Experimental Music in Schools
Author : Brian Dennis
Publisher : London : Oxford U.P. Music Department
Page : 94 pages
File Size : 43,46 MB
Release : 1970
Category : Language Arts & Disciplines
ISBN :
Author : Brian Dennis
Publisher : London : Oxford U.P. Music Department
Page : 94 pages
File Size : 43,46 MB
Release : 1970
Category : Language Arts & Disciplines
ISBN :
Author : Arnold E. Burkart
Publisher :
Page : pages
File Size : 15,8 MB
Release : 1976
Category : Music
ISBN :
Author : Brian Dennis
Publisher :
Page : 32 pages
File Size : 20,38 MB
Release : 1970
Category : Composition (Music)
ISBN :
Author : Leigh Landy
Publisher : Routledge
Page : 188 pages
File Size : 12,94 MB
Release : 1994
Category : Music
ISBN : 9783718655533
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Ronald B. Thomas
Publisher :
Page : 258 pages
File Size : 41,63 MB
Release : 1966
Category : Music
ISBN :
Author : Joanna Demers
Publisher : Oxford University Press
Page : 212 pages
File Size : 38,99 MB
Release : 2010-07-30
Category : Music
ISBN : 019977448X
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Author :
Publisher :
Page : pages
File Size : 12,6 MB
Release : 1970
Category : Rhythm bands and orchestras
ISBN :
Author : Leigh Landy
Publisher : Routledge
Page : 325 pages
File Size : 49,55 MB
Release : 2013-01-11
Category : Performing Arts
ISBN : 113507318X
Today's education and communications media are seen to be the main cause of the anonymity of contemporary music and suggestions are made to improve this situation. Leigh Landy investigates audio-visual applications that have hardly been explored, new timbres and sound sources, the discovery of musical space, new notations, musical politics, and the 'musical community' in an attempt to incite more composers, musicians and musicologists to get this music out into the works and to stimulate the creation of new experimental works.
Author : Brian Dennis
Publisher :
Page : pages
File Size : 45,8 MB
Release : 1972
Category :
ISBN : 9780193231962
Author : James Saunders
Publisher : Routledge
Page : 453 pages
File Size : 37,80 MB
Release : 2017-02-03
Category : Music
ISBN : 1351697579
The recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music.