The Expressive Self


Book Description

Expression is typically construed as a relation between two ontologically distinct items—namely, a vehicle and a content—but it is better construed non-relationally, since the content is an intrinsic aspect or quality of the expressive vehicle. Upon this basis, The Expressive Self: The First Person in Speech and Thought argues that the distinctive nature of the first-person perspective must be accounted for in expressive, rather than epistemic, terms. For though others can report on what one expresses, one alone is able to non-relationally express oneself; one alone is able to produce vehicles that are episodes of one’s self-consciousness. According to Ángel García Rodríguez, the ensuing expressive model of the self provides clarity on some prominent contemporary puzzles, notably Moore’s paradox, self-deception, and McKinsey’s paradox, given the duality of non-relationally expressive and reporting uses of the underlying first-person claims. Moreover, the phenomena of self-reference and first-person authority, both psychological and bodily, pose no objection to the model. Throughout, the author engages critically with alternative conceptions of the self, delivering a novel account that helps advance the debate about the nature of the self and of the first person.







Studies In Expressive Movement


Book Description

Investigations of personality may be focused upon any one of three different levels of phenomena. The first is the level of traits, interests, attitudes, or sentiments considered as composing an "inner" personality; the second is the level of behaviour and expression; the third is the level of impression, the perception and interpretation of behaviour by another. Since a discovery on one of these levels establishes a presumption that the phenomenon in question has some counterpart on the other levels, a problem which is elusive on one plane may often be more expediently attacked on another. This is the motive and the plan behind the present study. Instead of approaching the difficult problem of consistency or organization in personality through a study of "inner" dispositions-which, of course, can only be known indirectly through tests and scales, -we have chosen to refer the problem to the level of expressive movement and there to examine it in a more direct fashion.




Æesthetics


Book Description







Animating Expressive Characters for Social Interaction


Book Description

Animated interactive characters and robots that are able to function in human social environments are being developed by a large number of research groups worldwide. Emotional expression, as a key element of human social interaction and communication, is often added in an attempt to make them appear more natural to us. How can such artefacts be given emotional displays that are believable and acceptable to humans? This is the central question of Animating Expressive Characters for Social Interaction. The ability to express and recognize emotions is a fundamental aspect of social interaction. Not only is it a central research question, it has been explored in animated films, dance, and other expressive arts for a much longer period. This book is unique in presenting a multi-disciplinary approach to animation in its broadest sense: from internal mechanisms to external displays, not only from a graphical perspective, but more generally examining how to give characters an “anima”, so that they appear as life-like entities and social partners to humans. (Series B)




Dictionary of Critical Realism


Book Description

Dictionary of Critical Realism fulfils a vital gap in the literature, Critical Realism is often criticised for being too opaque and deploying too much jargon, thereby making the concepts inaccessible for a wider audience. However, as Hartwig puts it 'Just as the tools of the various skilled trades need to be precision-engineered for specific, interrelated functions, so meta-theory requires concepts honed for specific interrelated tasks: it is impossible to think creatively at that level without them.' This Dictionary seeks to redress this problem; to throw open the important contribution of Critical Realism to a wider audience for the first time, by thoroughly explaining all the key concepts and key developments. It includes 500 entries on these themes, and has contributions from major players in field. However this text does not stop there, it goes further than simply elucidating the concepts and includes a number of essays which use the notions in important areas, thereby demonstrating the appropriate use of the concepts in action to encourage their wider use. This book will become a requisite reference tool for Critical Realist scholars and Philosophers and Social scientists alike will enjoy this vital introduction and explanatory text of the indispensable ideas contained within the dynamic and vibrant school of Critical Realism.




Hegel and Modern Society


Book Description

This rich study explores the elements of Hegel's social and political thought that are most relevant to our society today. Combating the prevailing post-World War II stereotype of Hegel as a proto-fascist, Charles Taylor argues that Hegel aimed not to deny the rights of individuality but to synthesise them with the intrinsic good of community membership. Hegel's goal of a society of free individuals whose social activity is expressive of who they are seems an even more distant goal now, and Taylor's discussion has renewed relevance for our increasingly globalised and industrialised society. This classic work is presented in a fresh series livery for the twenty-first century with a specially commissioned new preface written by Frederick Neuhouser.




The Elements of Creative and Expressive Artistry


Book Description

THE ELEMENTS OF CREATIVE AND EXPRESSIVE ARTISTRY identifies the nine root elements common to all artistic disciplines. Whether you are a writer, visual artist, or a performer, learning the fundamental elements will help you unlock your full artistic potential and create art that is more expressive, dramatic, and engaging. Hundreds of relevant art examples, citations, and quotations from prominent art professionals, philosophers, and scientists inform the pages of THE ELEMENTS OF CREATIVE AND EXPRESSIVE ARTISTRY. Authors, painters, sculptors, dancers, and artists from nearly every creative field provide knowledge and insight into many different forms of art, including visual arts, literary arts, dramatic arts, musical arts, dance arts, and various hybrid art forms. For advanced artists and art professionals looking to bring depth and nuance to their work, THE ELEMENTS OF CREATIVE AND EXPRESSIVE ARTISTRY presents thirty-six new elements that branch from the nine root elements and offer additional avenues of exploration for a lifetime of artistic development. For the art critic, it also presents a fundamental basis on which to evaluate artistic work of any domain. Even the non-artist who possesses a general love for art will develop a deeper appreciation of art by understanding the nine root elements.




No man in alien


Book Description

Man, by E.J. Burrus.--The effects of colonialism upon the Asian understanding of man, by J.G. Arapura.--Religious pluralism and the quest for human community, by S.J. Samartha.--From Confucian gentleman to the new Chinese 'political' man, by D.A. Robinson.--The scientific revolution and the unity of man, by B. Towers.--Language and communication, by E.A. Nida.--Man and the son of man, by J. Moltmann.--The potentiality of conciliarity: communion, conscience, council, by W.B. Blakemore.--Oneness must mean wholeness, by J.R. Nelson.