Exposition inaugurale


Book Description




The Artist and His Critic Stripped Bare


Book Description

Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.




Wilf Perreault


Book Description

Wilf Perreault is in a class of artists known primarily for a single subject – in his case, the humble urban back alley. Coteau Books proudly joins forces with the MacKenzie Art Gallery to present a coffee-table book with more than a hundred full-colour images, accompanied by essays discussing the work of the artist best known as “Wilf”. Wilf Perreault contains an additional treat – 11 pieces of creative prose and poetry by Saskatchewan literary artists responding to Wilf's work in general, or to specific paintings that have inspired them. Walking up the alley with Wilf Perreault, we see how his work fits perfectly into the tradition established by Saskatchewan artists from Ernest Lindner to Joe Fafard to David Thauberger. His paintings are rendered in a breathtaking detail that asks us to take another, closer, look at the everyday. Born in the small Franco-Saskatchewan community of Albertville, Wilf Perreault studied art at the University of Saskatchewan and has been painting and teaching art in Regina since the early 1970s.




Catalogue of the Inaugural Exhibition June 6-September 20, 1916


Book Description

This catalogue documents the Cleveland Museum of Art's inaugural exhibition in 1916, featuring a diverse array of artworks from all over the world. It provides valuable insights into the history of art exhibition in the United States. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Knowledge Management


Book Description

This book is a compilation of writings handpicked in esteemed scientific conferences that present the variety of ways to approach this multifaceted phenomenon. In this book, knowledge management is seen as an integral part of information and communications technology (ICT). The topic is first approached from the more general perspective, starting with discussing knowledge management’s role as a medium towards increasing productivity in organizations. In the starting chapters of the book, the duality between technology and humans is also taken into account. In the following chapters, one may see the essence and multifaceted nature of knowledge management through branch-specific observations and studies. Towards the end of the book the ontological side of knowledge management is illuminated. The book ends with two special applications of knowledge management.




Exposition inaugurale


Book Description




The Studio


Book Description




F.H. Varley


Book Description

Frederick Horsman Varley was unique among the members of the Group of Seven. One of the greatest Canadian portraitists of the twentieth century, he is an intriguing example of an artist who, despite his fame as a portrait painter, remains better known for his landscapes. This is due mainly to his position as one of the founding members of the Group of Seven and their deliberate attempt to raise awareness of our national identity by depicting the Canadian landscape. Even though many public collections across the country, including the National Gallery of Canada, the Art Gallery of Ontario, and the Vancouver Art Gallery, display some of Varley's best-known portraits, these works do not easily fit into the conventional mould of the Group of Seven. Nearly four decades after his death, Varley's portraits are still not fully acknowledged. The release of this beautifully illustrated bilingual volume coincides with the opening of an unprecedented exhibition of his portraiture.