Exiled in Paradise


Book Description

A brilliant look at the writers, artists, scientists, movie directors, and scholars—ranging from Bertolt Brecht to Albert Einstein, Hannah Arendt, Thomas Mann, and Fritz Lang—who fled Hitler's Germany and how they changed the very fabric of American culture. In a new postscript, Heilbut draws attention to the recent changes in reputation and image that have shaped the reception of the German exiles. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983 with a paperback in 1997.




Exiled In Paradise: German Refugee Artists and Intellectuals in America from the 1930s to the Present


Book Description

The fascinating story of émigré intellectuals, writers, artists, scientists, movie directors, and scholars — including Bertolt Brecht, Theodor Adorno, Albert Einstein, Hannah Arendt, Thomas Mann, Arnold Schoenberg, George Grosz, Erik Erikson, Billy Wilder and Fritz Lang — who fled Nazi Germany and changed America. Heilbut provides a vivid narrative of how they viewed their new country and how America reacted to their arrival as the atom bomb was being developed, the Cold War and McCarthyism were underway, and Hollywood dominated moviemaking. “The son of Jewish immigrants who fled Germany, Anthony Heilbut grew up in New York. Exiled in Paradise, a social history he wrote more than 35 years ago, is still the most immersive account of the German-speaking exiles who came to this country between 1933 and 1941 and of their outsize influence on the culture they found here... Mr. Heilbut provides an absorbingly detailed chronicle of some of these immigrant lives — among them Theodor Adorno, Hannah Arendt, Thomas Mann, Billy Wilder and Cold War physicists.” — Donna Rifkind, The Wall Street Journal “Still the best book on the topic” — Phillip Lopate, The New York Times Book Review “Insightful ... valuable and stimulating ... For some readers, especially the children of generations of émigrés, the book will provide a background to their most basic intellectual assumptions.” — Christopher Lehmann-Haupt, The New York Times “From one page to the next, the book transcends its stated purpose of providing a link between the history of the German-Jewish immigrants and their staggering cultural achievements to acquire the dimensions of that mysterious reality which even a Bresson cannot hope to define: a work of art.” — Marcel Ophuls, American Film Magazine “The story of these refugees has finally found its singular and single voice; it is that of Anthony Heilbut, himself the son of exiles ... His book turns into something more than a panorama about foreigners. It is a way of revealing to Americans themselves what their country really is like.” — Ariel Dorfman, The Washington Post “Anthony Heilbut has exercised impressive scholarship, and even a touch of poetry, to get to the heart of this diaspora.” — Time




The World of Aufbau


Book Description

Aufbau—a German-language weekly, published in New York and circulated nationwide—was an essential platform for the generation of refugees from Hitler and the displaced people and concentration camp survivors who arrived in the United States after the war. The publication served to link thousands of readers looking for friends and loved ones in every part of the world. In its pages Aufbau focused on concerns that strongly impacted this community in the aftermath of World War II: anti-Semitism in the United States and in Europe, the ever-changing immigration and naturalization procedures, debates about the designation of Hitler refugees as enemy aliens, questions about punishment for the Holocaust and other Nazi crimes, the struggle for compensation and restitution, and the fight for a Jewish homeland. The book examines the columns and advertisements that chronicled the social and cultural life of that generation and maintained a detailed account of German-speaking cultures in exile. Peter Schrag is the first to present a definitive account of the influential publication that brought postwar refugees together and into the American mainstream.




Peter Drucker and Management


Book Description

Peter Drucker is arguably the world’s most influential management writer, but his contributions as a social theorist and philosopher are also notable. This book presents Drucker as a key thinker, whose work encompasses ideas beyond management practice. Illuminating Drucker as a complex figure, this book highlights how his work draws upon, impacts, and intersects fields such as technology, sociology, philosophy, and theology. The book presents and contextualizes Drucker as an important historical figure, whose work resonates in a contemporary world where moderation between extremes is an essential ingredient in interpreting and navigating complex events and processes. Combining deep insights into Peter Drucker’s life and work, this unique book is valuable reading for scholars, students, and reflective practitioners of management as well as those with an interest in intellectual history more broadly.




