Epic and Empire


Book Description

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.




Philostratus


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Boileau's Lutrin


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Petrarch's Africa


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Acta Conventus Neo-Latini Upsaliensis


Book Description

Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto Litteras et artes nobis traditas excolere Reception and Innovation. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.




Voltaire's Tormented Soul


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"The findings, in essence, reveal a person of dual identity, with unconscious forces playing a prominent role and holding the key to Voltaire's paradoxical character. His conscious, rational, and cognitively astute self - the standard-bearer of the philosophes in their epochal struggle for freedom - was also responsible for sealing off the subconscious portion of the self associated with traumatic experiences. The elaborate characterological structure erected to ward off consciously unacceptable impulses and, simultaneously, to obtain satisfaction of frustrated needs, is the subject of this study. The price he had to pay for the drastic disconnect between the two selves was formidable. In this volume, much attention is devoted to the unconventional ways and phantasmal stratagems adopted for dealing with the internal pressure of repressed impulses and a perpetual quest for affectional support. Some of these maneuvers show tenuous contact with social reality, as do his bizarre psychosomatic symptoms and bold rationalizations in the Memoirs." "Fortunately for the Western world, Voltaire's prodigious mind was put to use in rattling the cage of the intolerant and rigidly backward theocratic/political system. Due to his immense popularity as a playwright, and his agile participation in current events through a flood of pamphlets, leaflets, and occasional pieces, together with the gigantic volume and engaging style of his correspondence, the name Voltaire became synonymous with the Age of Enlightenment. The dual identity did not interfere with his effectiveness as a humanist. In fact, there is reason to believe that the energy invested in fighting l'infame, the oppressive authority of Church and State, was augmented by a dynamic driving force of the hidden self: the never verbalized and consciously never processed bitter resentment of paternal coercion. Principles and methods of depth psychology, as applied in the study, are elucidated and illustrated."--Jacket.




Piety and Politics


Book Description

"This book provides the first comprehensive analysis of Louis XIV's magnificent final chapel at Versailles, completed in 1710 near the end of his long reign (1643-1715). Construction, begun in 1699 on foundations of 1689, spanned the offices of two premiers architects du roi, Jules Hardouin-Mansart and Robert de Cotte. Eight painters and over 100 sculptors participated in the monumental undertaking, which remains almost unchanged today. An unusually large number of archival documents, drawings, and early texts about the chapel allow a detailed reconstruction of its history and meaning. Given Louis XIV's renown as one of the great kings and art patrons of all history and the universal definitions of his power in terms of divine kingship, the story of his palace chapel interests all historians of the ancien regime."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved