Factory Girl Literature


Book Description

As millions of women and girls left country towns to generate Korea’s manufacturing boom, the factory girl emerged as an archetypal figure in twentieth-century popular culture. This book explores the factory girl in Korean literature from the 1920s to the 1990s, showing the complex ways in which she has embodied the sexual and class violence of industrial life.




Factory Girl


Book Description

At the dingy, overcrowded Acme Garment Factory, Emily Watson stands for eleven hours a day clipping threads from blouses. Every time the boss passes, he shouts at her to snip faster. But if Emily snips too fast, she could ruin the garment and be docked pay. If she works too slowly, she will be fired. She desperately needs this job. Without the four dollars a week it brings, her family will starve. When a reporter arrives, determined to expose the terrible conditions in the factory, Emily finds herself caught between the desperate immigrant girls with whom she works and the hope of change. Then tragedy strikes, and Emily must decide where her loyalties lie. Emily's fictional experiences are interwoven with non-fiction sections describing family life in a slum, the fight to improve social conditions, the plight of working children then and now, and much more. Rarely seen archival photos accompany this story of the past as only Barbara Greenwood can tell it.




Factory Girls


Book Description

A funny, fierce, and unforgettable read about a young woman working a summer job in a shirt factory in Northern Ireland, while tensions rise both inside and outside the factory walls. Winner of the Comedy Women in Print 2022-23 Published Novel Award It’s the summer of 1994, and all smart-mouthed Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles. She hopes she will soon be in London studying journalism—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the violence of her divided community. As a first step, Maeve’s taken a job in a shirt factory working alongside Protestants with her best friends. But getting the right exam results is only part of Maeve’s problem—she’s got to survive a tit-for-tat paramilitary campaign, iron 100 shirts an hour all day every day, and deal with the attentions of Handy Andy Strawbridge, her slick and untrustworthy English boss. Then, as the British loyalist marching season raises tensions among the Catholic and Protestant workforce, Maeve realizes something is going on behind the scenes at the factory. What seems to be a great opportunity to earn money turns out to be a crucible in which Maeve faces the test of a lifetime. Seeking justice for herself and her fellow workers may just be Maeve’s one-way ticket out of town. Bitingly hilarious, clear-eyed, and steeped in the vernacular of its time and place, Factory Girls tackles questions of wealth and power, religion and nationalism, and how young women maintain hope for themselves and the future during divided, violent times. Shortlisted for the 2023 Royal Society of Literature Encore Award (for second novels) and the Christopher Ewart-Biggs Memorial Prize




Factory Girl


Book Description

In order to save her family’s farm, Roshen, sixteen, must leave her rural home to work in a factory in the south of China. There she finds arduous and degrading conditions and contempt for her minority (Uyghur) background. Sustained by her bond with other Uyghur girls, Roshen is resolved to endure all to help her family and ultimately her people. A workplace survival story, this gritty, poignant account focuses on a courageous teen and illuminates the value—and cost—of freedom.




Factory Girls


Book Description

Poetry. Asian & Asian American Studies. Women's Studies. Translated by Jeffrey Angles, Jen Crawford, Carol Hayes, Rina Kikuchi, You Sakai, Sawako Nakayaso. This first English-language volume from Japanese poet, performer and publisher Takako Arai collects engaging, rhythmically intense narrative poems set in the silk weaving factory where Arai grew up. FACTORY GIRLS depicts the secretive yet bold world of the women workers as well as the fate of these kinds of regional, feminine, collaborative spaces in a current-day Japan defined by such corporate and climate catastrophes as the rise of Uniqlo and the 2011 earthquake, tsunami and nuclear disaster.




Factory Girl


Book Description

At the dingy, overcrowded Acme Garment Factory, Emily Watson stands for eleven hours a day clipping threads from blouses. Every time the boss passes, he shouts at her to snip faster. But if Emily snips too fast, she could ruin the garment and be docked pay. If she works too slowly, she will be fired. She desperately needs this job. Without the four dollars a week it brings, her family will starve. When a reporter arrives, determined to expose the terrible conditions in the factory, Emily finds herself caught between the desperate immigrant girls with whom she works and the hope of change. Then tragedy strikes, and Emily must decide where her loyalties lie. Emily's fictional experiences are interwoven with non-fiction sections describing family life in a slum, the fight to improve social conditions, the plight of working children then and now, and much more. Rarely seen archival photos accompany this story of the past as only Barbara Greenwood can tell it.




The Factory Girl


Book Description




The Factory Girl


Book Description




Factory Girl


Book Description

Everybody knows the sad tale of the Little Match Girl, but less well known is the story of the girls and women who slaved fourteen hours a day in the match factories for appalling pay, only to contract such fatal complaints as phossy jaw. The brutality of these conditions was brought to a head with the London Match Girls Strike of 1888. Told from the perspective of a young factory worker, this new title offers a fascinating insight into Victorian child labour.




The Factory Girl


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.