russes, who revolutionized ballet by bringing together composers such as Stravinsky and Prokofiev, dancers and choreographers such as Nijinsky and Karsavina, Fokine and Balanchine, and artists such as Picasso, Matisse, Bakst, and Goncharova. An accomplished, flamboyant impresario of all the arts, Diaghilev became a legendary figure. Growing up in a minor noble family in remote Perm, he would become a central figure in the artistic worlds of Paris, London, Berlin, and Madrid during the golden age of modern art. He lived through bankruptcy, war, revolution, and exile. Furthermore he lived openly as a homosexual and his liaisons, most famously with Nijinsky, and his turbulent friendships with Stravinsky, Coco Chanel, Prokofiev, and Jean Cocteau gave his life an exceptionally dramatic quality. Scheijen's magnificent biography, based on extensive research in little known archives, especially in Russia, brings fully to life a complex and powerful personality with boundless creative energy. A New York Times Editor's Choice