The Middle Ages


Book Description

This book guides readers through 10 pervasive fictions about medieval history, provides them with the sources and analytical tools to critique those fictions, and identifies what really happened in the Middle Ages. This book is the first to present fictions about the medieval world to serious students of history. Instead of merely listing myths and stating they are wrong, this volume promotes critical historical analysis of those myths and how they came to be. Each of the ten chapters outlines a pervasive modern myth about medieval European history, describing "What People Think Happened" and "What Really Happened," and illustrating both trends with primary source documents. The book demonstrates that historical fictions also have a history, and that while we need to replace those fictions with facts about the medieval past, we can also benefit from understanding how a fiction about the Middle Ages developed and what that says about our modern perspectives on the past. Through this innovative presentation, readers are introduced to a wide range of sources, from Roman imperial perspectives on the "Fall of Rome" to songs of chivalry and chronicles of the Crusades, scientific treatises on the shape of the Earth and the creation of the universe and early modern stories and textbooks that developed or perpetuated historical myths.




The Facts and Fictions of Minna Pratt


Book Description

Minna wishes for many things. She wishes she understood the quote taped above her mother's typewriter:Fact and fiction are different truths. She wishes her mother would stop writing long enough to really listen to her. She wishes her house were peaceful and orderly like her friend Lucas's. Most of all, she wishes she could find a vibrato on her cello and play Mozart the way he deserves to be played. Minna soon discovers that some things can't be found-they just have to happen. And as she waits for her vibrato to happen, Minna begins to understand some facts and fictions about herself.




Archive Stories


Book Description

Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles




Flexible History of Fluxus Facts and Fictions


Book Description

Explores the roots and fruits of this radical art movement. Here Emmett Williams turns cartoonist, in the footsteps of Lyonel Feininger, Rube Goldberg, and Ad Reinhardt. His pseudo-historical collage-drawings, digitally remastered by Ann Noel for this edition, are peopled with often-irreverent images of his real-life friends and colleagues. Williams, the oldest living member of Fluxus, assumes the role of know-it-all ringmaster in a three-ring circus that highlights the fanciful antics of the stars of Fluxus, Happenings, and Performance Art: George Maciunas, John Cage, Claes Oldenburg, Yoko Ono, Nam June Paik, Joseph Beuys, Christo and Jeanne-Claude, and Williams and Noel themselves. On the left-hand pages, opposite each cartoon, are documents from the author's personal archives relating some of the amusing and unexpected things that really happened in Fluxus events over the years. 140 color illustrations.




Fact and Fiction


Book Description

This collection of Bertrand Russell's essays is available in paperback for the first time since its publication in 1961. Its first section deals with the books which influenced Russell in his youth. The works of Shelley, Turgenev, Ibsen and Gibbon are among those selected for discussion. The second part is devoted to essays on politics and education. The third section is one of divertissements and parables, which also includes some rare descriptions of Russell's dreams. Finally there are 11 essays and speeches concerned with peace and war, which include some of Russell's most famous pronouncements on nuclear warfare and international tension. Fact and Fiction provides an insight into one of this century's greatest philosophers' range of interests and depth of convictions.




Constitutional Fictions


Book Description

David Faigman's Constitutional Fictions is the first book-length examination of the role of fact-finding in constitutional cases. Because the role of facts is central to the day-to-day realities of constitutional law, Faigman provides an extraordinarily important analysis of a subject that has been largely ignored by constitutional scholars. To show how contemporary facts play into constitutional analysis, Faigman examines some of the most controversial subjects of the late twentieth century, including physician-assisted suicide, abortion, sexual predators, free speech, and privacy. The Constitution is popularly thought of as a static document that embodies fundamental values and foundational principles of governance. However, the values and principles that the Constitution embodies must be applied to the circumstances and challenges of changing times. Constitutional Fictions explains how contemporary facts should be incorporated into constitutional decisions, thus allowing the Constitution to endure for the ages.




