Exploring Early Jazz


Book Description

This book tells the story of the first Thirty Years of Jazz during which the basic jazz of Buddy Bolden developed into Classic Jazz and passed into history. It covers the first twenty years before recordings appeared and uncovers the Saga of the first Jazz Bands. - their struggle to adapt to the demands of their audiences and the impetus they gave to the Roaring Twenties when the Original Dixieland Jazz Band made the first jazz recordings in 1927 - and the age of hot Classic Jazz, of King Oliver and the transition to Swing.




Cuttin' Up


Book Description

The emergence of jazz out of New Orleans is part of the American story, but the creation of this music was more than a regional phenomenon: it also crossed geographical, cultural, and technological lines. Court Carney takes a new look at the spread and acceptance of jazz in America, going beyond the familiar accounts of music historians and documentarians to show how jazz paralleled and propelled the broader changes taking place in America's economy, society, politics, and culture. Cuttin' Up takes readers back to the 1920s and early 1930s to describe how jazz musicians navigated the rocky racial terrain of the music business-and how new media like the phonograph, radio, and film accelerated its diffusion and contributed to variations in its styles. The first history of jazz to emphasize the connections between these disseminating technologies and specific locales, it describes the distinctive styles that developed in four cities and tells how the opportunities of each influenced both musicians' choices and the marketing of their music. Carney begins his journey in New Orleans, where pioneers like Jelly Roll Morton and Buddy Bolden set the tone for the new music, then takes readers up the river to Chicago, where Joe Oliver's Creole Jazz Band, featuring a young Louis Armstrong, first put jazz on record. The genre received a major boost in New York through radio's live broadcasts from venues like the Cotton Club, then came to a national audience when Los Angeles put it in the movies, starting with the appearance of Duke Ellington's orchestra in Check and Double Check. As Carney shows, the journey of jazz had its racial component as well, ranging from New Orleans' melting pot to Chicago's segregated music culture, from Harlem clubs catering to white clienteles to Hollywood's reinforcement of stereotypes. And by pinpointing specific cultural turns in the process of bringing jazz to a national audience, he shows how jazz opens a window on the creation of a modernist spirit in America. A 1930 tune called "Cuttin' Up" captured the freewheeling spirit of this new music-an expression that also reflects the impact jazz and its diffusion had on the nation as it crossed geographic and social boundaries and integrated an array of styles into an exciting new hybrid. Deftly blending music history, urban history, and race studies, Cuttin' Up recaptures the essence of jazz in its earliest days.




Early Jazz


Book Description

The first of three volumes on the history and musical contribution of jazz.




Jazz and the Jazz Age


Book Description

Jazz Music flourished between 1920 and 1930 - the Roaring Twenties, becoming the most acceptable form of popular music, so much so that the decade was named the Jazz Age. But what does the word jazz mean and where did it come from? In his latest work Jazz and the Jazz Age jazz historian Daniel Hardie traces the beginnings of jazz from roots in New Orleans to its appearance in Chicago in 1915 to its domination of popular music in the 1920’s and the wild extravagance of prohibition era Chicago and beyond.




Early Jazz


Book Description

Early Jazz is an overview of the beginnings of jazz from its nineteenth-century roots through 1929, when elements of the Swing Era began to emerge. It is the first book on early jazz history in over fifty years and fills a compelling need for an update that reflects recent research. With a broad definition of jazz that encompasses the artistic and the commercial, the book's inclusive tone allows for a wide spectrum of musicians, including not only pioneering African American and white musicians but also those who are commonly skipped or skimmed over in jazz history textbooks—lesser-known sidemen, prominent instrumentalists, entertainers or novelty performers, women, vocalists, and American jazz musicians who introduced jazz on their travels around the world. Nineteen songs are analyzed in depth, but no musical knowledge is required to understand or to read Early Jazz. The book is written as an introduction for fans, students, musicians, historians, scholars, and anyone who is interested in this fascinating era of jazz history.




Joined at the Hip


Book Description

From the early days through Prohibition and the swing era, then to bebop and beyond, this is the story of jazz music, musicians, and venues in Minneapolis and St. Paul.




The Golden Age of Jazz


Book Description

A thrilling collection of photographs that reveal the people, places, and events of Jazz's Golden Age the period from the late 1930s through the 1940s during which the music underwent enormous growth and transformation. Two hundred b&w photographs are included, accompanied by Gottlieb's recollection




Classic Jazz


Book Description

A listener's guide to jazz retraces the history of the music, from earliest recordings to the Depression, profiling the people and events behind this truly American art form in a collection of essays, reviews, profiles, and more. Original.




New History of Jazz


Book Description

In this major update of the acclaimed and award-winning jazz history, Alyn Shipton challenges many of the assumptions that surround the birth and growth of jazz music. Shipton also re-evaluates the transition from swing to be-bop, asking just how political this supposed modern jazz revolution actually was. He makes the case for jazz as a truly international music from its earliest days, charting significant developments outside the USA from the 1920s onwards. All the great names in jazz history are here, from Louis Armstrong to Miles Davis and from Sidney Bechet to Charlie Parker and John Coltrane. But unlike those historians who call a halt with the death of Coltrane in 1967, Shipton continues the story with the major trends in jazz over the last 40 years: free jazz, jazz rock, world music influences, and the re-emergence of the popular jazz singer. This new edition brings the book completely up-to-date, including such names as John Medeski, Diana Krall, Django Bates, and Matthias Ruegg. There are also impor¬tant new sections on Latin Jazz and the repertory movement.




Traditional New Orleans Jazz


Book Description

About a century after its beginnings, traditional jazz remains the definitive music of New Orleans and an international hallmark of the city. The enduring sound and boundless energy of this American art form have produced a long list of jazz legends. From Lionel Ferbos -- the city's oldest working jazz musician -- to Grammy winner Irvin Mayfield, the musical heritage of traditional jazz lives on through each player's passion. In Traditional New Orleans Jazz, veteran jazz journalist Thomas Jacobsen discusses that legacy with Ferbos, Mayfield, and a who's who of the present-day scene's "trad jazz" players. Through intimate conversations with jazz veterans and up-and-coming talent, Jacobsen elicits honest, witty, and sometimes comedic discussions that reveal a strong mutual devotion to do one thing -- compose and play music inspired by the Crescent City's earliest jazz musicians. Traditional New Orleans Jazz presents local perspectives on what has become an international language with interviews from Lucien Barbarin, Evan Christopher, Duke Heitger, Leroy Jones, Dr. Michael White, and many more. Jacobsen also notes the stewardship of traditional jazz means more than making music. Its longevity relies on teaching and innovation, furthering the inextricable ties between the music and the men who make it. Traditional New Orleans jazz is a culture of its own, and the players in this remarkable volume are its native speakers.