The Miracle


Book Description

Century Theatre, direction the Messrs. Lee and J.J. Shubert. F. Ray Comstock and Morris Gest have the great honor to present for the first time in America "The Miracle," in three acts and 8 scenes ... staged by Max Reinhardt, book by Karl Vollmoeller, score by Engelbert Humperdinck, revised and extended by Friedrich Schirmer, production designed by Norman-Bel Geddes, built by J.P. Carey and Company. Conductor of the orchestra, Einar Nilson, entire production under personal supervision of Morris Gest. "The Miracle" will be presented only in New York and will not be played in any other city in the United States




Among Our Books


Book Description




Stage Designers in Early Twentieth-Century America


Book Description

By casting designers as authors, cultural critics, activists, entrepreneurs, and global cartographers, Essin tells a story about scenic images on the page, stage, and beyond that helped American audiences see the everyday landscapes and exotic destinations from a modern perspective.




The Juggler of Notre Dame and the Medievalizing of Modernity


Book Description

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.