Ancient Egypt


Book Description

Comprising a unique collection of primary sources, this book critically examines several topics relating to ancient Egypt that are of high interest to readers but about which misconceptions abound. With its pyramids, mummies, and sphinxes, ancient Egypt has fascinated us for centuries. It has been the setting of many films and novels, figuring prominently in popular culture. Much of what the average reader believes about this civilization, however, is mistaken. Through a unique collection of primary source documents, this book critically examines several topics related to ancient Egypt and about which misconceptions abound. Primary sources, many in new translations by the author, are drawn from ancient Egyptian, classical Greek and Roman, Muslim, early Christian, and modern European documents. These sources shed light on popular misconceptions. Such topics include the divinity of the pharaoh, the role of animals in ancient Egyptian religion, the purpose of the Egyptian pyramids, the use of slave labor, the Egyptian hieroglyphic writing system, the role of Cleopatra in the defeat of Marc Antony and the fall of the Roman Republic, and the influence of Egyptian religion on the development of early Christianity. By studying these documents, users will be able to develop their skills interpreting and evaluating primary sources.




Storytelling in Organizations : Facts, Fictions, and Fantasies


Book Description

Myths, stories, and folklore are part of the fabric and life of all organizations, enabling us to understand, identify, and communicate the character of the organization - its ambitions, conflicts, and peculiarities. Drawing on extensive fieldwork of storytelling in five organizations, this book argues that stories open valuable windows into the emotional and symbolic lives of organizations. By collecting stoires in different organizations, by listening and comparing different accounts, by investigating how narratives are constructed around specific events, by examining which events in an organization's history generate stories and which ones fail to do so, researchers can gain access to deeper organizational realities, closely linked to their members' experiences. In this way, stories enable researchers to study organizational politics, culture, and change in uniquely illuminating ways, revealing how wider organizational issues are viewed, commented upon, and worked upon by their members. The book's first part develops the theory of storytelling by building on various approaches, including narrative, folkloric, ethnographic, symbolic, social constructionist, and psychoanalytic, while the second offers a set of four studies which make use of stories in exploring particular aspects of organizational life.




The Paris Wife


Book Description

Chicago, 1920: Hadley Richardson is a shy twenty-eight-year-old who has all but given up on love and happiness when she meets Ernest Hemingway and is captivated by his energy, intensity and burning ambition to write. After a whirlwind courtship and wedding, the pair set sail for France. But glamorous Jazz Age Paris, full of artists and writers, fuelled by alcohol and gossip, is no place for family life and fidelity. Ernest and Hadley's marriage begins to founder, and the birth of a beloved son serves only to drive them further apart. Then, at last, Ernest's ferocious literary endeavours begin to bring him recognition - not least from a woman intent on making him her own . . .




Fictions of Fact and Value


Book Description

Fictions of Fact and Value argues that the philosophy of logical positivism, considered the antithesis of literary postmodernism, exerts a determining influence on the development of American fiction in the three decades following 1945, in what amounts to a constitutive encounter between literature and philosophy at mid-century: after the end of modernism, as it was traditionally conceived, but prior to the rise of postmodernism, as it came to be known. Two particular postwar literary preoccupations derive from logical positivist philosophy: the fact/value problem and the correlative distinction between sense and nonsense. Even as postwar writers responded to logical positivism as a threat to the imagination, their works often manifest its influence, specifically with regard to "emotive" or "meaningless" terms. Far from a straightforward history of ideas, Fictions of Fact and Value charts a genealogy that is often erased in the very texts where it registers and disowned by the very authors that it includes. LeMahieu complicates a predominant narrative of intellectual history in which a liberating postmodernism triumphs over a reactionary positivism by historicizing the literary response to positivism in works by John Barth, Saul Bellow, Don DeLillo, Iris Murdoch, Flannery O'Connor, Thomas Pynchon, and Ludwig Wittgenstein. As LeMahieu compelling demonstrates, the centrality of the fact/value problem to both positivism and postmodernism demands a rethinking of postwar literary history. A trenchantly argued study that unearths an important part of postwar literary history, Fictions of Fact and Value will interest anyone concerned with postmodernism, modernist studies, analytic philosophy, or the history of ideas.