Factories of Memory: Cinematic Representations of the 12 September Military Coup


Book Description

12 September 1980, the third successful military coup in the history of Turkey has had a debilitating impact on the social, political and cultural life of the country. This study examines the representations of the 12 September coup through the lens of film as memory. Based on the content analysis of the two films, Beynelmilel (2006) and Bu Son Olsun (2012), and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey.




Factories of Memory: Remembering the 12 September Military Coup in Beynelmilel and Bu Son Olsun


Book Description

Master's Thesis from the year 2012 in the subject Film Science, grade: A, Lund University (Centre for European Studies), language: English, abstract: 12 September 1980, the third successful military coup in the history of Turkey, has had a debilitating impact on the social, political and cultural life of the country. This thesis examines the representations of the 12 September coup through the lens of film as memory. Based on content analysis of two films, Beynelmilel (2006) and Bu Son Olsun (2012) and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey. The results demonstrate that both cinematic products are reflective of multiple and fragmented memories of the 12 September, and that there is not a strong manifestation of remembering or references to memories of this event as the interpretation of online reviews of both products puts forward.




Social Trauma and Telecinematic Memory


Book Description

This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity.




The Palgrave Handbook of Anti-Communist Persecutions


Book Description

This handbook explores anti-communism as an overarching phenomenon of twentieth-century global history, showing how anti-communist policies and practices transformed societies around the world. It advances research on anti-communism by looking beyond ideologies and propaganda to uncover how these ideas were put into practice. Case studies examine the role of states and non-state actors in anti-communist persecutions, and cover a range of topics, including social crises, capitalist accumulation and dispossession, political clientelism and warfare. Through its comparative perspective, the handbook reveals striking similarities between different cases from various world regions and highlights the numerous long-term consequences of anti-communism that exceeded by far the struggle against communism in a narrow sense. Contributing to the growing body of work on the social history of mass violence, this volume is an essential resource for students and scholars interested to understand how twentieth-century anti-communist persecutions have shaped societies around the world today. Chapter 7 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.




Excavating Memory


Book Description

In this compelling study, Maria Theresia Starzmann and John Roby bring together an international cast of experts who move beyond the traditional framework of the "constructed past" to look at not only how the past is remembered but also who remembers it. They convincingly argue that memory is a complex process, shaped by remembering and forgetting, inscription and erasure, presence and absence. Collective memory influences which stories are told over others, ultimately shaping narratives about identity, family, and culture. This interdisciplinary volume--melding anthropology, archaeology, sociology, history, philosophy, literature, and archival studies--explores such diverse arenas as archaeological objects, human remains, colonial landscapes, public protests, national memorials, art installations, testimonies, and even digital space as places of memory. Examining important sites of memory, including the Victory Memorial to Soviet Army, Blair Mountain, Spanish penitentiaries, African shrines, and the U.S.-Mexico borderlands, the contributors highlight the myriad ways communities reinforce or reinterpret their pasts.




Killer Images


Book Description

Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them




Languages of Trauma


Book Description

This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are frequently beyond the sphere of medical, legal, or state intervention. To address these different, often intertwined modes of language, the contributors provide a variety of disciplinary approaches to foster innovative debates and provoke new insights. Prevailing definitions of trauma can best be understood according to the cultural and historical conditions within which they exist. Languages of Trauma explores what this means in practice by scrutinizing varied historical moments from the First World War onwards and particular cultural contexts from across Europe, the United States, Asia, and Africa – striving to help decolonize the traditional Western-centred history of trauma, dissolving it into multifaceted transnational histories of trauma cultures.




Politics of Memory


Book Description

The anthology Politics of Memory investigates the changing relationship between artistic practices and the documentary. The documentoffered as an objective trace left by events, as material proof or as the creation of realitycan transform a state of memory into state memory through historical removal which, ultimately challenges permanent or temporary forgetting, casting memory into the future. Bringing together the work of international artists and filmmakers including Hito Steyerl, Eric Baudelaire and Clemens von Wedemeyer and others who attended the cycle of conferences held between 2009 and 2013 at Nuova Accademia di Belle Arti Milano, this illustrated softcover publication is the result of a multi-year research project promoted by NABAs Visual Arts and Curatorial Studies program. It begins with the idea of memory as a critical exercise and act of resistance and compares a variety of artistic expressions investigating forms of documentary making and archiving.







Turkish Cinema


Book Description

Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.