Of 'truths Impossible to Put in Words'


Book Description

This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.




Billy Wilder


Book Description

The director and cowriter of some of the world's most iconic films—including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment—Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition. Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.




We Weren't Modern Enough


Book Description

Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.




Forced Migration and Scientific Change


Book Description

Examines the impact on the scienctific world of the forced exodus of Jewish intellectuals from Nazi Germany.




Illustrious Immigrants: The Intellectual Migration from Europe, 1930-41


Book Description

“Migration from Europe has occurred without interruption since the time America was discovered. There have always been some intellectuals, educated abroad, whose presence and work enriched our culture. Laura Fermi, however, analyzes a new and unique phenomenon in the history of immigration, the wave of intellectuals from continental Europe that from 1930 to 1941 brought to these shores well over 20,000 professional refugees. Most immigrant intellectuals were pushed out of the European continent by the dictatorships of that period; they were ‘the men and women who came to America fully made, with their Ph.D.’s or diplomas from art academies or music conservatories in their pocket, and who continue to engage in intellectual pursuits in this country.’ Among them we find Franz Alexander, Bruno Bettelheim, Enrico Fermi, Hannah Arendt, Albert Einstein, Igor Stravinsky, John von Neumann, Paul Tillich and a long sequence of Nobel Prize winners and exceptional scholars. Their contribution to American life continues to the present. Working with a sample of about 1,900 names and relying on personal contacts, interviews, memoirs, newspaper accounts, obituaries, and similar sources, Mrs. Fermi succeeds in conveying the significance of the intellectual immigration and the areas of its impact on America. She describes the personal trials and the successes of these persons caught up in the web of persecution and peregrinations leading to higher institutions of learning in the United States... the delightful style of the book, the new light it throws on the period studied from a participant observer’s position, and the insight it brings forth concerning the mutual enrichment of American and European intellectual communities make it enjoyable and instructive reading.” — Silvano M. Tomasi, The International Migration Review “Illustrious Immigrants is an honest and informative book; it is well-organized, well-informed, well-balanced... crammed with information, with illuminating anecdotes, often moving incidents and revealing statistics.” — Peter Gay, The New York Times “[R]ich in personal anecdote and communication which make delightful reading... in so many ways a splendid and useful book, tackling with imagination, industry, and a rare combination of personal concern and emotional detachment a subject that would frighten — indeed thus far has frightened — professional social historians by its magnitude and complexity.” — Alice Kimball Smith, Science “[Laura Fermi has] made an effort to bring together materials that exist nowhere else and to juxtapose them so as to reveal patterns that would otherwise be invisible. For this, we should be grateful... Mrs Fermi’s work is earnest and responsible.” — Harriet Zuckerman, Physics Today “[Laura Fermi is] an immensely knowledgeable, discerning, and unpretentious guide to the influx [of the intellectual migration from Fascist Europe], as well as a personal example of its lustrous quality... this engaging book... will prove to be indispensable to all students of transatlantic interactions.” — Cushing Strout, The Annals of the American Academy of Political and Social Science “This is an optimistic book, a contribution to a singular chapter in the history of American science and learning.” — Philip Morrison, Scientific American




Photography, Migration and Identity


Book Description

Between the 1933 Nazi seizure of power and their 1941 prohibition on all Jewish emigration, around 90,000 German Jews moved to the United States. Using the texts and images from a personal archive, this Palgrave Pivot explores how these refugees made sense of that experience. For many German Jews, theirs was not just a story of flight and exile; it was also one chapter in a longer history of global movement, experienced less as an estrangement from Germanness, than a reiteration of the mobility central to it. Private photography allowed these families to position themselves in a context of fluctuating notions of Germaness, and resist the prescribed disentanglement of their Jewish and German identities. In opening a unique window onto refugees’ own sense of self as they moved across different geographical, political, and national environments, this book will appeal to readers interested in Jewish life and migration, visual culture, and the histories of National Socialism and the Holocaust.